So reassuring to hear a Grammy Award-winning engineer say that sometimes, tracks just don't wanna be loud! I still can't explain it for some tracks. It's like every song has it's own soul.
@kagaro99
Жыл бұрын
Loudness really starts with the arrangement - too many sounds happening at the same time can limit your end loudness - for example having a kick hit at the same time as a bass note - from there the loudness will be limited by the mix - using clippers on transient heavy material like drums can help to trim peaks as the mix progresses - it is important to see how things sum together and if that sum is creating a peak that needs your attention - an oscilloscope can be your best friend with this - if you have peaks or sums of energy that are too high you will not be able to turn the track up without distorting the limiter because the gain reduction will be too much - often you will find that it is possible to clip off sizeable peaks (say anywhere from 1 to even 6db or more) from kicks and snares and have basically effect on the sound quality
@lightsoulbeatz7067
Жыл бұрын
The best video I’ve watched in a long time about music producing in general, probably ever personally. Thanks for this gem Emerson.
@reyfortea6090
8 ай бұрын
I love how definitive Em’s advice is. If 2 dB isn’t enough, fix it in the mix or use another tool (other than eq). 🤯
@CraddyMusic
Жыл бұрын
One of the best mastering videos I’ve seen this year. Very well explained! 🔥
@soundslikewater
Жыл бұрын
Hi Em, This was wonderful to watch. Thanks for your willingness to share.
@jmons33
Жыл бұрын
A gold mine for those who know how to listen attentively….
@olibarahosasa1137
Жыл бұрын
Remember the days when people would laugh at mastering with Ozone.
@razzerraw1108
Жыл бұрын
I can imagine this was before the time of Ozone 5 where people were just strictly analogue
@Darksagan
Жыл бұрын
I couldnt imagine Kendrick sitting over my shoulder the whole time. This was great.
@themultimusicman
Жыл бұрын
Thanks, EM, for sharing. Last seconds very motivational. iZotope is a gamechanger for me.
@IfeeSound
Жыл бұрын
What he said at the end is true. You just have to keep doing it till you become good at it. Thank you Emerson the tips
@daviddeck1074
Жыл бұрын
Very helpful, would like to see more videos like this.
@notinterested8452
Жыл бұрын
It's an honour to be able to watch this.
@alexkeepermusic
Жыл бұрын
I stopped watching KZitem tutorials a while ago but this is a gem 💎👌
@davidabair2280
Жыл бұрын
Thank you Em! It's very educational watching a great mastering artist at work using Ozone 10! I just bought the upgrade and love it. I hope I can find more video from you. Thanks again!
@iZotopeOfficial
Жыл бұрын
Thank you 😇 More tutorials are coming!
@dafingaz
Жыл бұрын
Incredible Mastering Masterclass!
@palsheldon6520
Жыл бұрын
Excellent Vid, great subtle half db changes, mid side boost and cut was excellent.. I would have liked a bit of explanation of how the overs were addressed at the end...
@thisisreallychris
Жыл бұрын
This really was so awesome! Like I learned soooo much! What a talent!!! Thank you for sharing! So, so awesome. Damn, I am so OBSESSED with Ozone... Thanks for helping me find my sound. 🖤🖤🖤
@iZotopeOfficial
Жыл бұрын
Happy to hear you like it!
@zarlok5294
Жыл бұрын
I’ve noticed that on some projects and always been puzzled by it. Interesting comments.
@CesarMorera82
Жыл бұрын
This was an amazing video, better than many I've seen before and take mastering to the craft point. Thank you
@WisdomHouseCreative
Жыл бұрын
First of all, what a lovley person. And what a great video! I love the clear emphasis on listening, deciding what the song needs, and only then making small adjustments with the right tools to get there.
@celeryfoxmusic
Жыл бұрын
Such a great video. Most helpful mastering video I've seen. Great engineer as well!! Awesome job all around.
@jjboogie1
Жыл бұрын
Em!!! That was great.
@blandybeatz
Жыл бұрын
Great video, izotope do it again💪🏽
@joshgarcia336
10 ай бұрын
this is dope...I love these types of interviews because it helps me think different as a mixing engineer
@ZHA
Жыл бұрын
Save for rewatch. Thanks for everything
@trixdropd
Жыл бұрын
Just purchased based on this video.
@Superdelphinus
Жыл бұрын
Great video - Em is an Emaj7
@mixedbymatty
Жыл бұрын
Fantastic video!
