The finale of Mozart's "Jupiter" Symphony (No. 41) dates from 1788, and is rightly viewed as one of the monuments of the classical period, particularly in its brilliant use of counterpoint to create a joyful musical celebration. In this chat, we explore the roots of Mozart's final symphonic statement in two astonishing and little-known works of Haydn: his Symphony No, 13 of 1763, and Symphony No. 70 of 1779.
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