Every song that your hear in any language has a basic element THE RAGA. Every song is based on a RAGA. We take one Raga in each episode and discuss the nuances of how the raga has been handled in both Carnatic and Cinema. You will understand the basics of the raga to appreciate the song even more. You will also be close to identifying the raga of many songs. Whatsmore keep listening and enjoy Sudhadanyasi Raga.
Udayaravichandrika and Suddha Dhanyasi are closely related, so much that many performers treat the two as interchangeable. Some contemporary practitioners consider Shuddha Dhanyasi as more inflected (i.e., using more gamakas), and Udayaravichandrika to be more in the Hindustani tradition with almost bare (i.e., uninflected) notes. Puritans, however, refer to the fact that Udayaravichandrika is an ancient raga in the Venkatamakhin tradition and was reputed to be created by Muthuswamy Dikshitar himself. However, at that time, it had kakali nishadam rather than the kaisiki nishadam of Suddha Dhanyasi.
However, the Kaisaki nishadam is used in this topic making more towards Sudha Dhanyasi. The Udaya Ravichandrika, in its pure form should have the following arohana and avarohana:
arohanam = S G₂ M₁ P N₃ Ṡ
avarohanam = Ṡ N₃ P M₁ G₂ S
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