@olibarahosasa1137
Жыл бұрын
Great tips
@reziahamed6654
Жыл бұрын
Outrageously informative stuff here... Really loved to see how you made the best between Dynamics & Loudness...Really adore your sharing these GEM of advises..Much Love from Sri Lanka.... 🤓👍🏅🏅🎉
@RossRobinette
Жыл бұрын
Great engineer and a great video!
@yanovbeats1917
Жыл бұрын
The best tutorial
@billpodolak7754
Жыл бұрын
Awesome 🔥
@Anders01
Жыл бұрын
I think Ozone is great. Emerson mentioned mid/side EQing, I haven't even used that on Ozone yet, I'm very interested in trying it.
@notyourbusinessesnotyourbu7400
Жыл бұрын
I Could listen Em for hours ;)
@del-marmare1646
Жыл бұрын
This person is clearly very knowledgeable.
@ehnmusik
Жыл бұрын
i enjoy this a lot and learn so much ! " em "💣
@cornerliston
Жыл бұрын
Nice to see. Hope to see the mixing session as well so I can comment on the voc reverb being out phase : )
@JTFuller
Жыл бұрын
That was outstanding.. I've never heard of her but wow.. She's amazing.. thank you. .
@Fire-Toolz
Жыл бұрын
'he'
@Two_Seat_Pete_FatA55
Жыл бұрын
@Fire-Toolz whatever you say 😂
@milhouse777
10 ай бұрын
@@Two_Seat_Pete_FatA55for all the mastering knowledge he shared here, respect his gender is the least we should do, right?!
@Two_Seat_Pete_FatA55
10 ай бұрын
@milhouse777 what's it got to do with mastering? It's a separate topic.
@milhouse777
10 ай бұрын
@@Two_Seat_Pete_FatA55 whatever dude, I'm just talking about respect. But I will preserve your last neuron by not extending this conversation
@JulesMugisha
Жыл бұрын
I enjoyed the way you approach your work. Thanks for the tips👏🏾🔥
@carolisway
Жыл бұрын
thank you for the inspiration xx
@amanarakh6069
Жыл бұрын
Legend!
@TrentManautou
Жыл бұрын
You are a wonderful soul!
@GuyDumais
7 ай бұрын
Awesome insights 👏
@kaplanhirschmannmusic893
Жыл бұрын
Looking constantly at the clipping (or levels) above 0db)of ozone’s output made me sooooo nervous ;-). On the other hand it sounded fantastic. So what does sequoia do internally when it gets this „hot“ levels“ back from a plug-in? I guess I have to question everything I thought I knew about how a limiter is used in mastering … so many questions in my head right now.
@alekslocksmith
Жыл бұрын
I have the same question!
@MrCoOpus
Жыл бұрын
I was wondering about that too... I had to watch it again as I thought I missed the part when the output has to come back down before printing
@JaeCreator
Жыл бұрын
@@MrCoOpus Haha it didn't
@JaeCreator
Жыл бұрын
She didn't correct the levels before finishing the video. I saw her turn it up to match the other songs' perceived loudness, but then the video ended.
@barbangabriele3460
10 ай бұрын
basically she didn't limit anything, you can see the big horizontal meter going over 0dbfs...i dont know wtf is going on
@chrismartinis8924
Жыл бұрын
Thank you for sharing. Inspiring as always.
@eternal_way_of_light
Жыл бұрын
Thank you for this video. Very interesting and helpful!
@michaelbird
Жыл бұрын
Great video. I learned a lot!
@Derpadeedooda
Жыл бұрын
What a great video!
@eoholtzmanyee
Жыл бұрын
Great video, thanks Em!
@musicproductionclips8928
Жыл бұрын
Switching back and forth between mid/side and stereo EQ in the same module? That's confusing as hell! If you create an EQ band to adjust the mid and then switch that same module to Stereo you are literally changing the way you are EQing with that band. Same if you apply a Stereo band and switch to mid, that band will not be affecting the sides anymore... The way to go about this is by using 2 different EQ modules to do Stereo and Mid/Side separately, so what is going on here? I'm very very very confused.
@churchusa
Жыл бұрын
This! Unless Izotope changed how the EQ module works from version 9 to 10. Haven't tried Ozone 10. Otherwise I see two explanations to this: 1. Em is doing so small adjustments that Em can't hear what's actually happening and is fooled by the visuals and placebo. 2. Em doesn't know how Ozone works and doesn't use it in daily work. Em is just hired by Izotope to market Ozone.
