We need more collectors who are transparent like this! Really enjoy your content.
@jazzvinylcollector
Жыл бұрын
thank you!
@dcrook232323
Жыл бұрын
Absolutely. 💯
@Budgetphile
Жыл бұрын
You’re quickly becoming one of my fave VC channels. Thanks for the videos and your honesty. Cheers! -budgetphile
@jazzvinylcollector
Жыл бұрын
thank you!
@Ken-wp2fr
Жыл бұрын
Thanks for being real. I still struggle with how different people grade records.
@biosopic
8 ай бұрын
sheeesh. some of these in G+ condition have sold of upwards of 1k. i’d say great buy on your part
@mr.bigsquid8422
Жыл бұрын
This is great content. More people should share what they pay for records, I’ve never understood why people are so averse to this. Collectors outside of jazz I feel more readily share purchase info, it seems like it’s a newer trend not to share it on videos. Going back to my record show days half the discussion was always on pricing. I think a lack of transparency on condition and price only contribute to the “frenzy” buying and more inflated prices. Aside from that, some of these still play well particularly with a mono cartridge. In terms of fidelity, I’ve found many early BN cds that are AAD sound incredibly similar to the original issue albums. The old cds don’t sound like the new modern Kevin Grey reissues. I think on just about any LP with even moderate wear the fidelity simply isn’t there. The originals are still cool to get but I’d readily buy an AAD cd for $5 -$10 over a paying a few hundred for a VG or below copy. OGs are still definitely cool. Over time paying what you did for some of those isn’t too bad. It’s like cost averaging your collection. I think it’s hard to say it’s about the music though at some point when the disc is so beat. There’s just much cheaper alternatives that are available and are incredibly good sounding. There definitely is a collecting aspect that kinda comes through more. There’s definitely albums I bought that I questioned later what I was thinking.
@DorianPaige00
Жыл бұрын
Collectors in jazz circles and probably now "OG" circles put the old sock in the mouth when it comes to price because in the future, they don't want to get leveraged. Say I'm after a handful of Sonny Clark OG Lps in the small universe of jazz collectors and shops. If I tell you I dropped $2K on one of the rarer ones, another seller could up the price on me for the others if they know I'm in the market for that pressing. Personally I don't have a "want list" that sellers can see on Discogs. I don't even have a hidden one as it runs the number up for potential buyers. Sellers see that and price accordingly. Furthermore don't ask questions if buying online especially if you see something that may have been priced months ago and is currently below median price. It's also better to let small slights and minor misgrading go and not say anything. It's better to sell your own old stock online if trying to find better copies. I know collectors who have a net worth of 8 figures who have gotten blocked because they returned a sealed jazz album with a scratch. That's where this sellers' market is today for the sought after items.
@ianwright8154
Жыл бұрын
Well done and thanks for your open, honest approach. Everyone would like mint but there is a historical value to have early copies of these records. That said if you saw these live or had the chance to hear them how much would you have paid? Great site though deserve way more subscribers.
@M1LL10N
Жыл бұрын
I found that fascinating. I thoroughly enjoyed that. Thanks.
@jazzvinylcollector
Жыл бұрын
A fascinating look into the mind of an irrational collector, no doubt!
@luismantaras6460
Жыл бұрын
I'm from Uruguay, enjoying your videos!
@jazzvinylcollector
Жыл бұрын
Thank you!
@christopherbarker181
Жыл бұрын
I thought you were going to say that I’m glad you’re not in the room with me to see the tears falling down my cheeks😢 I have four of the albums you’ve shown in the Music Matters series and love and cherish them all. Great video with a unique approach.👍
@croiners4166
Жыл бұрын
I have the Kenny Burrell w/ the Warhol cover that looks like it survived a shipwreck!
@jazzvinylcollector
Жыл бұрын
That title can’t be found in any other condition it seems!
@wsgray
Жыл бұрын
Those Blue Note Plastylite pressings are warhorses. I've got 25 of them, the worst grading being VG. But the VG grading play virtually as well as VG+ gradings on their contemporary label releases like Prestige, Riverside etc. Great video - thanks!
@zacksjazz9172
Жыл бұрын
Another great video! I have a lot of BNs with marks all over them and they play pretty well. Granted they do have some noise but that is to be expected, some of these records are over 60 years old! And it's crazy to me that you'll most likely make all of your money back plus some if you indeed decide to sell and upgrade your copy. Yes $100+ for a g+ record is a lot of money, but BN these days is a collectors label and thats how the market sees these rare presses especially those with the Lexington or w47 labels.
