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Felix Mendelssohn Bartholdy (1809-1847) Lieder Ohne Worte / Romances sans Paroles.
Click to activate the English subtitles for the presentation (00:00-03:40)
00:00 No.33, Op.67 n.3 : Chant du pèlerin
02:38 No.6, Op.19 n.6 : Barcarolle vénitienne No.1
04:34 No.12, Op.30 n.6 : Barcarolle vénitienne No.2
07:34 No.40, Op.85 n.4 : Elégie
10:16 No.2, Op.19 n.2 : Regrets
12:31 Feuille d’album, Op.117
16:38 No.23, Op.53 n.5 : Chanson populaire
19:37 No.32, Op.67 n.2 : Illusions perdues
21:47 No.14, Op.38 n.2 : Bonheur perdu
24:03 No.19, Op.53 n.1 : Au bord de la mer
27:36 No.35, Op.67 n.5 : Plainte du berger
29:44 No.29, Op.62 n.5 : Barcarolle vénitienne No.3
32:27 No.1, Op.19 n.1
35:43 No.30, Op.62 n.6 : Chanson du printemps
37:54 No.28, Op.62 n.4 : Chanson du matin
39:42 No.34, Op.67 : La fileuse
41:51 No.45, Op.102 n.3 : Tarentelle
43:17 No.37, Op.85 n.1 : Rêverie
45:38 No.31, Op.67 n.1 : Méditation
48:13 No.25, Op.62 n.1 : Les brises de mai
50:33 No.46, Op.102 n.4 : Le soupir du vent
52:50 No.44, Op.102 n.2 : Rétention
54:55 No.43, Op.102 n.5 : Sans foyer
58:16 No.48, Op.102 n.6 : Confiance No.2
1:00:19 No.20, Op.53 n.2 : Les nuages floconneux
1:03:18 No.47, Op.102 n.5 : Les joyeux paysan
1:04:32 No.10, Op.30 n.4 : Le promeneur
1:07:28 No.8, Op;30 n.2 : Agitation No.2
1:09:31 No.11, Op.30 n.5 : Le ruisseau
Piano : Danielle Laval
Recorded un 2007, at Metz (France)
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Danielle Laval: " For love of this composer, for his virtuosity, his melodic line, his cheerfulness and his romanticism. Naturally, his 'romances without words' came to me.
These romances seem to me to be at the same time shrouded in classical influences and romantic collorations, succinct and delicate, poetic and often melancholic, colours that remind me of this line from Verlaine's Romances: 'Music before all else'.
The composer's personal moods are present in his music: regrets, disillusionment, melancholy, loneliness, but also, in counterpoint, hope, dreaming, consolation and gaiety, in short: life.
Mendelssohn's palette of feelings is set in a world of folk dances and songs, of representations of nature, thus giving it an eminently romantic dimension.
How can one not be moved by these concise pieces, this refined music of such expressive poetic depth? How can I not be inspired by the pure pleasure Mendelssohn offers me? "
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