"The point, therefore, is not to take sides in a dispute between liveness and mediatization-an assumption in which this discussion may easily get trapped-but to investigate the ways in which their interaction may enhance the critical role of opera in a media-saturated world" -João Pedro Cachapo, 2018
For those audience members unable to attend an opera in-person, a filmed recording of the performance can be another way to watch. But how does the act of filming itself affect what version of the story you see? Zach Barr (they/them) looks at two different proshots of Laurent Pelly's staging of "La fille du régiment," as well as one live performance, to make a much larger point about how and why to bring the stage to the screen.
Music in this video provided by Podington Bear, and used through a Creative Commons BY-NC license (though Free Music Archive).
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