@jazzvinylcollector
Жыл бұрын
yea that's right. Funnily enough as the interest in BN originals has grown, my acceptance of 2nd and 3rd pressings has increased as well. It may end up being a happy medium where I can find the not-quite-originals (or certainly modern audiophile represses) in place of some of these
@zacksjazz9172
Жыл бұрын
@@jazzvinylcollector so that’s the thing, recently I have splurging in lib and ua blue notes and it’s seriously hit or miss. I would advice anyone if it doesn’t have rvg in the runouts stay away! For example, Ldt+3 comes to mind because I just got it in the mail. A lib no rvg and it sucks, one of the worst sounding records I own. The audio is up and down. Maybe it’s a pressing defect in my particular copy. So for anyone reading this, my advice don’t buy and blue notes that don’t have the rvg metal parts. Just don’t do it.
@marksutton8054
Жыл бұрын
I was in the Air Force and got stationed in Okinawa in the early 80’s and met an old head who was heavily into Japanese vinyl and he warned me way back then that my UA’s which most if not all of my BN’s were back then were pressed on the same stamper no matter when I bought it. So if your album was pressed in the early 70’s you were good, but that same stamper pressed copy’s sold in the late 70’s too. So if your pressing was in the late 70’s you got a garbage pressing. He told me that in 1981 and I kinda listened to him, but now I clearly understand what he was talking about.
@zacksjazz9172
Жыл бұрын
@@marksutton8054 The Japanese BN especially the king pressings are very high quality and audiophile level. I would buy those king pressings over a 70s Bn west coast press.
@xentakis
Жыл бұрын
Did any of you all get into Japanese blue notes? I have one 70s Japanese press of Night Dreamer that sounds pretty sweet, but that’s all I have (in general though I’d rather wait for a US pressing unless it’s impossible).
@evanjames6000
Жыл бұрын
Brilliant video. I have plenty of beat 1500 series titles that I keep in my collection. They can’t all be crispy OGs
@mr.bigsquid8422
Жыл бұрын
I wish more people would discuss the price they paid, there’s definitely deals to be had still if you look hard and wait.
@jazzvinylcollector
Жыл бұрын
Absolutely. I've been building a list of 6-8 titles that I've purchased on eBay over the last month for great prices that I plan to highlight in an upcoming video. Just waiting on a few more to arrive in the mail.
@bassbymichele
Жыл бұрын
They always say "a very good deal/price"..
@DanielGonzalez-tw8nu
Жыл бұрын
Agree, definitely still some good deals as far as the actual price of an LP. That said, once you factor in your time and often gas money spent, the numbers are pretty grim.
@mr.bigsquid8422
Жыл бұрын
@@bassbymichele true lol
@allyoopopp
Жыл бұрын
Wax based furniture spray and a micro cloth can help bring back shine on covers and rid the smell of mold. I've used bleach and water mixture on a swab to remove black mold spores as well.
@jazzvinylcollector
Жыл бұрын
That’s interesting… I’ve heard using WD-40 but that’s very temporary in terms of gloss restoring (plus it’s difficult to avoid staining if there are any breaks in the lamination)
@graememcpherson6980
Жыл бұрын
I found this video fascinating even though I’d rather a nice clean reissue over a old beaten up original every day of the week. Was very interesting to see what even the “bad” copies are worth and what collectors like yourself are happy to settle for in the curation of your collection. I like to think about the journey those records have been on before they ended up with you. And I absolutely loved that you shared your “worst” copies, it’s really refreshing to see this kind of thing.
@jazzvinylcollector
Жыл бұрын
Your preference makes MUCH more logical sense, I acknowledge that. There has always been something charming about beat up records, but it shouldn't be at the expense of having a copy you actually listen to!
@graememcpherson6980
Жыл бұрын
@@jazzvinylcollector even though I prefer a clean reissue it’s impossible as a jazz record collector to avoid having to buy second hand records as many never get reprinted after a certain point so I can still relate to having less than perfect copies of records as well as a few disasters in my collection! I have a badly trashed old Stan Getz record which is so bad that I play it every now and then just to see if it’s really as bad as I remembered it. It always is!
