Playing Raga Yaman on Sitar - today's discussion. Thank you for joining Nishith Dey's Sitar Learning course organized by Gurukul Online Learning Network (GOLN). Those who have not seen the previous classes are requested to watch those in the previous order. Because sitar learning requires gradual disciplined education. That is the reason we created each class with the required lessons for a week. The best results can be obtained by following and practicing accordingly.
Today's class is about learning to play Raga Yaman on Sitar. The class is taken by Nishit Dey. Yaman (also known as Imaan,'Emann', 'Kalyani' in Carnatic classical music) is a heptatonic (Sampurna) Indian classical raga of Kalyan Thaat. Yaman emerged from the parent musical scale of Kalyan. Considered to be one of the most fundamental ragas in Hindustani tradition, it is thus often one of the first ragas taught to students.
Mechanics :
Yaman's Jati is a Sampurna raga and in some cases Shadav; the ascending Aaroha scale and the descending style of the avroha includes all seven notes in the octave ( When it is Shadav, the Aroha goes like N,RGmDNS' , where the fifth note is omitted; Pa but the Avaroha is the same complete octave). All the scale notes (called swaras) in the raga are Shuddha, the exception being Teevra Madhyam or prati madhyamam. The notes of the raga are considered analogous to the western Lydian mode, which was the predominant scale used in classical antiquity, before being usurped by those of the pre-Modern era.
Not to be mistaken, Raag Yaman is slightly different from Raag Yaman Kalyan. Both have almost the same base, but they are sung differently. The Aroha and Avaroha of Yaman Kalyan goes like this: SRGMDNS' S'NDPMGRS
Vadi and Samavadi : Vadi is ga, Samvadi is ni
Pakad or Chalan :
Kalyan has no specific phrases or particular features, many musicians avoid Sa and Pa in ascend or treat them very weakly. You often hear N0 R G M+ D N S' in ascent and S' N D M+ G R S in descend.
Sa is avoided in beginning the ascend such as N0 R G M+ P D N S'
Rasa :
Kalyan is described by Meshakarna(1570) as "lord in white garments and pearl necklace on a splendid lion-throne, under a royal umbrella, fanned with whisk, chewing betel.
Organization and relationships :
There is some discussion on whether Yaman and Kalyan really just are different names for the same raga, or that these are actually 2 ragas. Joep Bor says "Kalyan (today usually referred to as Yaman)", Kaufmann says that Yaman and Kalyan are just different names, but insists that rāga Yaman-Kalyan is different as there natural Ma is occasionally inserted between two Ga, like Ga Ma Ga Re Sa, while in all other instances tivra Ma (Ma+ is used as in Kalyan). S. Bagchee[4] agrees with Kaufmann. Bor : If natural Ma is occasionally added in a concluding figure leading to Sa, the raga is known as Yaman-Kalyan.
Kalyan is mixed with several ragas:
Hem Kalyan, Hindol Kalyan, Gorakh Kalyan, Maru Kalyan, Ram Kalyan, Poorva Kalyan, Puriya Kalyan, Shuddha Kalyan, Yaman Kalyan, Yamani Bilawal.
Yaman raga mixing in other ragas: Yamani, Yamani Hindol, Yamani Basant.
Sitar 101 | Lesson : 17 | Raga Yaman Lesson | Nishit Dey | English | Gurukul Music
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