@musicproductionclips8928
Жыл бұрын
@@churchusa I think the latter must be the true option sadly 😅
@Two_Seat_Pete_FatA55
Жыл бұрын
Exactly what I was thinking 🤔
@jaycollinswrld
Жыл бұрын
❤
@s-j-e-1
Жыл бұрын
Sequoia and Samplitude are the fastest and most accurate DAWs imo. Even transposing Audio sounds better than in Logic or Ableton. The Bypass all VST Button on the master should be in every other DAW. Sadly Samplitude crashes often. Even the new version.
@balaftuna
Жыл бұрын
Great stuff!
@Zensō-music
Жыл бұрын
Amazing!
@KOjoeBeats
Жыл бұрын
Charming and sensible person. Me like
@MadkeimMusic
Жыл бұрын
Thank you for that great video! I am just going to steal those presets now :p
@iZotopeOfficial
Жыл бұрын
Feel free 😬
@stephanerancourt7188
Жыл бұрын
Can someone explain the 'process per section' on one stereo track/file? How does that work? And yesssss.... tht. Veneers good video about mastering including lots of insights about the artistic side / emotion
@TheZeebop2007
Жыл бұрын
very cool & helpful. Thank you.
@Selftaught
Жыл бұрын
Masterclass
@synthoelectro
Жыл бұрын
so surprising to see Sequoia being used in this video.
@JaeCreator
Жыл бұрын
I watched the whole video but got a little fried when she didn't bring the output levels back down to 0.0 dB. Please explain why that major thing was left out of the recipe?
@soundshigh
Жыл бұрын
Some potentially misleading info here re: how Stereo and Mid/Side modes actually work in the Ozone EQ. The only way for this to work the way it is used here, is first to go to the Mid/Side mode and link the channels. Then, when returning to Stereo mode and making changes, those will translate in both the Mid and the Side channels after switching to that mode again. I don't think Em had those linked in the first place, so changing a band the Stereo mode will only translate to the Mid channel once you switch from Stereo to Mid/Side.
@sergiolima368
Жыл бұрын
What of great video of yours Emerson "Em" Mancini and Izotope. All the best, healthy and success in your life and craft. Question, I would very much and kindly ask you , what is your set up in terms of A/D converter or hardware used for connecting your computer to analogic. Hope you can answer that to me. I truly loved the video, watch few times already. Cheers and all the best. From Brazil, Sérgio Lima.
@RyanGildea
Жыл бұрын
When Em changes from Stereo to Mid-Side processing in the EQ module, isn't that changing the processing mode for the entire module, not just the node being edited? That's what the Ozone ooltips say anyway. If you want to do both stereo and mid-side EQ processing you need to use two separate modules. Like others posting here, I am also confused by Em's disregard for the clipping on the output meter. If they have no limiter outside of Ozone, then the signal is being clipped at the DAW output. I've been taught that this will cause issues for streaming encoders as well as causing distortion and unpredictable results in D/A converters. My approach to gain staging has been to use clip gain to get the audio to the level I want to work at. I am using Wavelab, but that should be available in any DAW. This is the same as using the input gain slider in Ozone, but I can add more than 10 dB of gain if necessary. I never touch Ozone's output level because I'm relying on the maximizer to manage the final output level. I can appreciate "if it sounds good it is good" as an artistic approach, but I am having a hard time accepting that uncontrolled clipping is no big deal. Wouldn't it be better to shape the transients with a soft clipper or limiter and be in precise control of your digital peak level? I understand Em is saying that the clipping he is hearing sounds good to his ear and is a part of the overall sound/tonality they are evaluating throughout the process. But doesn't exceeding 0 dBFS mean it's not predictable how other systems will react, and there could be (additional, unwanted) distortion produced in a listener's D/A converters?
@ProjectHMF
Жыл бұрын
From my personal experience: 1. Yes ur right about the mid / side EQ but I believe if you make some tweaking on stereo mode it will still be present on both the mid and the side eq. 2. If signal is peaking at -1db after limiting inside ozone (maximizer/vintage limiter at the end of the chain) and u dont have any processing afterwards it should still peak at -1db after exporting if that makes sense. I think ur refering to how its getting past 0db inside the daw, the thing is, I believe that is just for volume matching and will be fixed before exporting.