@homefromtheforest
Жыл бұрын
Excellent video idea. There’s that fine line between condition and price..sometimes you win and sometimes you lose. If I’m buying lesser condition records I try to pay a price that I think I won’t lose much on if I ever sell it in the future. Of course that’s not an exact science and may not always work out..but…
@jazzvinylcollector
Жыл бұрын
yea that's right. generally i don't win ebay auctions, and some say the auction winner is the first loser because they've paid more than anyone else's value for a record, but my focus is typically on what I can get for a deal. In some cases, emotion ends up winning and I end up with a G record for a few hundred bucks though
@mad4vinyl802
Жыл бұрын
What a great topic. Really enjoyable video. All amazing titles. I'll pick up trashed originals on the cheap any day of the week.
@Jakeross123
Жыл бұрын
Great video! Love the transparency (and sarcasm)
@lovbladkarl-olof3975
Жыл бұрын
Fabulous video
@jonaschia6037
Жыл бұрын
Love your honesty and not taking it too seriously. A collector once told me « playable does not equate listenable » and that’s been my guiding light for collecting. Also, playing such poor condition records will shorten the life of the stylus. 😅
@jazzvinylcollector
Жыл бұрын
yea, one reason why I don't spend big money on the stylus (not that I play poor conditions all the time, most of my collection is in great shape) but because 95% of my stuff is original/vintage and the stylus encounters more marks and scuffs than if I was buying only new. I use a Nagoaka MP-110 and it seems to handle whatever I throw at it like a champ, but I do have to replace it every year. Someone made the comment that I should swap in an old stylus whenever I play the lesser condition stuff, which I think is a great idea
@jonaschia6037
Жыл бұрын
@@jazzvinylcollector I have installed the Nagaoka MP-110 on my partners turntable, it’s great value for money, and tracks really well, especially the inner grooves. Sounds a lot more musical than the ortofon blue or red when I audition it.
@ronmartin4212
Жыл бұрын
Transfer them over to Cd,maybe.
@i.n.o.productionscompany9699
2 ай бұрын
I didn't realize that the 1500 series was that sought-after. I have a few and keep finding them in not so great conditions in Detroit
@drunkenskelator
Жыл бұрын
I am enjoying your channel thanks for sharing your experiences. Have to say that I am kind of amazed how much you paid for records clearly found in a flooded basement. 😁
@jazzvinylcollector
Жыл бұрын
the mold spores take their own solos on my copies!
@slistone1940
Жыл бұрын
Cool idea for a video!!! I also have some bad condition blue notes
@jazzvinylcollector
Жыл бұрын
these beat up copies have to end up somewhere other than a landfill!
@christopherkibler511
Жыл бұрын
Exactly like some of my purchases, though not for Blue Notes. Very informative. Thanks, Chris
@jazzbumsmike
Жыл бұрын
Great video, really enjoy the topics you are coming up with for the channel. And appreciate the honesty too!
@jazzvinylcollector
Жыл бұрын
Thank you! Now I have to somehow convince folks I have nice records too
@giovannigritti
Жыл бұрын
Really enjoyed your video and appreciated your bravery telling the prices. Very appreciated! But…. Make fun real fun for us please, let us hear them play! Lol Too curious to hear how they play, of course specially the worst in condition ones. Big ups and regards from Italy G
@jazzvinylcollector
Жыл бұрын
That's a great idea actually... I tell you what, I'll do a follow-up video focused on rare prestige records in bad condition and I'll try and include some clips!
@giovannigritti
Жыл бұрын
That would be great actually! Thanks!
@ronmartin4212
Жыл бұрын
But all Lexington 10"red are such a WITCH to find in any shape!All of these mint,run in the four figures,I would think.
@mattspokane
4 ай бұрын
Now I am curious to look for statistics on the depth of the grooves of different labels, years, plants, etc. More depth would explain a rough looking record still playing well.
@topherg1935
Жыл бұрын
Everyone collects for different reasons and that's what's great. It's cool to have Blue Note originals. I also value old records just for the artifact. But I am too cheap to pay those prices for unplayable records.
@jazzvinylcollector
Жыл бұрын
Yea I’m somewhere in the middle. I don’t like to / shouldnt have paid so much for some of these. And normally I don’t. But sometimes that desire to get an OG gets the better of me
@asupremelove5149
Жыл бұрын
Side 2 of that Jenkins looks like a cat danced on it 😆 Still cool to see even if they are trashed. Great video.
@marksutton8054
Жыл бұрын
That’s the thing a few years ago I would have paid the same price for it until I stumbled on Analogue Productions and then Music Matters and I became more obsessed with the sound quality instead of having to have an OG or 1st pressing. I paid $49 for that same John Jenkins and although I had to get used to 45’s at first the sound quality was unbelievable. Now that Music Matters has stopped repressing I have had great success with the Tone Poets and Classics. It stopped making sense to me to buy something I had a hard time listening to.
