In this historical masterclass by Rosalyn Türeck, recorded and decided by RTVE, the aria from Variations and fugue on a theme by Händel by Brahms is worked on. It took place at the Escuela Superior de Música Reina Sofía in 1999.
Student: Peter Köcsky, piano
Venue: Escuela Superior de Música Reina Sofía, Pozuelo de Alarcón (Madrid), 1999
J. Brahms: Variations and fugue on a theme by Handel op 24
Abstract:
Professor Rosalyn Türeck works on the beginning of the aria, especially the trill, as it must be performed as part of the melody, without rushing it. Simplicity is never achieved without complexity. This trill has to be played lyrically and not technically. The melody flows along with the trill. She talks about the most suitable fingering to beat the trill, always avoiding fingers 3 and 4.
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