@DolbyAtmosMixing
Жыл бұрын
Impressive 👏👏👏
@chrisdavis9135
Жыл бұрын
💎👀... 🔥
@noahunterberger6230
Жыл бұрын
Hey Em, I really enjoyed this walkthrough. I love learning about the mastering side of things. Would you be able to answer something I’m sure a lot of us are wondering: what is happening to the audio after you boost the output of the plug-in? When you export a 24bit file, there is inherently a ceiling of digital 0, so are you using the ceiling as a clipper of sorts? Pushing level into the ceiling? You have an interesting approach that I’ve never seen before, and I’m very intrigued. Thanks!
@emersonmancini1962
Жыл бұрын
Hey Noah, the plugin is still within the framework of my DAW, so what the overs are on the output of the plugin don't concern me. As I mentioned in another comment, I do not have a limiter in the DAW outside of my chain. If there is audible distortion I address it, if there isn't I'm not worried. Hope this helps!
@ViceSquad
Жыл бұрын
@@emersonmancini1962 what is the reference track you are using here at 23:07? It sounds interesting.. THANKS FOR SHARING YOUR EXPERTISE AND PASSION love from London UK :-) x
@ckmusic1088
Жыл бұрын
the video is awesome ! Just a question : is it normal to clip the ozone Ouput +2.6db/+4.6db during setting levels?
@sterlingpowell9207
Жыл бұрын
Great video, but wait a minute! You can use the same eq in stereo and in midsize and in left right??? All this time I was thinking it could only be used in only one mode at a time
@twistedfingers9757
10 ай бұрын
I really learned a lot. I liked the approach of breaking a song into sections to allow individual processing, but couldn't see how that was being accomplished. Is it by moving sections to separate tracks, using automation, or something else? Thank you.
@pengadilanagamaslawi6385
Жыл бұрын
good job male, thanks!
@goodmo
Жыл бұрын
Good video :)
@exhaust4246
7 ай бұрын
36:42 facts
@GILLISH
Жыл бұрын
can you explain why you use the Transient in maximizer instead of integrated?
@mickeysplace102
Жыл бұрын
Hi Em, enjoying the video. I used to record at Larabee Studios back in the 70s. I noticed that you are in the red a lot on your Maximizer and also when you divide your track and keep them on the same track,,,how does your changes to one not affect the other...thanks
@Dj3son
Жыл бұрын
What’s the name of the song mainly used to master?
@ShadikTV
Жыл бұрын
Definitely want to work with her soon.
@milhouse777
10 ай бұрын
So first thing first, respect his pronoum: His/they
@ShadikTV
9 ай бұрын
@@milhouse777 Where's the pronoun? I don't see any. So i'm just going to ignore this. Unless your the his/they being interviewed. I'll just go get my new song mastered by the last person who mastered. It seems too complicated to even give a compliment and be interested in working with someone not knowing what pronoun I should be speaking of. So yea, next song mastered by Oasis Mastering it's a company and i don't have to be at fault on the pronouns. Thanks
@iZotopeOfficial
9 ай бұрын
@ShadikTV Emerson “Em” Mancini uses both he/him and they/them pronouns. Glad you enjoyed the video!
@massivebeatzz
Жыл бұрын
Pay attention to the mind - focusing on the music, the love in it - not the gear and knobs.
@philfyphil
Жыл бұрын
Great video, thanks Em. I was always taught to put a VU plug-in at the top of the master input (first in the chain) and raise the height of the wave (loudness) til it reaches about -16 LUFS and send that in to the first plugin which in this case would be the EQ. Do you see anything wrong with that?
@emersonmancini1962
Жыл бұрын
don't see anything wrong with that!
@philfyphil
Жыл бұрын
@@emersonmancini1962 Thanks very much for your reply Em, and your positive vibe for everyone here. The World needs more Ems.
@a2bs333
Жыл бұрын
I do it to - 15 it improves headroom and reduces the chance of clipping Pre fader.
@alekslocksmith
Жыл бұрын
@@emersonmancini1962 It would be very helpful if you could explain the decision to turn on 8 dBs on Ozone output. I understand that it's actually to match the levels of the reference song, but the numbers above 0 dBs? There's nothing wrong with that?
@barbangabriele3460
10 ай бұрын
yes, how can you see lufs from a vu meter?
@bradleypower4803
Жыл бұрын
Can someone explain the "setting the levels" section? Is this a gain boost by increasing the input and output levels? Could the same thing be done by decreasing threshold on Maximizer, for example? Thanks!