@jazzvinylcollector
Жыл бұрын
I love that actually. It isn't beat up, it's just a cat got the zoomies and the record was the victim
@Relias
Жыл бұрын
Great video! Just wish you could do some needledrops on these suckers ,but well we can't have everything... Peace
@davidphillips6543
Жыл бұрын
I enjoyed this very much.
@modernjazzarchive5446
Жыл бұрын
Hey Chris, great topic! Enjoyed it. Guess we all got these sound wise annoying copies hidden somewhere…
@JasonRoxas
Жыл бұрын
Hi Chris. I appreciate your honesty in this video. Not sure I agree with the prices that you spent on these records. 😬 But if you’re enjoying the music, then there isn’t a right or wrong price. Did you get these records online or through a local record store? As others have stated, the price and hype on jazz (and classic rock) OG records are rising. I suggest sell/trade up for what you want, b/c prices will not be going down anytime soon 🙇🏻♂️🤷🏻♂️
@jazzvinylcollector
Жыл бұрын
I think that's right, at least in terms of prices for top condition stuff not going down soon. I got most of these through ebay or discogs, but one or two via IG sellers, so it was more of a gamble - did the seller truly mean G condition or are they undergrading - and a few are actually okay players!
@leon9021
Жыл бұрын
16:00 I used to be confused about the sheen on framed originals. I got a 1501 Miles and it looked original but the sheen / gloss worried me because I didnt want to buy a laminated reissue. There should really be more mentions of this aspect regarding early 1500 series covers. If I passed I might have missed my biggest blue note score, 120$ for an EX/EX copy, almost unbelievable.
@jazzvinylcollector
Жыл бұрын
it's tough to tell sometimes. Then there are those who attempt to clean non laminated covers because they look shiny enough, and that can end up real bad! Well done on that purchase though, that sounds like a fantastic deal
@jackbarnard1781
Жыл бұрын
I've done it a million times. Bought a ( super ) beat up copy of different records for super cheap. Play it. If I don't like it. Nothing lost. Buy new copy later. I did that as early teen w/ no money.
@donaldingram9327
6 ай бұрын
wow! I'm getting close to 90,. so I am thinking I should find out what my collection might be worth. Dates mostly from 1954 to 1964. Probably a good many 10" and original pressings. vinyl is good, covers sometimes not so. I need to find a trustworthy guide and helper. At my age vision is compromised, and hearing still working. An interesting fact is that I am one of three college roommates all of whom are still alive, healthy, listening,and with much material. What do I do?
@rickvug
Жыл бұрын
Two things I'm curious about: 1) what would you grade these and 2) how do they sound? It is so cool to have OG pressings of these rare early Blue Notes but I'm not sure if I could justify it to myself if they didn't sound at least halfway decent still.
@VinylPiper
Жыл бұрын
Great video. I have many in similar condition and similar prices.
@ArthurJS123
Жыл бұрын
There is a lot of hypocrisy in this community. Some supposed audiophiles who claim they will never step foot in a thrift store also seem to have the most elaborate and expensive record cleaning machines. How does that work? Come on. And there are others who won’t show some of their collection on KZitem because the outer sleeves are beat up. Which is ridiculous, as some of the best playing records in my collection have beat up sleeves. Probably because they are afraid what kinds of comments they may receive. Social media has had an often ridiculous impact on this hobby.
@jazzvinylcollector
Жыл бұрын
yea I agree. I'm to blame at times on Instagram especially, but I try to be more transparent like calling something a repress rather than trying to represent everything i have as original, or being up front about the condition. In the end, people respond to positive feedback and admiration better than criticism though, so it can be tough. Funnily enough, I'm more comfortable making videos like this, than videos that highlight "most valuable records in my collection" or something similar
@ArthurJS123
Жыл бұрын
@@jazzvinylcollector I just wish that more of these self proclaimed “audiophiles”, particularly those who were duped by the MoFi fiasco, would be more transparent. I know they are going to thrift stores, just like the rest of us.
@arblankenship54
Жыл бұрын
One thing I’ve noticed from collecting poor quality blue notes is that they are still playable, that microgroove works so well
@bigsweetc6
Жыл бұрын
Oh yeah. Those deep groove Blue Notes were super industrious. I got a few like a first press Art Blakey “Moanin” that looks G+ at best for only $30 that definitely plays VG to VG+ with just a little surface noise from time to time that the music over powers.
