Almost belting!! Sad we don't hear this kind of singing in Opera anymore.
@pedrosergio2002
2 жыл бұрын
Today opera is most weak head sounds. The sopranos and the modern mezzos don't have a proper development of her chest voice, and they even don't have squillo in her voices or at least not enough to transcend a big orchestra. An example of bad vocal technique today is Netrebko and Fleming.
@pedrosergio2002
Жыл бұрын
Saioa Hernández is the best singer of the century, no wonder, since her main singing teacher was none other than the great Montserrat Caballé. Saioa has a beautiful soprano voice, I think she is a spinto or a full lyric. Her timbre reminds me of Tebaldi, being a little lighter.
@KrishnaSimone
2 жыл бұрын
I liked many but "the blonde diva" is the best of the 21st century..... Saioa Hernández❤
@jquiroga7820
Жыл бұрын
I have seen several videos where great sopranos like Montserrat Caballé and Aprille Millo avoided this chest note. I never understood why, in my opinion it is the most dramatic part of the whole aria. For me Miss Tebaldi is the reference Maddalena, all of her live performances include an impressive chest G4. Thank you very much for making this video!
@ginopietracupa4305
Жыл бұрын
Aprile Millo is a lyrical soprano with a small voice who wanted to play as a dramatic, pathetic
@teegee7801
2 жыл бұрын
Orianna and Claudia Parada! GAWD! Great C6(?)! Great G4, too, Claudia! Callas and Tebaldi! Mancini so clear!
@tasosGRvocals
2 жыл бұрын
I loved Maria Pedrini, and of course La Callas!!
@ThePianoguy89
2 жыл бұрын
Nice to see sopranos doing chest voice!
@draganvidic2039
Жыл бұрын
As it should be
@bradycall1889
5 ай бұрын
lol it’s strengthened head voice
@KajiVocals
5 ай бұрын
?
@asnalelo.165
2 жыл бұрын
oh this is such a gorgeous compilation for my ears. merci beaucoup.
@draganvidic2039
Жыл бұрын
It’s also important to know this combination covers a range of lyrics, spintos and dramatics. Voices are also differently ”set” by nature. And the acoustics affects the sound we hear too of course.
@operaanimelover369
2 жыл бұрын
I have seven favourite sopranos who have mastered the chest tones of Maddalena de Coigny's famous aria "La Mamma Morta". Those are Claudia Muzio, Claudia Parada, Maria Callas, Maria Pedrini, Bianca Scacciati, Lina Bruna Rasa, and Maria Caniglia. I prefer mostly the older sopranos as well as Fiorella Prandini and Haydée Dabusti, who were such revelations to me, because there was far more technical prowess and actual power in their voices in comparison to the rampant amplification that has otherwise messed up huge singing big time.
@germanoehlke4179
20 күн бұрын
E Milanov... A grande Milanov jamais poderia ser esquecida nessa seleção ❤
@BAZVOCALS
2 жыл бұрын
Renata tebaldi and Maria >>>>
@bskeete
2 жыл бұрын
Love the different interpretations. Thank you.
@zeissfan06
2 жыл бұрын
Great collection! More of this type of videos please.
@Tica..77
2 жыл бұрын
Great video Kaji.. ya keep outdoing yourself! THX’s ✌️♥️
@andity1
15 күн бұрын
I am glad there are modern sopranos who don't avoid the chest!
@KajiVocals
15 күн бұрын
I go to opera regularly. Multiple times a month. And honestly - I find that sopranos who DON’T use chest are quite rare.
@andity1
14 күн бұрын
@@KajiVocals I think people start realising the chest is necessary. Years back it wasn't like that. Although many of them do their chest tones throaty, they need to develop their registers correctly. It's hard to find a teacher who can teach you that. Gladly I found mine.
@majahandlovu8115
2 жыл бұрын
Great video Kaji 👏 👏 ❤
@Rosannasfriend
2 жыл бұрын
This is cool.
