Song : sainya jhoothon ka bada sartaaz nikla..
Movie : Do aakhen barah haath ( 1957)
Singer : Lata Mangeshkar,
Lyricist : Bharat Vyas,
Music Director :Vasant Desai,
Cast : V Shantaram, Sandhya,Ulhas,Babu Rao Pendhalkar,B.M.Vyas.S.K.Singh
Story : G.D. Madgulkar
Producer/Director : V.Shantaram
Lyrics :-
ho ho ho
sainyaa jhoothon kaa badaa sartaaj nikla
sainyaa jhoothon kaa badaa sartaaj niklaa
mujhe chhod chalaa, mukh mod chalaa
dil tod chalaa badaa dhokhebaaj niklaa
sainyaa jhoothon kaa badaa sartaaj niklaa
ho ho ho
chal diyaa zulmi mujhse bahaanaa banaa
mere nanhe se dil ko nishaanaa banaa
chal diyaa zulmi mujhse bahaanaa banaa
mere nanhe se dil ko nishaanaa banaa
badaa teekhaa wo
daiyya teekhaa wo teerandaaj niklaa
mujhe chhod chalaa, mukh mod chalaa
dil tod chalaa badaa dhokhebaaj niklaa
sainyaa jhoothon kaa badaa sartaaj niklaa
ho ho ho
kuchh dinon se piyaa ham se naa boltaa
ho ho kuchh dinon se piyaa ham se naa boltaa
na hamaaraa ghoonghatwaa kaa pat kholtaa
kuchh dinon se piyaa ham se naa boltaa
na hamaaraa ghoonghatwaa kaa pat kholtaa
is gup-chup kaa
is gup-chup kaa bhed dekho aaj nikalaa
mujhe chhod chalaa, mukh mod chalaa
dil tod chalaa badaa dhokhebaaj niklaa
sainyaa jhoothon kaa badaa sartaaj niklaa
sainyaa jhoothon kaa badaa sartaaj niklaa..
V Shantaram: The Legacy of the Royal Lotus..
No. 1 a number of times
• His Ranisahiba (1930) was the first children's film in India.
• He was the first to use the trolley for his film Chandrasena (1931).
• He made India's first color film, Sairandhri (1933).
• He was the first director to use a telephoto lens for his film Amrit Manthan (1934).
• He was the first director to use the technique of animation in his film Jambukaka (1935).
• He was the first director to us back-lit projection in his film Amar Jyoti (1936).
• His films were the first among Indian directors to be exhibited abroad-Dr. Kotnis Ki Amar Kahani and Shakuntala.
Acclaim and awards
Charlie Chaplin, who saw his Marathi film Manoos, liked it very much.
Shantaram won several awards in his career, the highest honor being the Indian film industry's highest honor, the Dadasaheb Phalke Award, in 1985. In 1992, he was honored with the Padma Vibhushan. For being an outstanding Jain, he was honored with the Jain Samaj Ratna award.
To honor Shantaram's efforts, the Central government, the Maharashtra State government and the V. Shantaram Motion Picture Scientific Research and Cultural Foundation, jointly instituted the V. Shantaram Award for the Best Director of Hindi films. This award is presented every year on November 18, the Shantaram's birth anniversary.
He was also chairperson of the Children's Film Society in the 1970s.
Berlin International Film Festival 1958
• Won, OCIC Award: for Do Ankhen Barah Haath (1957)
• Won, Silver Berlin Bear: Special Prize for Do Ankhen Barah Haath (1957)
• Nominated, Golden Berlin Bear: for Do Ankhen Barah Haath (1957)
Cannes Film Festival 1952
• Nominated, Grand Prize of the Festival: for The Immortal Song (1951)
Filmfare Awards 1957
• Won, Filmfare Award: Best Director for Jhanak Jhanak Payal Baaje (1955)
• Won, Filmfare Award: Best Film for Jhanak Jhanak Payal Baaje (1955)
Writings
His autobiography, Shantaram, was published in Hindi and Marathi.
His biography, V Shantaram: The Legacy of the Royal Lotus, was written by Kiran Shantaram, Sanjit Narwekar. This genius director, scriptwriter, actor and creative person also inspired Shampa Banerjee to write his biography in her book, Profiles, five film-makers from India: V. Shantaram, Raj Kapoor, Mrinal Sen, Guru Dutt, Ritwik Ghatak.
Personal life
He was married three times-first, with Vimla, then to actress Jayashree, and lastly with Sandhya. Jayshree bore him two children-film star Rajshree and a son Kiran Kumar, a Marathi film director and sheriff of Mumbai.
His third wife was his co-star Sandhya, with whom he made Do Aankhen Barah Haath, Jhanak Jhanak Payal Baaje and Navrang. From this marriage too, he had two children-Prabhat Kumar and Madhura Pandit.
V. Shantaram is a legend with an exhaustive body of impressive work. His film making techniques and the themes his films explored are completely absent today. He holds an important place in the annals of Hindi films and inspires every newcomer to the Hindi film world. He is truly one of the pillars of Hindi cinema.
On October 30, 1990, the creative genius, V. Shantaram died in Mumbai at age 89. His films, however, continue to inspire and inject enthusiasm in anyone who cares for a free and modern society, free of all social ills.
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