@BOBBRADLEYCHANNEL
Жыл бұрын
Wild man!
@Digginbehindthedikes
Жыл бұрын
I like the honest approach Chris! For myself I have never been into getting poor condition records for the sake of having an original in my collection so I only stick to VG+ and up with an occasional VG thrown in. I know that I'm never going to play a poor copy because it will annoy me. My Blue Note collection is a mix of originals, usually found at a decent price and later pressings (Liberties, UA, Japanese and more recent audiophile issues). I will certainly pick up copies like you showed here but they need to be cheap and I will probably resell them eventually.
@jazzvinylcollector
Жыл бұрын
Your mentality is really where i'm trying to get to, it's just been a process. I have been buying some Music Matters reissue stuff lately as well as the Disk Union DBLP series, so I suppose that's a positive step
@Digginbehindthedikes
Жыл бұрын
@@jazzvinylcollector the Disk Unions are great although those have skyrocketet in price. Glad I bought a bunch when they were still affordable.
@Digginbehindthedikes
Жыл бұрын
@@jazzvinylcollector oh, and I love your videos by the way! To the point without excessive blah blah. 👍😀
@Derfunkmeister
Жыл бұрын
What I find really disturbing about this thing is that people still charge hundreds of $ for a record that's actually unplayable and should be in the 1 $ bin. That's the reason I don't buy secondhand Blue Note and really appreciate the new series from Blue Note, Tone Poet Series and Classic Vinyl Series.
@williamsizemore5576
6 ай бұрын
50's record players with a penny for the needle.
@edroskott5651
8 ай бұрын
Brrrrr!
@arize84
Жыл бұрын
Recently discovered your channel and have been enjoying your videos. I live in the ATL metro area. I havent had much luck finding great jazz records locally and primarily rely on Discogs. Can you shoot me names of some local vinyl shops that do a good job of stacking jazz records. Thanks.
@jazzvinylcollector
Жыл бұрын
For sure. There are a couple of shops that have been getting some great jazz in over the last month or two. The two that come to mind first and foremost are Wuxtry and Ella Guru. We're talking Blue Note, Prestige, New Jazz, etc. Another shop that recently relocated and has been getting in some great older stuff on Savoy, Bethlehem, etc. is Record Loft ATL which is located off of Moreland in the East Atlanta Village area (2 blocks from my place!)
@arize84
Жыл бұрын
@@jazzvinylcollector Awesome reply. Will check em out this weekend. Keep up the good work.
@karimtabrizi376
Жыл бұрын
cheaper than paying $1000+ on these grails. nice lp's there
@dmdm51100
11 ай бұрын
I'd rather not have an extremely rare record if I can't find it in EX or NM condition. If there's any hearable line or crackling then I get rid of it. I can't stand the noises, it drives me crazy. This mean I'll never own some records, but I'm ok with that !
@marksutton8054
Жыл бұрын
When I got back into vinyl collecting after taking years and years off I too wanted to only purchase OG or 1st press releases. Some or most were over priced and many I did land the sound stage was just to ruff for me. I started to settle on in Blue Note cases Liberty pressings at minimum. But someone turned me onto Analogue Productions and their 45’s and I thought I’m going about this the wrong way. Do I have to have something I can put up with the noise or just buy an audio file if available and listen to it like it’s supposed to be listened to. I found Music Matters soon after and I spent my money there before they started changing their prices.
@jazzvinylcollector
Жыл бұрын
I think that's a great strategy. I too have starting buying AP and MM titles, meanwhile when I first started collecting, there was a vast chasm between OG collectors and audiophile collectors with very few people dipping their toe in both. I think some of the recent reissue efforts combined with so many more folks entering the vinyl community has helped blur the line, and that's a good thing
@marksutton8054
Жыл бұрын
I started joining a few vinyl groups on Facebook one in particular The Jazz Vinyl Lovers where I started questioning this practice because I was spending a lot of money and I learned to take care of my stuff at an early age, so my collection that I started to build in the mid to late 70’s still sounded great. Especially my Japanese reissues I purchased my 3 years in Okinawa and 2 more years in Japan. So I was amazed at how bad these originals were sounding, but I could now brag I had an original and posted in the group proudly. The thing is they were hard to listen to.
