Sleep has to wait, it is imperative that i hear nuances i never heard before and will never unhear NOW. Thank you for bringing us such insight into and behind the scores of these masterpieces!
@adrianasd8
Жыл бұрын
Dear Richard, I finally want to express my gratitude to you, as you have helped me a lot in how I see and compose music now, ever since I discovered your channel four years ago. Your in depth analyses have never really replicated, not even by my music teachers, and you helped me see, what is artistically possible in composing! This year I finally won in the national youth competition for composition in Germany! Thank you! A humble subscriber
@Richard.Atkinson
Жыл бұрын
Congrats on the award!
@ferminmiranda681
Жыл бұрын
@@Richard.Atkinson with all do respect loved your analysis but, at the beggining of the theme in the 4th movement, its not an augmented french sixth or 2fr, its a Vb5
@fredhoupt4078
Жыл бұрын
Bravo, Richard. A brilliant lesson, musical essay, love affair with Brahms. This type of university level musical analysis is so satisfying. Well done. I especially loved the thematic and structural links to Bach and Beethoven. Truly, Brahms is a loyal and gifted musical architect.
@johnchessant3012
Жыл бұрын
The way you were able to trace back the descending thirds motif to Beethoven's Hammerklavier is awesome! That third movement is already so sublime and this adds yet another layer to it
@user-lp8vy4vn1t
Жыл бұрын
I know "sit back and grab some popcorn" is the cliché thing to say before a longer video like this, but I literally have leftover popcorn from Barbenheimer last night. So, perfect timing!
@trisymphony
Жыл бұрын
Fantastic work. Even after years of playing these works as a violinist in the orchestra as well as taking courses in formal analysis at university, you still manage to surprise me with your insights and show me things I never knew existed. I also very much enjoy the tangents to possible source material and composers.
@FiveSharps
Жыл бұрын
This piece is just such a marvellous display of complete control over form. I keep flip flopping between it and Brahm's second Symphony as my favourite work of his'. Great analysis as usual, Richard 👍
@mintchoco5640
Жыл бұрын
Wow. This analysis deserves a standing ovation. Thanks for your amazing work as always Richard
@ericleiter6179
Жыл бұрын
Just unbelievable! Not only the depth of Brahm's craft, which reaches its most thrilling apotheosis in this movement of this symphony...but also the sheer attention to this detail, fully annotated, cross referenced, and brought to light in your analysis...just amazing! Plus the 'works cited' that may or may not have been at the front of the masters mind while composing this, but helps us all to zoom out and see the big picture in a most satisfying way...please never stop your crusade!!!
@JWentu
Жыл бұрын
Mr. Atkinson, a deep deep thank yo for this video. I am only 37 out of 94 minutes in but this doesn't matter. What makes me feel good is knowing that i can come back to this analysis, knowing that I will understand only, maybe, one-tenth (I never studied music, just listened to it) but I will, for once, feel legitimate in loving this symphony and in particular this movement since, a long time ago, I fell in love with classical music and Brahms. Over those years I collected some 20 CDs with Brahms fourth, just to compare this 4th movement across the various conductors. Brahms' 4th has been for a long long time my favourite symphony (maybe recently surpassed only by Mahler 2nd). It strikes me that, in the first half hour of your video, you mention so many other of my favourites (Bach's Chaconne, Beethoven Coriolan Overture and Cm Variations). I always perceived this movement as a whole varied world in itself, with oh my, so many different and extreme feelings of rage, elation, bliss, and enthusiasm. I wondered for so long why there's almost no one around me knowing this symphony, this movement, this author: that's sad and at the same time I feel lucky enough that I came to know it and enjoy it for the largest part of my life. Thanks again for your great work.
@davidwright8432
Жыл бұрын
I saw the heading - and started without looking at the timing! As someone who can read piano music as a fiver yr old reads text, I soon found myself working hard - and learning lots! Many thanks. It strikes me that dealing with an orchestral score is like looking at a painting, scanning L to R in strips, and noting every brushstroke - in relation to the preceding and successor ones. You really come to understand how it was done - not 'just' what was done. Again, thanks.
@MS-ef2wo
Жыл бұрын
I am not sure if the modern European (German) harmonic analysis system existed at the time Brahms composed this, but it was certainly close to being developed. In it the chord in the 7th bar is considered a B major 7 with a diminished fifth in the bass so it is a dominant chord to the following E major.
