Pete Tong had this to say about the track: “I’d been playing around with a very famous house and techno monster for a couple of years, which I wrote some new chords over and then sent to Jules and Vula, who added words and melody. I then sent it to Kölsch and he took the top line off, but really elaborated on what I did musically. He also took the sample away and convinced me to make it an original composition. We kept working on it and got Elderbrook in to come up with a few more ideas and ultimately it became entirely its own track.” Anyone have a theory as to what the original song he’d been remixing was?
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