@xentakis
Жыл бұрын
Gotta say I’m surprised at the price you paid for some of these, haha. Personally I could see myself paying $50 for a beat up historical artifact, but I could never do $100, $200 and up
@jazzvinylcollector
Жыл бұрын
yea there have definitely been times I've gotten caught up in bidding, although not as much as of late. I've been very fortunate to build a collection with top condition stuff cheaply through some fortuitous collection purchases, and then sort of offset that with spending too much on others I suppose
@xentakis
Жыл бұрын
@@jazzvinylcollector yeah even with my very modest collection, I’ve had some great deals that offset some more disappointing purchases, so I can relate to that.
@DorianPaige00
Жыл бұрын
I'm sure you can hear every note and nuance through all of those scratches on the OG. Newbie collectors naively bought the Music Matters pressing for 1/4 of the price or box set covering these album with bonus tracks or cd with bonus tracks but you can hear the digital. Actually the digital artifacts are way louder than the music.
@emilspec1227
Жыл бұрын
Couple of hairline scratches 😂
@jazzvinylcollector
Жыл бұрын
few signs of play!
@xentakis
Жыл бұрын
Nice gloss
@lukedermott1589
Жыл бұрын
I’m confused. Are (were) you interested in the music or the media? Yes there is some overlap but the prices you’ve paid for these bad recordings is just astounding. You’re paying for these things like they’re hot stocks in a market bubble.
@jazzvinylcollector
Жыл бұрын
Completely fair comment, lol. So in the past I was interested in having at least a placeholder of some of these, and can definitely say that I was hoping these were undergraded when I bought them (it's just in many cases they weren't). Lately, I've been trying improve the quality of the records I keep and selling off lower condition stuff. These are the most egregious examples of bad purchases though (most of my collection is VG+ or better). I am interested in finding modern reissues of these titles so I can sell off the lesser condition stuff but funnily enough, I can probably make back my money (or most of it) on these should I decide to sell them because of how crazy the market has gotten.
@ronmartin4212
Жыл бұрын
It's because of the ridiculousness of the availability of these early Blue Notes.Theyre just not out there,guys.Good luck in finding them!!!!
@Dems-fk8sh
Жыл бұрын
Well, I wouldn't have bought any of these records in this condition to be honest. In your next video, try to show us listenable records, thanks.
@fwrarejazzvinylcollector
Жыл бұрын
Great video Chris, very interesting. Always a treat to get some insight into how other collectors approach this hobby. When I first started collecting strictly original 1st pressings I had the same philosophy as I have today, which is trying to find these albums in as good as possible condition, both vinyl and jacket. Cause I know I wouldn't be happy listening to records with severe issues. That has of course been expensive and as a result I've only been able to get a handful of albums into the collection each year. But I'm happy I got a lot of them before this recent craziness. Don't get me wrong, they were expensive as hell before as well, but not in the same league as the going rate on eBay for rare titles these days. I've always tried to find albums in VG++ to M- shape, both jacket and vinyl. Sometimes a VG+ jacket will do. I prefer the vinyl to be cleaner than the jacket if I had to choose. The vinyl has always been the most important thing, but the jacket is quite important as well I think. Also, I've been focusing on quality over quantity in my years collecting. I'd like to get some more stuff faster into the collection, but as I'm only after 1st pressings, even the more non-desirable stuff or lesser known titles costs a lot. But there's so many great titles that can be had for way less than a rare Blue Note, so it feels more sane to purchase maybe 10 albums for the price of one. Still, it all comes down to what titles you really want and what artists you're most into. It's hard to save up and wait forever for (in my case) those Henderson, Shorter and Hancock titles on Blue Note to maybe show up. I've been fortunate to find some of them recently but it takes some character to resist spending money on other albums while you wait, so when that title you're really after finally shows up you can afford it. Overall, a cool-headed approach to this hobby can be difficult to master. Sorry for the rambling. 🙂
@jazzvinylcollector
Жыл бұрын
Your approach takes patience and is quite impressive, as is your collection. I don't think I've seen another collector with your consistency in fact. I think my challenge was that when I started I could never justify to spend so much on any one item, so I started with lesser condition titles. These days, I'm somewhere in the middle where I don't want anything in less than VG+ condition, but I also typically can't afford (or perhaps justify the price necessary for) NM titles. It's a balance that we all work through I suppose
@fwrarejazzvinylcollector
Жыл бұрын
@@jazzvinylcollector I've started to become more and more reluctant to pay the prices necessary for many of these items. Maybe I'll just try and focus on more affordable titles. Let's see what happens.
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