@brendanward2991
Жыл бұрын
Bravo! You've convinced me that Brahms's 4th is the perfect symphony. No wonder he never wrote another.
@ColinLandrum
Жыл бұрын
Amazing. Thank you. I plan to rewatch this several times.
@HerewardTheW
Жыл бұрын
Bravo, sir! Wonderful as always. I must say, you have transferred your vivid musical imagery onto me - yesterday when I was listening to the first movement, I caught myself thinking things like "there's pink arch again" and "ah yes, it's jester's mask (evil variant)". I think I shall hang onto these images for the rest of my life, even more than the very interesting substance of the video itself! You make a fine teacher.
@HerewardTheW
Жыл бұрын
One more thing, of course the corpus of surviving Bach cantatas contain much of his best work! I was very pleased to read Brahms say so, then even more pleased to hear you pick the phrase out for your agreement. I wouldn't necessarily exclude the 'secular' cantatas from that, either.
@Richard.Atkinson
Жыл бұрын
@@HerewardTheWYes, I think both Brahms from the anecdote and I are talking about his choral music in general!
@alexfrith2350
7 ай бұрын
Hi Richard, you have most definitely shown me the infinite amazement you feel about this symphony, it has become one of my very favourites. I went to see it live in London last night and was blown away. Thank you so much for these videos they have been amazing!
@rafaeldemiranda8107
Жыл бұрын
A (series of, perhaps?) video on the Rite of Spring would be awesome
@Richard.Atkinson
Жыл бұрын
It would probably need more than one video. Or a long one like this.
@iosifmirea3203
Жыл бұрын
I am so grateful for your "long winded introduction"! Getting a sense of the entire landscape seems completely necessary not only for this work, but for every single subject of our musical research! Thank you so much, Richard, for serving your (obvious) passion in such a public way! :)))
@MarcosAntonio-hp5tg
Жыл бұрын
Thanks for your hard work, Richard. Always a pleasure to see and listen to your analysis on any work.
@benjaminclegg7109
8 ай бұрын
This is the first one of these videos that I could not get past 1/3 through because I could not bear the interruptions of this unbelievable piece.
@FueganTV
Жыл бұрын
No better way to ramp up one's appreciation for a piece than an Atkinson video.
@jerryli9002
Жыл бұрын
OH MY GOD I SHOUTED FOR AT LEAST 10 SECONDS WHEN I SAW THIS NEW VIDEO AND I ALMOST REAR ENDED THE CAR IN FRONT OF ME AT IN AND OUT
@Richard.Atkinson
Жыл бұрын
Don't Brahms and drive!
@AnthonyOTooleMusic
Жыл бұрын
Richard, always a pleasure to watch your presentations. One could study Brahms for a lifetime and continually find more to notice within his complete output of compositions and you've done you're due diligence and studied and noticed his musical idiosyncrasies and his particular melodic vernacular. Again, very fine work!
@suesmith2183
5 ай бұрын
Absolutely brilliant, Richard. Thank you.
@JillGriffin-r4e
8 ай бұрын
This is awesome and incredibly helpful for my graduate class on analysis!! Thank you!!!!
@samgoldberg2080
Жыл бұрын
This finale hits even harder when heard in context - the abstract, introductory, quasi-nonthematic, and non-tonicizing theme plus 3 variations sound so ambiguous compared to the exuberant and concrete scherzo. We hardly know what to expect. Even though this finale follows the 8 bar pattern pretty strictly, it feels completely free in form. And yet this finale's free-feeling form is deeply integrated with the harmonic language of the first three movements and is more powerfully conclusive than any other finale!
@mariofattori6526
Жыл бұрын
I have a strong bond with this piece. I often use music to get the right feeling when I write a character's part, and I listened this so many times for a main one I loved to write. She was made up of repressed feelings and rage, cutting hidden sorrow, and regrets, and I felt all her personality inside this piece. So, a double thank to you, sir Atkinson
@willcwhite
Жыл бұрын
Congratulations on completing your analysis of the entire symphony - a major accomplishment in its own right. I’ve really enjoyed the ride and had my mind blown many times along the way.
