It is well past 10 p.m. when guitarist Noli Aurillo finally takes the stage.
Percussion ensemble Brujo has been warming up the audience at the Bar@1951, bohemian Malate’s last holdout amid the onslaught of KTVs, casinos and clubs that has turned Remedios Circle into a tourist trap
Playing an assortment of drums, clay jars, gongs, whistles and vocal effects, the “band” has settled into a hypnotic, vaguely Middle Eastern/North African groove.
Aurillo lets go of the bottle of Super Dry he has been nursing since he arrived, takes up the well-worn Takamine electric/acoustic he favors these days, and plugs in.
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