Daniil Trifonov @daniiltrifonov
National Symphony Orchestra @kennedycenter / Gianandrea Noseda -
Rachmaninoff: Rhapsody on a Theme of Paganini (1934)
The Kennedy Center’s Concert Hall, Washington, D.C., USA / Sep. 24, 2022
NSO's Season Opening Gala Concert
Broadcast on WETA Classical with Bill Bukowski and Nicole Lacroix on Sep. 28, 2022
00:00 Introduction: Allegro vivace
00:07 Variation 1: (Precedente)
00:26 Theme: L'istesso tempo
00:45 Variation 2: L'istesso tempo
01:05 Variation 3: L'istesso tempo
01:31 Variation 4: Più vivo
02:01 Variation 5: Tempo precedente
02:31 Variation 6: L'istesso tempo
03:40 Variation 7: Meno mosso, a tempo moderato
04:46 Variation 8: Tempo I
05:21 Variation 9: L'istesso tempo
05:55 Variation 10: L'istesso tempo
06:49 Variation 11: Moderato
07:38 Double chromatic scale
08:28 Variation 12: Tempo di minuetto (D minor)
09:58 Variation 13: Allegro (D minor)
10:29 Variation 14: L'istesso tempo (F major)
11:15 Variation 15: Più vivo scherzando (F major)
12:23 Variation 16: Allegretto (B♭ minor)
14:08 Variation 17: (Allegretto) (B♭ minor)
16:18 Variation 18: Andante cantabile (D♭ major)
19:29 Variation 19: L'istesso tempo (19:24 A tempo vivace)
19:58 Variation 20: Un poco più vivo
20:36 Variation 21: Un poco più vivo
21:04 Variation 22: Marziale. Un poco più vivo (Alla breve)
21:35 Chromatic treatment of the ‘Dies irae’
21:50 Cantabile passage
22:08 Textural blossoming
22:35 a capriccio
22:54 Variation 23: L'istesso tempo
23:52 Variation 24: A tempo un poco meno mosso (A minor → A major)
24:44 Dies Irae
25:08 Applause
26:49 Maestro Noseda Talks about Daniil
WETA Classical's blog article by Nicole Lacroix:
"[...] When Daniil Trifonov played the Rachmaninoff from memory, it was as if his soul and body were directly connected to the music and it just poured out of him-the easiest thing in the world. His performance-although that’s not the right word: it was more a heart-to-heart sharing of what was in his deepest being-was by turns exciting, uber romantic and devilishly difficult. It felt like he was channeling Paganini, that legendary virtuoso who made the ladies swoon.
Afterwards, my seat neighbor and I jumped to our feet and turned to each other in excitement. “Stunning,” we both exclaimed. [...]"
weta.org/fm/cl...
Michael Andor Brodeur's review:
"[...] Trifonov at the piano to deliver a "Rhapsody" brimming with color, complexity and, as befits its two-dozen variations on Paganini's theme, multiple personalities.
It was a pleasure to see and hear Trifonov is his element. I last heard him was here in the Concert Hall, but under the vastly different circumstances of May 2021.
[..]
He's that rare virtuoso whose skills seem to swirl around a sound sense of humor - drifting through its dizzying cadenzas with the ease of a daydream, banging out its "Dies Irae" intrusions with the corrective bark of a headmaster. Trifonov and the orchestra were also keenly locked, navigating stormy syncopation, militaristic buildups and outbursts of heated dialogue with grace and ferocity. [...]"
www.washington...
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