Caroline "MotherJudge" Isachsen performs "Killing the Blues" at The Sanctuary for Independent Media in Troy NY. Live from Lock One, June 11, 2010. Original song by Rowland Salley.
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Farewell to MotherJudge, Albany's music mom
Friends and colleagues mourn Caroline Isachsen, reflect on her legacy of performing, nurturing
By Steve Barnes, Albany Times Union
March 15, 2019
Introducing her song "High Hopes" during a set at the 2013 Grey Fox Bluegrass Festival in the Catskills, Caroline "MotherJudge" Isachsen told the crowd, "This is one of our own songs. We love it 'cause it's different."
The tune, irresistibly head-bobbing, bounces along, at once seemingly familiar and yet utterly itself. It has distinctive rhythmic and lyrical stresses as well as significant vocal jumps, including when Isachsen sings the first word of the title in her throaty contralto, then immediately floats out a breathy "hopes" on a note that's up one full octave.
"When I first heard it, I thought maybe it was somebody else's song from the '50s, '60, '70s. It's that timeless," said Mitch Elrod, a close musical associate of MotherJudge's in Albany for many years. "But once you got to know her, you knew it couldn't be anybody else's song but hers." It also showcases her voice, which, as Elrod described it, "could go from quiet passages to blowing the back roof off the place."
Isachsen, who under her stage name MotherJudge entertained audiences and inspired fellow musicians for more than 30 years as a singer, songwriter, mentor and open-mic host, died Saturday from pancreatic cancer. It was three weeks before what would have been her 57th birthday.
[....]
Although the "open" part of an open-mic night might mean an accomplished professional's performance is immediately followed by someone with more volume than musicality, Isachsen thrived in the format, hosting what surely was more than 1,000 open mics over the decades.
"She liked to see those moments happen, to see somebody perform for the first time and know you're seeing a person with real potential," Brodeur said.
Once Isachsen spotted a talent, whether conventional or misfit, she often fostered it.
"If you were a square peg in a round world, then she wanted you around her," said Albie von Schaaf, a guitarist and bass player who was in bands with Isachsen and co-hosted the Best Damn Open Mic Ever for the better part of a decade. He credits Isachsen and Elrod with helping him learn the skills and professionalism needed to pursue a career in music, which now includes being director of contemporary music for a church in Lancaster, Pa., and a member of multiple bands.
The Albany singer-songwriter Michael Eck, who met Isachsen soon after she arrived in town, in late 1986, and later performed in bands with her, said he admired the way she would take younger or newer musicians aside after their open-mic performances for advice or coaching.
"It might be tart criticism," Eck said, "but after they heard it, they wanted to do the hard work and improve their music and their performance."
On stage and in the rehearsal room, Isachsen had high expectations of herself and of those she worked with.
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Born Caroline Johnston on March 29, 1962, in Latrobe, Pa., she was the daughter of Carmella Johnston. She earned an associate's degree in computer programming from a Pennsylvania community college and, as the mother of two young children, moved to the Capital Region 33 years ago for a government job. Isachsen held other office positions in the area over the years, including for a food vendor and a law firm, but music was her true calling, personally and professionally.
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Friends aren't sure why a singer, songwriter and guitar player who was responsible for shepherding so much live and recorded music for others over the years leaves behind such a small repository of studio versions of her own music.
"She was a really good songwriter and was really fun to collaborate with on writing songs," Elrod said, "but I think she was more interested in being a great supporter, encouraging musicians to get out and do their thing, to get up on stage and try it."
Eck agreed but said, "It's a tragedy that we do not have pristine recordings of a lot of her music."
Many amateur recordings exist from gigs, and KZitem has scores of videos of her performances, including of "High Hopes" in summer 2013 at Grey Fox.
[....]
MotherJudge died at home last Saturday, Sten and her four children at her side.
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