Following last week’s episode • Logic Pro X: Introduct... introducing the concepts of Subtractive Synthesis, this week, I’m going to develop our understanding of this topic by switching from Logic’s most basic instrument, the ES M, to its next most basic instrument, the ES P! ‘P’ stands for polyphonic, so the first up-tick in capability is that we can now play chords. But this instrument also allows for a blend of a wider range of Oscillators, introduces LFOs and offers a greater range of possibilities at the Envelope stage. All of these features combine to provide more sonic possibilities; even in a synth this basic, we can make Bass and Pad sounds from scratch. Oh and helicopters too. Lastly, we’ll see how the Olympic Rings are a useful aide-memoire when looking at more sophisticated instruments, like Retro Synth.
00:00 Intro and recap of Part 1
01:46 ES P Oscillators
04:08 White Noise generator
06:32 Filter section
08:07 Understanding Envelopes
12:10 LFO Section -Vibrato
15:15 LFO -Wah
18:31 Applying Envelope to Filter
21:10 A quick summary
23:46 Output Overdrive and Chorus
24:18 Key Tracking
25:50 Making a Bass sound
28:52 Making a Pad sound
31:07 Olympic Rings applied to Retro Synth
32:45 Subtractive Synth summary
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