@Garrett_Rowland
Жыл бұрын
I am listening to this symphony live in-person for the first time today - of course the first thing I do on my computer this morning is search for a Richard Atkinson video on this symphony. Very happy to find that you have this incredible breakdown of the finale. What a wonderful appetizer for today~
@EricGross
Жыл бұрын
What an incredible act of love. I've listened to this symphony and this last movement for over 60 years and I learned more about it in this video than in all my listenings combined. Thank you so much for your very very hard work.
@Hornfancy
Жыл бұрын
As I was watching this, certain musical phrases were playing through my head, only to realize it's the Brahms Violin Concerto. You are a master of analysis and I'm jealous. Thank you
@ПавлоГрудінін
4 ай бұрын
I love your analysis! Conducted it with orchestra on my exam, it was incredible! I have one fun fact about the premiere on 25 October 1885. Brahms himself conducted the Court Orchestra in Meiningen. Von Bülow and his assistant young Richard Strauss helped him with orchestra. They decided to save some money to have more strings, so Von Bülow himself played timpany (kettledrums), and Richard Strauss played the part of Piatti (Cymbals). I find this fact very funny and cool at the same time.
@Richard.Atkinson
4 ай бұрын
This symphony is not scored for cymbals.
@technik-lexikon
Жыл бұрын
It was no other than Shostakovich who made me fall in love with baroque forms like fugues and passacaglias. This here is one of their finest representants - I especially love the shattering, brute last bars
@porcinet1968
Жыл бұрын
I always thought that the difference between the passacaglia and the chaconne is that one is variations grounded in the repetition of a line and the other is the varied repetition or looping of a series of harmonies (themselves made of course from simultaneous lines) - but now I see they really are interchangeable because the single line always has harmonic implications anyway. this is probably my favourite individual symphony movement from the whole cycle and I think my ideal concert program would have this symphony coupled with the Webern Passacaglia in d minor Op. 1 which reminds me often of this symphony. this is a great video as always and your unpicking of counterpoint and how you take apart exactly what the music does is really helpful. the way you explain harmony especially is very accessible, this is one of your best videos. i have learnt a great deal about music from this whole series.
@raulq.o.4121
Жыл бұрын
I can’t believe that the only thing I had to do in my life was to be alive and had the luck of finding your channel. Your channel should be protected by UNESCO as humankind heritage. Thank you for breaking down with so much details and references this movement.
@aliciadalbey1201
Жыл бұрын
I've been anticipating this for so long!
@elipcellist13
Жыл бұрын
Thanks for this analysis, it’s allowed me to appreciate this movement a lot more now that I understand it better!
@marijntenvelde8106
Жыл бұрын
Your videos are such amazingly humbling experiences by laying bare what I would never be able to grasp on my own. Thank you❤
@joethompson4956
Жыл бұрын
thank you for this! i am an electronic music maker and somewhat dismissed classical music. videos like this have opened my eyes to a world of astounding beauty and complexity.
@pawdaw
Жыл бұрын
This video is itself a masterpiece.
@mlinton02
5 ай бұрын
Thank you, GREAT presentation!!!
@danny53012
Жыл бұрын
I look forward to every one of your presentations. I always learn so much. Thank you, thank you, thank you!!!👏👏👏👏👏
@noiselesspatient
Жыл бұрын
An insightful and thorough piece of work. Thank you so much.
@YodoJakamodo
11 ай бұрын
Excellent analysis! I think your interpretation of Brahms quoting Haendel's aria in Var. 14 is obvious, once pointed out, and spot-on. Given the aria's text this quotation adds an even more personal dimension of sadness and meaning to the music.
@LukeZX4
Жыл бұрын
40:51 This connection between the HK and the first movement of the 4th symphony blew my mind.
@mjears
Жыл бұрын
Bravo. I love how you enhance the play-by-play analysis with observations about other related music! I grew up with this piece, and played first oboe in it once. But I never discovered all of the counterpoint and connections it before your analyses. Thank you, thank you.
@davec373
Жыл бұрын
Fascinating and enlightening analysis which must have taken you many hours! Thank you for your efforts!
@CuratorOfRealities
Жыл бұрын
Indescribably stunning. I have no other words.
