There’s tuning low, then there’s tuning just above a wrinkle (JAW) and then there’s what we’re doing today. And before you wonder, “would this even be applicable in any sort of real context?” this came at the request of a producer on a recent session Cody was teching for with a very well known drummer.
PATREON:
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PRODUCTION PARTNERS:
GIK Acoustics (sonic treatment): sladl.ink/GIK
AKG Audio (microphones): sladl.ink/AKG
Evans Drumheads: sladl.ink/Evan...
ProMark Drumsticks: sladl.ink/ProM...
Signal chain:
Mics - Focusrite Clarett 8Pre USB- Mac Studio w/Pro Tools 2024.3.1
Recorded at 48kHz / 24bit
Microphones: Pair of AKG C314 in Recorderman Configuration
Toms: AKG C518M
Kick Drum: AKG D12VR
Snare: Lauten Snare Mic
Acoustic Treatment:
GIK 242 Acoustic Panels
GIK 4A Alpha Pro Series Diffusor/Absorber
GIK Evolution PolyFusor Combination Sound Diffuser/Absorber
GIK Tri-Trap Corner Bass Trap
Drums:
Pearl Masters Maple Custom Extra, 70s Ludwig Supraphonic
Cymbals:
22” Jesse Simpson clone of old Zildjian A, 15" Zildjian Prototype Hihats
Drumheads:
Snare: Evans G12 Coated / Snare Side 300
Toms: Evans UV2 Coated / G1 Clear
Kick Drum: Evans UV EMAD / EQ3 Coated Reso
Hosted by: Cody Rahn
Production & Consulting: Ben O'Brien Smith @ Cadence Independent Media
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