One of my favorite operas - Carmen by G. Bizet. I can't sing it, but thanks to Pablo Sarasate - I can play it on the violin 🎻
00:00- Aragonaise (Allegro Moderato)
After a short introduction by the orchestra, the violin plays material from the Aragonaise, the entr'acte to act 4. It is a very virtuoso movement to perform. Lots of technical challenges begin from the first tone.
02:56 - Habanera (Moderato)
This movement uses material, extensively ornamented, from the Habanera from act 1 ("L'amour est un oiseau rebelle"). I particularly like the canon, which creates a wonderful duo between solo violin and the orchestra.
05:12 - Tra la la ... Coupe-moi, brûle-moi (Lento Assai)
Carmen's mocking treatment of Zuniga in act 1. Emotional and slower part of the Fantasy. "Tra la la ... Coupe-moi, brûle-moi " is the theme for this movement; it ends in a virtuoso cadenz element and flageolets.
07:18 - The Seguidilla (Allegro Moderato)
My favorite part of the fantasy.
The Seguidilla from act 1 ("Près des remparts de Séville") is here with ornaments including pizzicato, trill, glissandos, and many other diverse violin techniques within just 2 pages of music.
09:15 - Les tringles des sistres tintaient (Moderato)
This movement is based on the scene at the beginning of act 2 where Carmen and her friends Frasquita and Mercédès are entertaining Zuniga and other officers. The most technically difficult movement of the five, it employs rapid, moving thirds; fast arpeggios which span the range of the instrument; and a final virtuoso tempo acceleration.
Yury Revich, Violin
Vienna Ensemble
Michał Juraszek, Conductor
Recorded live on March 6th, 2021 in the Kulturfabrik Hainburg as part of the opening concert of the 2021 season of the "Haydn Region Lower Austria"
www.haydnregion-noe.at
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