@kumo-kun1831
Жыл бұрын
An hour and a half video! Wow 🤩 I can’t believe how much did Brahms hide in this 9 min movement
@kristian.kalmanlehto
Жыл бұрын
Since I was a young boy I’ve been enjoying of the Tragic Overture and the Double Concerto of Mr. Brahms. I also remember the wonderful rhythmic parts from the Finale of the Second Symphony from four years of age listening to the radio. But this wonderful passacaglia is just an incredible summary of hundreds of years of music. And your analysis is just shivering good.
@alexandrebault7277
Жыл бұрын
Despite the countless times i have listened to the hammerklavier sonata and brahms' 4th symphony i never realised how similar these themes in descending thirds were. Thanks a lot for pointing this out
@tamed4171
Жыл бұрын
Another brilliant video Richard, it was superb from beginning to end! This particular movement has always confused me with how complex it really is, but now I have the perfect tool to help me understand it and value it. Fantastic work!
@janstanczyk3755
4 ай бұрын
Thank you for your work 🙏🏻
@LuizBHMG
Жыл бұрын
To this moment, my favourite Passacaglia of all times is the last (3rd) movement from Fernando Lopes-Graça's Sinfonia per Orquestra, op. 38. The ending drove me to another dimension.
@pianiman
Жыл бұрын
Brilliant analysis as always! I've been waiting for this for a while. My favourite thing about this set of variations is how the progression is so brief, yet features a forward propulsion that leads you relentlessly from one variation to the next (due, much in part, like you said, to the elision between variations). Still, the progression's brevity gives the overall work a sense of being completely static while at the same time pulls you inexorably towards its cataclysmic conclusion. That contrasting dichotomy is so difficult to explain in words, but all you need to do is listen! Also, cannot ever get over the exquisite flute solo that suddenly appears to start the proper B section. I can't believe I never noticed the embedded falling 3rds motif in there before! I can never tire of this symphony
@lucpraslan
Жыл бұрын
Favourite passacaglia, 4th movement, of... Shostakovich Symphony no 8! 👍🏻👍🏻
@rollo2007
Жыл бұрын
I couldn't have waited anymore!
@lucienhut3971
Жыл бұрын
Thank you for your very clear and informative analysis!
@tomannable5520
Жыл бұрын
Thank you so much for what you give us so generously. This was a fascinating insight into this movement. I have always loved brahms #4 - your analyses have given me so much more insight into why!!
@matthewschiff9211
Жыл бұрын
The finale is epic, and so is your analysis. Keep up the great work!
@samgoldberg2080
Жыл бұрын
Learned so much, this analysis is amazing! I love how Brahms screams out the B flat/A sharp note in that coda with different harmonies and textures, as if we had always known that the A sharp note was the signature note of the movement. That Ger 6 - V7/V - V - i progression near the end has always sounded so matter-of-fact and direct to me.
@jamestomba9361
3 ай бұрын
Thank you so much for these videos! I have LOVED getting to know these Brahms masterpieces in detail, it's taking me back to my time at university in the Music faculty learning about sonata form... :) Thank you! Brilliant, brilliant work, and such high quality music analysis, and presented in a way that is entertaining, and easy to digest. What an achievement! Just a thought/request - do you think you might some day explore some analysis of Brahms' German Requiem? Would be phenomenal! I'm thinking of some of the fugal sections, especially the 'Eternal D'...! Thanks for all the work that must have gone into these videos. It's mind-blowing.
@bdellovibrioo5242
Жыл бұрын
That set of variations for string sextet that you mentioned is something I have been vaguely obsessed with for a few years now. The almost Lydian sounding tonality of the countersubject seems out of this world, as does the variation with the folklike melody in the viola that features the very soft but richly voiced alternating I - vii7 (half-diminished) chords towards the end.
@MarvinFalz
Жыл бұрын
Thank you, Richard! I had a wonderful one and a half hours listening and reading the scores you provided!
@moneimsaid
Жыл бұрын
Great👏thank you very much..please make the subtitles available🙏
@pedrofsouza1
8 ай бұрын
Richard, I'd like to thank you for your videos. For the past years (especially the pandemic ones), I've listened to the Brahm's Symphonies countless times, and I've always loved them. But, interestingly, now that I've watched yor analyses, I love them more! Thank you, sincerelly, for teaching us not only about the pieces, but also to appreciate and venerate them more. However, I need ask you: what about the analyses of the other two Symphonies? I am waiting for them! Especially for the Third Symphony analysis, since it is one of my favourite aesthetic objects of all times. Do not keep us waiting much longer!
