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The Jagannath Temple is an important Hindu temple dedicated to Jagannath, a form of Vishnu, in Puri in the state of Odisha on the eastern coast of India. The present temple was rebuilt from the 10th century onwards, on the site of an earlier temple, and begun by Anantavarman Chodaganga Deva, the first king of the Eastern Ganga dynasty.[1]
The Puri temple is famous for its annual Ratha Yatra, or chariot festival, in which the three principal deities are pulled on huge and elaborately decorated temple cars. Unlike the stone and metal icons found in most Hindu temples, the image of Jagannath (which gave its name to the English term 'juggernaut') is made of wood and is ceremoniously replaced every twelve or 19 years by an exact replica.[2] It is one of the Char Dham.
Many great Vaishnava saints, such as Ramanujacharya, Madhvacharya, Nimbarkacharya, Vallabhacharya and Ramananda were closely associated with the temple.[3][4] Ramanuja established the Emar Mutt near the temple and Adi Shankaracharya established the Govardhana Mutt, which is the seat of one of the four Shankaracharyas.
The temple was built by the Ganga dynasty king Anantavarman Chodaganga in the 12th century CE, as suggested by the Kendupatna copper-plate inscription of his descendant Narasimhadeva II.[7] Anantavarman was originally a Shaivite, and became a Vaishnavite sometime after he conquered the Utkala region (in which the temple is located) in 1112 CE. A 1134-1135 CE inscription records his donation to the temple. Therefore, the temple construction must have started sometime after 1112 CE.[8]
According to a story in the temple chronicles, it was founded by Anangabhima-deva II: different chronicles variously mention the year of construction as 1196, 1197, 1205, 1216, or 1226.[9] This suggests that the temple's construction was completed or that the temple was renovated during the reign of Anantavarman's son Anangabhima.[10] The temple complex was further developed during the reigns of the subsequent kings, including those of the Ganga dynasty and the Suryvamshi (Gajapati) dynasty.
Jagannath, Balabhadra and Subhadra are a trio of deities worshipped at the temple. The inner sanctum of the temple contains statues of these three Gods carved from sacred neem logs known as daru sitting on the bejewelled platform or ratnabedi, along with statues of Sudarshana Chakra, Madanmohan, Sridevi and Vishwadhatri.[12] The deities are adorned with different clothing and jewels according to the season. Worship of these deities pre-dates the building of the temple and may have originated in an ancient tribal shrine.
The traditional story concerning the origins of the Lord Jagannath temple is that here the original image of Jagannath (a deity form of Vishnu) at the end of Treta yuga manifested near a banyan tree, near seashore in the form of an Indranila mani or the Blue Jewel. It was so dazzling that it could grant instant moksha, so the God Dharma or Yama wanted to hide it in the earth and was successful. In Dvapara Yuga King Indradyumna of Malwa wanted to find that mysterious image and to do so he performed harsh penance to obtain his goal. Vishnu then instructed him to go to the Puri seashore and find a floating log to make an image from its trunk.
The King found the log of wood. He did a yajna from which God Yajna Nrisimha appeared and instructed that Narayana should be made as fourfold expansion, i.e. Paramatma as Vasudeva, his Vyuha as Samkarshana, Yogamaya as Subhadra, and his Vibhava as Sudarsana. Vishwakarma appeared in the form of an artisan and prepared images of Jagannath, Balabhadra and Subhadra from the tree.[17]
When this log, radiant with light was seen floating in the sea, Narada told the king to make three idols out of it and place them in a pavilion. Indradyumna got Visvakarma, the architect of Gods, to build a magnificent temple to house the idols, and Vishnu himself appeared in the guise of a carpenter to make the idols on condition that he was to be left undisturbed until he finished the work.
But just after two weeks, the Queen became very anxious. She took the carpenter to be dead as no sound came from the temple. Therefore, she requested the king to open the door. Thus, they went to see Vishnu at work at which the latter abandoned his work leaving the idols unfinished. The idol was devoid of any hands.
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