@MikeBrayton
Жыл бұрын
As I understand it, the input affects the level going in to the entire plugin. and you may want to gain it up or down depending on how hard or soft you want to drive, like, the vintage compressor or something. And, the output control is the level going out of ozone. just in case you want to skip the maximizer entirely, let's say, and use a different external limiter? But I think he was using it to adjust his listening volume level relative to the track he was comparing with... which would mean he would probably reset the output volume to zero prior to bouncing The final master.
@bradleypower4803
Жыл бұрын
@@MikeBrayton thank you!
@emersonmancini1962
Жыл бұрын
Re: Input gain, yes, as Mike said. I prefer to bring the volume of the track up rather than having the limiter do the work. You might achieve a similar result decreasing the threshold on the maximizer, but all of the work you’re doing on the track prior to the maximizer volume will be done at a different volume, which will affect how it sounds.
@bradleypower4803
Жыл бұрын
@@emersonmancini1962 that makes sense - thank you!
@MikeBrayton
Жыл бұрын
@@emersonmancini1962 thanks for replying Emerson and thanks for a great tutorial. This is the one thing I don't quite understand. Do you have a limiter after the output slider? Or maybe you mean the limiter inside of ozone? There's some people commenting about the 8dB of gain on the output. So where does that get limited? I think I'm having trouble seeing the difference between raising the volume with the maximizer inside of ozone versus raising the output level inside of ozone, which then gets limited by the same limiter inside of ozone. I'm confused, and scared.. :)
@InvisibleReality
Жыл бұрын
🔥
@PhatLvis
Жыл бұрын
Box of hats?
@TheodoreJAM
Жыл бұрын
How do you get Ozone 10 to have different settings at different parts of the song?
@busywl69
Жыл бұрын
science!
@bari1979
Жыл бұрын
@Emerson Mancini thank you for sharing your process! What speakers are you using?
@ericstair2386
Жыл бұрын
I believe they are the Focal Solo6 ST6s.
@acrosonusmastering5361
Жыл бұрын
1db EQ when there is a mini of 5 db correction to do and in the wrong direction the eq
@noahunterberger6230
Жыл бұрын
Lol what
@ericstair2192
Жыл бұрын
Em, are you converting to 44.1 with RX?
@emersonmancini1962
Жыл бұрын
Yep!
@Its_Potion
Жыл бұрын
I think she just didn’t wanna give up her secret to pushing loudness while retaining 0.0/-0.1 TP lmao But majorly informative video!
@mxynx
Жыл бұрын
Is the output gain after the maximizer or before?
@emilkey12
Жыл бұрын
After
@joshfields5966
Жыл бұрын
@@emilkey12 What about all the clipping that's happening on Ozone's output?
@emilkey12
Жыл бұрын
@@joshfields5966 Usually that would be simply clipping your output. I surely believe that she pulled the signal down again after Ozone or recorded her output in a floating point bitrate for use in this Video to avoid clipping. But idk how it was handled in this case honestly.
@MikeBrayton
Жыл бұрын
@@emilkey12 Yeah I think he was just using the output volume to get the song up to the same level as the one he was comparing it with. I think when the time came to bounce the master, he probably reset the output volume back to zero.
@a2bs333
Жыл бұрын
@@MikeBrayton Very attentative 🤔
@vvessel_
Жыл бұрын
Hi! Great video. Does anyone know what desk Emerson Mancini is using?
@emersonmancini1962
Жыл бұрын
Sterling Modular
@vvessel_
Жыл бұрын
@@emersonmancini1962 Thank you very much!
@SMEL
Жыл бұрын
Awesome vid! Yo, what mastering daw is that?
@johnschroder78
Жыл бұрын
Samplitude/Sequoia
@SMEL
Жыл бұрын
@@johnschroder78 What!!! I didn't know those guys were still around! I loved sound forge back in the day.... lol
@KOjoeBeats
Жыл бұрын
@@SMEL Sound forge! What was thing? Cant remember
@SMEL
Жыл бұрын
@@KOjoeBeats I believe I read they were bought out by Samplitude... showing my age here 🤣
@pdf_093
Жыл бұрын
Shout out to iZotope for featuring someone from the LGBTQ+ community, love to see the representation. He’s such a cool mastering engineer.
@bulletsmichael
Жыл бұрын
How is she adding just bottom end/ compression to the choruses?
@boimesa8190
Жыл бұрын
What DAW is she using?
@Fire-Toolz
Жыл бұрын
He
@boimesa8190
Жыл бұрын
@@Fire-Toolz ok he..
