🎵 Download the accompanying PDF to this video, “A Guide to Mastering Speed on the Clarinet” here: tinyurl.com/5n8e4tf2
@lookerona
6 ай бұрын
Thank you so much, dear Julianna! Great information!
@clarinetnotestudio4851
6 ай бұрын
Thanks, Leonid! Thanks for your support! Hope you're doing well and are composing a lot!
@wladimirudod8532
6 ай бұрын
Hi , Julianna ! Thank you so much for your helpful advice, brilliant technique and charming sound. I wish you good health and creative success ! 🎼🎶🎵🐾🐕🐕🐾🎶👏👏
@clarinetnotestudio4851
6 ай бұрын
Thanks, Wladimir! I hope you are doing well! Thanks for your kind words and thanks for watching!!!
@debbyevans4898
6 ай бұрын
Thank you Julianna for another extremely informative video and sharing your expertise. I appreciate you playing examples for us and pointing out what to strive for. This is so helpful 👏👏💕
@clarinetnotestudio4851
6 ай бұрын
Thanks mom!! You're my biggest fan, love you!
@user-yt4tm4hx7p
6 ай бұрын
Лёня! Здорово.
@clarinetnotestudio4851
6 ай бұрын
Thank you!!
@user-jt5gf1rz9b
6 ай бұрын
Браво!!!
@clarinetnotestudio4851
6 ай бұрын
Thanks so much, I appreciate it!
@positivelycarly
6 ай бұрын
Julianna this was great!!!!
@clarinetnotestudio4851
6 ай бұрын
Thanks so much!
@arturdavtyan3223
6 ай бұрын
Hello, I'm sorry, please tell me, how should the lower lip be in relation to the upper tooth?
@clarinetnotestudio4851
6 ай бұрын
Hi Artur! This is an excerpt from my clarinet teacher, Dr. Chuck West's paper on the basic single-lip embouchure. I hope this answers your question. The basic single-lip embouchure has these features: 1. top teeth on the mouthpiece 2. lips pushing toward the mouthpiece, creating a seal 3. a pointed chin. While the lower lip muscles closest to the reed pull toward the reed, the muscles further down the chin pull away, creating a pointed effect on the end of the chin. The chin remains pointed and motionless as we play from one register to the other. Additionally, a fourth feature can add smoothness and darkness--especially in the upper register: 4. the upper lip pushes downward onto the mouthpiece. I've also created a free PDF on my website that includes photos and instructions for how to place your teeth and lips on the clarinet mouthpiece. Here is a link: clarinetnotestudio.files.wordpress.com/2023/10/clarinet-embouchure-basics-v3.pdf I hope this info helps; thanks for watching!! -Julianna
@stewartwforbes
6 ай бұрын
Enjoyed your video on reed rush. This is very useful too. I have arthritis in my RH thumb area. I find the thumb placement I’ve adopted prevents my fingers from covering always (I’ve been playing clarinet 59 yrs - I’m a professional saxophone doubler). Thinking of trying a different thumb rest and even a sling. Any ideas ?
@clarinetnotestudio4851
6 ай бұрын
Hi! I'm so sorry about your arthritis in your right hand. I wonder if an adjustable thumb rest would help? I had the YAMAHA ADJUSTABLE CLARINET THUMBREST- SILVER PLATED tinyurl.com/5a8zuzfp installed on my A-clarinet. It can adjust up and down without fixed stations like some other adjustable thumbrests. It also has a built-in loop to accommodate a neck strap. Another option is the KOOIMAN "MAESTRO 2" THUMBREST. It's very pricey and you might have to have a repairman install it, but it's an adjustable thumbrest with an ergonomic design. I know a few players who have installed this thumbrest on their clarinets and they say it really helped with their hand issues, but it's pretty bulky and "Bionic Man" looking: tinyurl.com/4tdhzxa8 I've never tried this thumbrest, but it looked interesting: Ton Kooiman Etude Thumb Rest: tinyurl.com/bdz5j5ch I hope these suggestions helped, thanks for watching!
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