In this video series, Maximillian Rudd performs his arrangement of Villa-Lobos’ Suíte Popular Brasileira reimagined for guitar and ensemble.
I. Mazurka-Choro: • Maximillian Rudd plays...
II. Schottish-Choro: • Maximillian Rudd plays...
III. Valsa-Choro: • Maximillian Rudd plays...
IV. Gavotta-Choro: • Maximillian Rudd plays...
V. Chorinho: • Maximillian Rudd plays...
Maximillian Rudd - seven-string guitar
Brighid Mantelli - flute
Vicki Hallett - clarinet
Jeanette Carnie - cello
Suíte Popular Brasileira | Heitor Villa-Lobos | Arranged by Maximillian Rudd
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Filmed by Clancy Shipsides
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Sound by Bom Dia Studios
This video was made possible through the kind support of Frank de Rosso OAM, Jane Bashiruddin and Music at the Basilica Inc.
Brazilian composer Heitor Villa-Lobos (1887-1959) was raised in the suburb of Laranjeiras, where the urban music of Rio de Janeiro, known as “choro,” would come to influence him greatly. Choro has its roots in the European salon dances of the nineteenth century, such as mazurkas, waltzes and polkas. As it developed, it combined with elements of Afro-Brazilian rhythms like lundu and maxixe, and is still widely performed and studied in Brazil and abroad.
Villa-Lobos and the sound of Rio are inseparable, as shown in this work for solo guitar, in which Villa-Lobos celebrates choro and its impact on the trajectory of the guitar in Brazil.
Негізгі бет Maximillian Rudd plays Gavotta-Choro from Suíte Popular Brasileira by Heitor Villa-Lobos
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