@Richard.Atkinson
8 ай бұрын
I'll get to them! I'm taking a little break from Brahms for the next few months.
@nicomatf
Жыл бұрын
You are awesome sir
@cvlen
Жыл бұрын
An absolutely astonishing video!!! I appreciate the profundity of your analysis and enormous editing efforts. I've learnt and enjoyed so much. This is also one of my favourite symphonic finales of all time :)
@christophersims7426
Жыл бұрын
Well, this certainly lived up to my high expectations for this video! Variation 24 has always stood out as one of the most powerful to me - somehow transforming the passacaglia theme to its most bare-bones form of tonic-dominant-tonic.
@Richard.Atkinson
Жыл бұрын
24 makes me want to jump out of my chair when it finally arrives. But so do many of the others!
@nolango6160
Жыл бұрын
This video is amazing. I would like to say a BIG THANK YOU for always making incredibly informational videos like this. The details and depth of your analysis have given so much insights to many music lovers and you have brought us to another level of appreciating music. THANK YOU again!! P.S. The final vi-i shifts remind me of the ending of Chopin's 4th ballade, and the last descending E minor chord with the V-i is also very similar to the ending of Chopin's E minor waltz as well!
@Nostalgicavenue2000
Жыл бұрын
Thank you so much for this video! You’re vids are always a great! :)
@Kat9_123
Жыл бұрын
Fantastic video, as always!
@Luiss-ix7rf
Жыл бұрын
Not only was Brahms the greatest composers of the 19th century, but he was arguably the finest piano virtuoso of the 19t century. The whole package.
@adig2414
8 ай бұрын
He was nowhere near the greatest piano virtuoso.
@alessiocomai1725
Жыл бұрын
thank you Richard, your channel is gold!
@ihaveacoolnickname
Жыл бұрын
This is a fantastic analysis full of insights and it truly helped me understand Brahms better. However, absolutely nothing compares to Bach's C Minor Passacaglia (and Fugue) BWV 582 or the D Minor Chaconne which has already been mentioned here.
@adamrowe8674
Жыл бұрын
I find that once I understand what’s going on inside the music, after watching these videos, I get so much more out of listening to it! Truly invaluable analysis, you introduced me to Brahms and now I can’t get enough!
@w4rdd4v
Жыл бұрын
Thank you.
@thomasishak5056
Жыл бұрын
YES I HAVE BEEN WAITING FOR THIS
@sebastian9445
Жыл бұрын
I've been waiting this since you dropped the analisis on first movement
@melissaraven3164
Жыл бұрын
wonderful, monumental analysis, thanks!
@Miguel-zp9yp
Жыл бұрын
Awesome work! Thank you! You probably spoiled every possible college assignment about this symphony for ever XD
@terrybyrne4324
8 ай бұрын
A remarkably rigorous analysis that fully lives up to your already superlative standards. Insightful & recalling your comprehensive store house of derivative examples. One of the most intense & scholarly samples from the Brahms canon expertly dealt with by a forensic musical analyst.
@Adeodatus100
Жыл бұрын
The thing about Brahms for me is that he seemed incapable of writing background music. I can't listen to Brahms and do something else at the same time. He puts his music together in a way that demands your full attention, and this glorious movement is a prime example.
@TheVoitel
Жыл бұрын
The "descending fifths" in the 11th variation is in fact a chain of dominant 7th chords, which makes an interesting line of parallel descending tritoni, with the two voices alternating between third and 7th. Brahms does a similar thing in op. 116/II. Also Variation 12 has never been done so well as in the Furtwängler recordings!
@ufukhalatoglu1505
Жыл бұрын
Great analysis so fun to watch
@bencarterviola
Жыл бұрын
you deserve some kind of lifetime achievement award i love you
@johnnyknight2157
Жыл бұрын
i love ur videos so much. you're so thorough! is it possible that you would make a video of brahms PC 2?
