Raga Maru Bihag is one of the modern raga in the Hindustani Classical Music. It developed from raga Bihag. Maru Bihag is often referred as a variant of raga Bihag which uses only the Teevra Madhyam rather than using both the Madhyams i.e. Shuddha & Teevra in raga Bihag. But one of the phrase may contain Shuddha Madhyam, Sa Ma (Shuddha) Ga Ma (Teevra) Ga Re Sa. This is a very rare case (and it is allowed as well). The usage of Shuddha Ma completely depends on the creativity of the artist.
Maru Bihag is regarded variant of raga Bihag which uses Teevra Madhyam instead of Both. In Maru Bihag, Teevra Madhyam is Extensively used. Hence, the Thaat of the raga is considered as Kalyan Thaat|Kalyan instead of Bilaval Thaat|Bilaval. In Maru Bihag, the kalyan Anga is more prominent; unlike Bihag which shows Bilaval Anga.
for example : Ma (teevra) Ga Ma (teevra) Ga Re Sa
Also, this is a Ragavachak Phrase or the Pakad of raga Maru Bihag. In Aaroha, Ṛiṣabha|Rishabh and Dhaivat are Varjya. In Avaroha, all the seven swars are taken. Hence, the Jati of the raga becomes Audav-Sampurna. Also, sometimes Shuddha Madhyam is used as a Vivadi Swara and is rarely used at the ending phrases, especially during boltaans. The Shuddha madhyam shows a slight presence of raga Bihag.
Unlike Bihag, Maru Bihag has nyaas on every swar, which makes it quite large, expandable. Most of the vocalists tend to select this Raaga for night concerts as it has more capacity to expand due to many nyaas swars. Along with Pancham-Shadja (vaadi-samvaadi), presence of nyaas is very important in Maru bihag. It is one of the characteristics of Maru Bihag. Also, presence of nyaas is also found in small proportion on Rishabh-Dhaivat.
Veena Sahasrabuddhe (14 September 1948 - 29 June 2016) was an Indian vocalist and composer of Hindustani classical music from Kanpur. Her singing style had its roots in Gwalior gharana, but it also borrowed from Jaipur and Kirana gharanas. Sahasrabuddhe was known as a singer of khyal and bhajan.
Veena Sahasrabuddhe was born in a musical family. Her father Shankar Shripad Bodas was a disciple of vocalist Vishnu Digambar Paluskar. She began her early musical education under her father, and then under her brother Kashinath Shankar Bodas.[citation needed] She also learned Kathak dancing in her childhood. Sahasrabuddhe's musical mentors included Balwantrai Bhatt, Vasant Thakar, and Gajananrao Joshi. Later she also trained briefly under Gaansaraswati Kishori Amonkar.
She had a bachelor's degree in vocal performance, Sanskrit literature, and English literature from Kanpur University (1968), a master's degree (Sangeet Alankar) in vocal performance from A.B.G.M.V. Mandal (1969), and also master's degree in Sanskrit from Kanpur University (1979). A.B.G.M.V. Mandal conferred on her a doctorate in vocal music (Sangeet Praveen) in 1988. For some years she was the head of the department of music at SNDT Pune campus. She performed all over India and in several countries around the world.
Her father Shankar Shripad Bodas was a contemporary of Omkarnath Thakur and Vinayakrao Patwardhan, and one of the earliest students of Vishnu Digambar Paluskar who founded the famous Gandharva Mahavidyalaya. Bodas was specially invited by Paluskar to move to Kanpur from Mumbai and spread music. Bodas and Shanta migrated to Kanpur in 1926, founded a Sangit Samaj and began teaching students, inviting other performers and propagating music. The Paluskar tradition was essentially in the Gwalior Gharana style and temperament of singing. Kanpur was an industrial town without any notable cultural life, particularly classical music. Until then, Uttar Pradesh had other places such as Banaras and Allahabad where music thrived. Veena's mother Shanta was also a singer and taught music in local schools in Kanpur. Veena grew up in this musical atmosphere at home. In addition to training from her father, she also trained with her brother Kashinath.
Veena Sahasrabuddhe gave her last concert on 2 December 2012. She was diagnosed with progressive supranuclear palsy. She died on 29 June 2016.
Awards
A prize in Vocal Classical category in a national competition for artists under age 25, conducted by All India Radio (1972)[citation needed]
Uttar Pradesh Sangeet Natak Akademi Award (1993)[citation needed]
Sangeet Natak Akademi Award (2013)[citation needed]
Akhil Bharatiya Gandharva Mahavidyalaya Mandal (ABGMV) confers posthumously the Honorary Degree " संगीत महामहोपाध्याय " (2019) [2]
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