@matOpera
Жыл бұрын
Thank you for this. This ending has to be done in chest voice. In fact, the entire section has to be sung with an absolute fortissimo sound. The music simply demands it.
@draganvidic2039
Жыл бұрын
Yes I don’t really get the title here. It’s chestvoice or don’t sing.
@davideferrari5702
2 жыл бұрын
La Tebaldi...che voce sonora...
@matOpera
Жыл бұрын
Why do you think more female opera singers don’t make this kind of sound? It’s completely natural, free, and not even particularly high in their chest range. Tenors and baritones sing G in full voice all the time, and tenors sometimes even in open chest. Why not sopranos?
@draganvidic2039
Жыл бұрын
Are you for real?
@matOpera
Жыл бұрын
@@draganvidic2039 Yup. Women’s chest voice naturally extends into the 5th octave, even without much training.
@draganvidic2039
Жыл бұрын
@@matOpera It’s not that simple even if you got a point
@matOpera
Жыл бұрын
@@draganvidic2039 More complicated in what sense?
@Pachinanonim
2 жыл бұрын
¡¡Buen Vídeo!! 🤍🤍👏🏻👏🏻👏🏻
@jamescantorne3720
7 ай бұрын
Maria Pedrini is awesome
@jiso5232
3 ай бұрын
Bruna Rasa, Caniglia (although the quality of this recording isn't great) and Pedrini for me. I miss Cerquetti, maybe Milanov and definitely Cigna, who had a really big chest voice. I believe there was also a recording of Boninsegna, but it can't find it.
@Mohamedmifxal
2 жыл бұрын
Saioa Hernandez did pretty well. On this note and for the strength and size required for this piece as a whole Callas wins. But Claudia Muizo wins for the interpretation.
@KajiVocals
2 жыл бұрын
I quite like Scuderi’s chest part.
@KajiVocals
2 жыл бұрын
And Maria Pedrini’s was my favourite I think. Along with Callas and Tebaldi.
@bclislife
2 жыл бұрын
This is really interesting
@fenicotterotortisiano8399
2 жыл бұрын
Kaji, I need some advice, do you think I'm good to go with classical conservatory training if I wanna sing gospel with a sizable and resonant voice, sadly there're no gospel communities where I live.
@Mohamedmifxal
2 жыл бұрын
Shawn Mendez is still a baritone.
@bradycall1889
Ай бұрын
LOL Mendez ain't no baritone.
@bskeete
2 жыл бұрын
Loved Latonia Moore and Hyun Ae Cho the best.
@draganvidic2039
Жыл бұрын
Latonia is thin and strident on her high note
@XxQueenChristinaxX
2 жыл бұрын
Would you say these Gs or (at least most) of them are "pure" chest?
@KajiVocals
2 жыл бұрын
Yes, many of them.
@draganvidic2039
Жыл бұрын
Some have a more dose of headvoice so it’s not either this or that.
@XxQueenChristinaxX
Жыл бұрын
@@draganvidic2039 Kaji confirmed what I thought already. Also, your statement is contradictory.
@judygarland7186
Жыл бұрын
@@draganvidic2039 there is no such thing as sing in chest voice with a dose of head voice
@deadwalke9588
2 жыл бұрын
Child sacchi was flat on those notes before the F# and G, Lool
@KajiVocals
2 жыл бұрын
Yeah she lost her top early due to health apparently. Moved to mezzo rep cuz of it.
@deadwalke9588
2 жыл бұрын
Yeah I see why but the voice doesn't strike me as mezzo either so she was doomed from the start it seemed.
@XxQueenChristinaxX
2 жыл бұрын
She sounded shrill and wobbly to me. It wasn't a good time for her.
@KajiVocals
2 жыл бұрын
@Noack Somewhere He was not talking about the high B.