@claudiodalicarnasso8692
10 ай бұрын
Only 1501 likes for a video like this 😭😭😭😭😭😭 I love you Richard, almost as much as Johannes❤️❤️❤️
@abefrandsen
Жыл бұрын
outstanding video! perfect blend of pedagogy and entertainment. I love the time you spent on the Haydn Variations as well (though I guess that means we won't get a dedicated video to that piece). You mentioned at one point a similarity with Mahler. I think a fun, shortish video would be to simply highlight the instances where Mahler seems to be recalling (whether intentionally or not) passages from Brahms. There's obviously the Mahler 3/mvt 1 and Brahms 1/mvt 4 theme (which both hearken back to Beethoven). I've also noticed a striking similarity between a passage in Mahler 2 and Brahms 2nd piano concerto, as well as between Mahler 1 opening motif (falling 4ths) and a passage in Brahms symphony 2 (I think? I'd have to track it down again). I think I've noticed more but I can't recall the others at the moment.
@abefrandsen
Жыл бұрын
here's what I'm talking about Falling fourths over pedal: Brahms kzitem.info/news/bejne/0piZzKmDpYCDipw / Mahler kzitem.info/news/bejne/xKeMr4F7iph2l2k Brahms PC theme: Brahms kzitem.info/news/bejne/lWaE2XqBrqWce2U / Mahler kzitem.info/news/bejne/1H6prH2scYhyaqw (I think there might be a better example in this movement)
@Richard.Atkinson
Жыл бұрын
@@abefrandsenThis connection is already in my draft script for my future video on the finale of Brahms 2. It also sounds like the opening slow intro of Beethoven’s 4th!
@Toggitryggva
Жыл бұрын
Amazement well and truly transferred!
@edelmantos
Жыл бұрын
Bravo! Incredible video!
@orb3796
Жыл бұрын
setting my alarm was well worth it
@derekdavid1
Жыл бұрын
YYYYYYYYYYYYYYYYYYEEEEEEEEEEEEEEEEEEEEEEEEESSSSSSSSSSSSSSSSSSSSSSSSSSSS!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! I just finished watching the whole thing. Bravo, my friend. A Masterpiece.
@joecool1588
Жыл бұрын
this is so funny for no reason
@timothycurrie2337
Жыл бұрын
Uploaded one day before my maths exam. Couldn't you have uploaded the video tomorrow 😨
@djbabymode
Жыл бұрын
The way that bach cantata passacaglia modulates to different keys reminds me of the third movement from corelli's op. 3 no 3
@shengmenluo42
Ай бұрын
The transition between var.15 and var.16 is rather similar to what happens in the Goldberg Variations. At the very end of Bach's var.15 in g minor, he leaves a pianissimo open fifth lingering in the air, creating uncertainty about the tonality, and then modulates by responding it with a definite answer by the resolute forte G major chord at the beginning of var.16 (Bach did not indicate the dynamics, but most pianists realise the contrast in this way). Brahms essentially does the same: leaving a pianissimo chord, uncertain in tonality, with a fermata, and modulating by giving a response in another key. The similarity is supported by the fact that both transitions occur between var.15 and var.16, the middle point of both pieces, and that both usher in the second half with a re-entering effect: Bach's var.16 is an overture, which is strange in the middle of a suite and only makes sense when considered as an (re-)opening, as a prelude at the beginning of a concert's second half. Likewise, Brahms' var.16 is also a recapitulation of the theme.
@steveegallo3384
Жыл бұрын
Excellence in Erudite Pedagogy.....BRAVO to you Professor....from Acapulco!
@DrMephistopheles
Жыл бұрын
Maestro Atkinson, this is honestly one of the greatest analysis videos I have ever come across. I’ve seen it from beginning to end twice, and will keep watching it as I keep showing people the pessimistic nihilistic aspect of Brahms that you have unearthed. If it were up to me, I would have every single music listener sit in a theatre, eyes open in a manner similar to A Clockwork Orange, and have them watch from beginning to end. My question to you is: Why isn’t someone with the profound analystic aptitude that you possess, have a baton and a world class orchestra at their disposal? Surely you are more worthy of holding a baton than many of the conductors out there.
@DrMephistopheles
Жыл бұрын
By the way I just saw in your bio that you’re an MD. As an MD myself I have a follow-up question, HOW DO YOU HAVE THE TIME?
@OctopusContrapunctus
Жыл бұрын
I really admire brahms also, but not only, because he was a big inspiration for one of my favorite composers: Max Reger. I hope, since he also is a contrapuntal genius, you'll analyse something of him in future. Amazing video. Will wait eagerly await any videk of yours😊
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