💥The music of the Philippines (Filipino: Musika ng Pilipinas) includes the musical performance arts in the Philippines and the music of Filipinos composed in various local and international genres and styles. Philippine musical compositions are often a mixture of Indigenous styles, and various Asian styles, as well as Spanish/Latin American and (US) American influences through foreign rule from those countries.🔥
Manila sound
Manila sound is a musical genre that began in the mid-1970s in the city of Manila. The genre flourished and peaked in the mid to late-1970s. It is often considered the "bright side" of the Philippine martial law era and has influenced most of the modern genres in the country, being the forerunner to OPM.
Original Pilipino Music (OPM)edit
Original Pilipino Music, more commonly referred to as OPM, a term coined by Danny Javier of the APO Hiking Society,[3] originally referred only to the pop genre of music from the Philippines, mostly ballads, that became popular after the collapse of its predecessor, the Manila sound of the 1970s. Currently, the term "OPM" has been a catch-all description for all popular music of any genre composed and performed by Filipinos,[4] originating from the Philippines.
Before the emergence of OPM in the 1970s, popular music in the Philippines throughout the 50s and 60s was a varied showcase for songs with vernacular and movie themes performed by recording artists such as Pilita Corrales, Sylvia La Torre, Diomedes Maturan, Ric Manrique Jr., Ruben Tagalog, Helen Gamboa, Vilma Santos, Edgar Mortiz, and Carmen Camacho, among many others.
Since its origin, OPM has been centered in Manila, where Tagalog and English are the dominant languages. Bands and singers who use other regional languages, such as Cebuano, Kapampangan, Ilocano, and the other numerous languages of the Philippines, rarely break into the popular Filipino local music scene, with only a handful of exceptions, which include the Bisrock (Visayan rock music) song "Charing" by 1017, a Davao-based band, and "Porque" by Maldita, a Zamboanga-based Chavacano band. A lot of compositions of Bisrock are contributed by bands such as Phylum and Missing Filemon.
The debut music video of "Oras" ("Time") by Tarlac-based band Mernuts penetrated MTV Pilipinas, making it the first-ever Kapampangan music video to join the ranks of other mainstream Filipino music videos. RocKapampangan: The Birth of Philippine Kapampangan Rock,[5] an album of modern remakes of Kapampangan folk extemporaneous songs by various Kapampangan bands was also launched in February 2008, and was regularly played via Kapampangan cable channel Infomax-8 and via one of Central Luzon's biggest FM radio stations, GVFM 99.1. Inspired by what the locals call "Kapampangan cultural renaissance", Angeles City-born balladeer Ronnie Liang rendered Kapampangan translations of some of his popular songs such as "Ayli" (Kapampangan version of "Ngiti"), and "Ika" (Kapampangan version of "Ikaw") for his repackaged album.
Despite the growing clamor for non-Tagalog and non-English music and the greater representation of other Philippine languages, the local Philippine music industry, which is centered in Manila, is unforthcoming in venturing investments to other locations. Some of the major reasons for this include the language barrier, small market size, and socio-cultural emphasis away from regionalism in the Philippines. An example would be the Ilokano group The Bukros Singers,[6] who swept through Ilocandia in the 1990s and became a precursor for other Ilokano performers into the 2000s, but rarely broke through other music markets in the Philippines.
The country's first songwriting competition, Metro Manila Popular Music Festival, was first established in 1977 and launched by the Popular Music Foundation of the Philippines. The event featured many prominent singers and songwriters during its time. It was held annually for seven years until its discontinuation in 1985. It was later revived in 1996 as the "Metropop Song Festival", running for another seven years before being discontinued in 2003 due to the decline of its popularity.Another variation of the festival had been established called the Himig Handog contest which began in 2002, operated by ABS-CBN Corporation and its subsidiary music label Star Music (formerly Star Records).
Негізгі бет Ойын-сауық OPM (Patok) Music Mix🔊💥💥
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