@SMOMEGA1
6 ай бұрын
it's a woman with no boobs@@Fire-Toolz
@jeramym9506
Жыл бұрын
Em makes it look soooo easy. It's not. Even with ozone.
@justinchecking
Жыл бұрын
I'm sorry. WRONG: The two most important aspects for a mastering engineer, EQ, and LEVEL! In the last 10-15 years we have dealt with the loudness wars. To the point where CD's are now totally un-listenable! Luckily now we have all the streaming services with a known LUFS & TP level. 'EM' never ONCE commented on this. Even on the 'Maximizer' plugin, she has the meters as [Peak] good, [RMS] useless. This should be set to LUFS. Also note: EM didn't address the "True Peak" max. I.E. normally -0.3dBFS. Then to finish it off - what level was she going to send it out with? Not discussed or shown. In the modern streaming world, this should be -1.0dB TP and then (near) -14LUFS. So kids you can get it CD brick walled mastered at -8LUFS, and all the streamers will just turn down your song 6dB!!! This area is the single most important factor for the client. Never dealt with in the video. (sad). Not one kid, is going to comment on the "emotional" character of the mastering, EM spent so much time with. Tone (EQ) and (levels) are all they care about. By the way I've been a Ozone user since V4 for mastering. Now on V10. So the App is GREAT.
@noahunterberger6230
Жыл бұрын
You have a lot to learn about audio.
@noahunterberger6230
Жыл бұрын
@@justinchecking then why do you speak so arrogantly and ignorantly? And you don’t think emotional impact is important in mastering? It’s everything!
@cyberhawken
Жыл бұрын
This is so much useless info i dont even know where to start.
@justinchecking
Жыл бұрын
@@cyberhawken You do know that the Artist, Engineer & Producer, >> create the emotion & impact
@a2bs333
Жыл бұрын
Great point about the LUFS metering. 👌 I have my true peak set at -1.5dB as when the song is converted to MP3 or AAC a full dB is added which can cause clipping. This can be checked and confirmed by using Ozones codex alongside you leans free LUFS meter. I am not sure what issue you are raising with regard to your comment on streaming services turning the song down by 6dB if it's set ay -8 LUFS Its better to turned down than to turned up and limited with the streaming services limiters as far as I know.
@RockstarRecStudio
Жыл бұрын
Kinda scary how someone who gets to work with big artists does so many very questionable things..
@milhouse777
10 ай бұрын
Like what?
@SR1B
Жыл бұрын
There’s no final A/B, it’s a shame. But thanks.
@markfuller8047
Жыл бұрын
Izotope doesn't support Sequoia or Samplitude, which is what Em (and many other ME's) use. In fact when I had troubles with full computer freezes using certain plugins Izotope 8/9 (not Ozone, thankfully) I was simply told "Izotope doesn't support Sequoia and Samplitude". Yet here's Izotope flogging their products with a Grammy winning engineer who works with some of the biggest artists in the world. The irony is pretty bleak. Another win for the money-changers. SOS.
@a2bs333
Жыл бұрын
I'm a little confused at what you are trying to get across. Especially when you say Izotope 8/9 ( not Ozone).. Do you mean Ozone 10?
@markfuller8047
Жыл бұрын
None of Izotope’s stuff including Ozone is tested nor supported with the DAW being used here.
@markfuller8047
Жыл бұрын
None of Izotope’s stuff including Ozone is tested nor supported with the DAW being used here.
@markfuller8047
Жыл бұрын
@@a2bs333 I mean to say, they don't support Sequoia and Samplitude with their products.
@EstelleCecil
Жыл бұрын
@Mark Fuller. Where is your source of information from? Samplitude and Sequoia work perfectly well with Izotope software including Ozone -as seen here being used by Em, in a major LA studio with major label acts. In fact both DAWS from Germany company Magix ship with the latest version of Ozone, when new versions of either Sequoia or Samplitude is launched. We are also major producers using both Sequoia and Samplitude, as well as access to other systems. Both DAWS are incredibly high end units. You won't see them in many bedroom and garage studios or college suites. They can be difficult to get to grips with straight out of the box unlike: Cubase, Logic or Ableton Live. But for sound quality and their Swiss knife ability, no other DAWs come close. Only negative point is, they don't provide Apple Mac versions.
@SiliconPrairie
Жыл бұрын
This recipe works. As long as needed to explain the process. Plus, interesting and unconventional uses for some of the modules. On top of it all, it's nice to get a break from EDM examples and see a fully organic track get mastered.
Пікірлер: 196