@scottgrunow5201
2 жыл бұрын
Sacchi had health problems and in 1953 started singing mezzo parts
@pedrosergio2002
Жыл бұрын
What is the fach of these singers?
@Emanuel9991000
2 жыл бұрын
These Mancini, Dabusti, Parada, Freni, Prandini, Malagrida , Stoyanova were better. Howewer, I prefer high × high × high sopranos like Bogna Sokorska, Evgenyia Miroshneichenko, Erna Sack, Elena Zimenkova, Galina Olineichenko, Halina Mickiewiczowna, Ingeborg Hallstein, Lilly Pons, Mado Robin and Zdzislawa Donat.
@Mohamedmifxal
2 жыл бұрын
0:47 coloratura?
@KajiVocals
2 жыл бұрын
I think that or a lyric.
@draganvidic2039
Жыл бұрын
Some of them mix to a varied degree while a few go FULL chestvoice…
@KajiVocals
Жыл бұрын
All of these are M1. The lesser density in some of them does not make it mix.
@draganvidic2039
Жыл бұрын
@@KajiVocals M1…?
@KajiVocals
Жыл бұрын
@@draganvidic2039 M1 laryngeal vibratory mechanism. One of the four LVMs in the voice. This one corresponds to the modal voice mechanism. Mixed voice is done in M2.
@draganvidic2039
Жыл бұрын
@@KajiVocals Yes
@KajiVocals
Жыл бұрын
Which is why your statement is incorrect..
@deadwalke9588
2 жыл бұрын
Callas!
@dimahappy2665
8 ай бұрын
Were's Anita Chercquetti?
@THEE.apples
2 жыл бұрын
Where's zinka?
@ginopietracupa4305
Жыл бұрын
Zinka has no strong low notes
@judygarland7186
Жыл бұрын
@@ginopietracupa4305 Milanov absolutely has strong low notes, you are wrong
@ginopietracupa4305
Жыл бұрын
@@judygarland7186 Zinka Milanov NEVER sang much on bottom, she has NO "gravi", she had middle "ingolatto" and her voice changes on top, Milanov top is clear in color
@noblesetsentimentales
Жыл бұрын
@judygarland7186 But Milanov always sang this part in head voice, not chest, and sometimes even transposed it an octave higher. Caballé did the same.
@Pachinanonim
10 ай бұрын
Eileen Farrel y Gina Cigna Faltarian.
@sandro7799
10 ай бұрын
Interessante compilation. La tebaldi si conferma la voce più bella... spicca su tutte le altre per bellezza cavata torrente di suono uguaglianza di timbro e vibrazione sul si acuto e poi sul fa# e sul sol
@KajiVocals
10 ай бұрын
La Tebaldi era incredibile nella parte centrale della voce, sempre corposa e calda.
@giannirizzi1031
10 ай бұрын
Renata Tebaldi impressionante! Maria Callas non è la migliore registrazione; ma dov'è Magda Olivero????
@KajiVocals
10 ай бұрын
Magda non canta il finale di quest'aria con la voce di petto. Lo canta nel registro medio o con voce piena in testa.
@giannirizzi1031
10 ай бұрын
@@KajiVocals Ed è un male? E quell'interpretazione tecnicamente "da brividi", parossisticamente e volutamente lenta? È pur vero che sottolinei il F# - G, espressivamente diversi, ma non si può prescindere dall'intera aria. Un callasiano per la vita che ha avuto modo di scrivere "impressionante Renata Tebaldi" proprio in quel registro, quello della Divina. Ci sarà un motivo "culturale" se rimango estasiato nell'ascolto di Magda. Cordialmente.
@KajiVocals
10 ай бұрын
Oh, sono d'accordo che Magda la canta molto bene. Sto semplicemente dicendo che non è idoneo allo scopo di questo video.
@giannirizzi1031
10 ай бұрын
@@KajiVocals Hai ragione, me ne sono accorto in ritardo🤗
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