Mvt 1 - 00:00 Mvt 2 - 14:33 Mvt 3 - 24:51 Mvt 4 - 32:05 Trio Dali puts in a wonderful performance here - they seem to have an especially conversational way of playing (in contrast to the many excellent recordings that seem to take a more declaratory, performative approach, with Capucon probably being the best example of this). You hear it right from the beginning, with the gregarious piano and the microscopic rhythmic tug at the violin arpeggio in m.4. It’s also especially prominent in the return of the main theme in Mvt 2, where the interplay of shy counterpoint in the strings (22:02) is breathtaking, and the cello part is judged perfectly - there is no unnecessary sliding or vibrato, and the playing is nothing but sincere. Mvt 3, which often risks sounding stiff, is vibrant and beautifully textured, while Mvt 4 manages to sound both fantastic (in the sense of weird), funny, and entirely natural at the same time.
@johnchessant3012
5 жыл бұрын
Ashish Xiangyi Kumar
@lucaraiden6873
3 жыл бұрын
InstaBlaster...
@nicholasharris498
2 жыл бұрын
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@murdomaclachlan
5 жыл бұрын
The amount of effort you put into these wonderful videos - going through a 41-minute video and changing the image of the score when necessary, and especially the work put into the description - is heartwarming.
@victormanueljimenezsegovia5691
5 жыл бұрын
I agree. Thanks for doing it.
@carl.christiansson
4 жыл бұрын
I've started doing it myself as well, thanks for recognizing how much work that's actually needed for this type of videos!
@Mrbird-pw2mg
Жыл бұрын
It really is a lengthy process, I just wrote a two hour exam just about the exposition of the first movement
@lucasamory7056
5 жыл бұрын
I just performed this today! Came home and saw you uploaded this -- what a wonderful way to end the day!
@Schubertd960
2 жыл бұрын
9:01 that harmony in the piano part is magical
@therealrealludwigvanbeethoven
Жыл бұрын
so true
@noblekime319
5 жыл бұрын
I have not known this trio until now. What a beauty! Schubert had so many tricks up his sleeve, and this recording has a wonderful spontaneity--so genial, lifelike, and free. Thanks to Ashish--you are a KZitem treasure!
@walterbenjamin1386
5 жыл бұрын
Schubert’s genius for translating emotional states of joy, sorrow and wit is so phenomenal! I love this trio without reservation - spiritually uplifting happiness fuel. The Trio Dali plays brilliantly. Their Schubert album is superb, and their performance of the Fantasy in C is only surpassed by Oistrakh and Bauer, imo.
@giandomenicolupo372
5 жыл бұрын
Yes! My favourite piano trio
@katherineparadis-chateaune8004
3 жыл бұрын
Wow !! Thank you so much for this great work you did, plus for choosing this very fine recording :))) I am si grateful.
@emilynightingale7758
5 жыл бұрын
Just discovered your videos, can I just say that you are an amazing person and I am so grateful for your videos. This is just such a great learning resource, especially since I was really struggling with the analysis aspect of A-level music, this is so helpful for me. Thank you, wonderful person.
@MrPDLopez
4 жыл бұрын
Thank you for the many lessons included within your presentation of this great composition.
@stevesewful
5 жыл бұрын
Thank you for this amazing piece!
@ЕвгенМудрий
5 жыл бұрын
Thank you ashish for your work
@EvChow
5 жыл бұрын
Ah an amazing classic. Thank you for sharing this and the music
@richardwhitehouse8762
3 жыл бұрын
As so often with Schubert I find there are moments when I simply gasp at the beauty of it. Today I was wondering if there is anything in music to touch the coda of the slow movement? I saw a film on KZitem recently in which Andras Schiff talked about (and played) Schubert. There was one great moment when he described the trinity in music: Bach (the father), Mozart (the son) and Schubert (the holy spirit). Thank you for loading all this and for choosing such a marvelous performance.
@alger3041
5 жыл бұрын
I've gone through both trios in consort with a violinist and a cellist, and can definitely say that I have always vastly preferred this trio to the other. It communicates at least with me far more readily, and I respond to it a lot better. Everyone's manner of reception of a work is different, so to say that this is a lesser cousin to the E Flat Major, Op. 100 Trio, strikes me as just a bit assumptive, regardless of what critical opinion may or may not be.
@gervaisfrykman266
3 жыл бұрын
I love them both, but this was my first love.
@sebastian-benedictflore
Жыл бұрын
Yeah I don't get the love for No.2. Overrated whilst No.1 is overhated.
@alger3041
Жыл бұрын
@@sebastian-benedictflore Why is No. 1 "overhated?"
@sebastian-benedictflore
Жыл бұрын
@@alger3041 idk man. Idk
@СергейЛовцов-ъ2э
3 жыл бұрын
Great analysis as usual, thank you. It helps a lot, listening becomes more thoughtful
@PaulHummerman
5 жыл бұрын
Branching out into chamber music? An excellent and irresistible choice to start with, though the B flat is surely not a lesser cousin of the E flat -it's better known though perhaps not as deep (though this performance does bring out the grandeur).
@Schubertd960
2 жыл бұрын
The pianist, Amandine Savary, is brilliant!
@안용주-m2l
11 ай бұрын
Three outstanding soloist make great Harmony...!!!^^
@letsschubertiad1966
4 жыл бұрын
Wunderschön
@matthewgreeley5389
3 жыл бұрын
This is awesome. I’ve never had the chance to see the sheet music while hearing the audio before. One minor error is the page turns too fast at the 13:44 mark but still great video. This is a brilliant piano trio that I had overlooked for years.
@vishnuhalikere2151
10 ай бұрын
Love the harmonic descent from 9:23 💔
@RemyDarling
5 жыл бұрын
Love it! :)
@RemyDarling
5 жыл бұрын
Still listening to it.
@star_0406
4 жыл бұрын
14:33 14:33 24:51 24:51 32:05 32:05
@MrRemi1802
3 жыл бұрын
I think there are a few typos in the sheet. e.g. : at 3:27, the right hand of the piano is playing syncopation, but it's missing the first rest in one of the 4th bar.
@Woodcut60
3 жыл бұрын
Use of "false treble clef" in the part of the cello; notes to be played one octave lower than written.
@user-uz7gb7gb4v
3 жыл бұрын
Yeah, I was really confused about that at first 😄
@hunterac45
2 ай бұрын
21:18 This modulation 😭
@petertyrrell3391
2 жыл бұрын
1st movement - allegro moderato?
@ColinChang
5 жыл бұрын
Hello
@にこ-t8n
2 жыл бұрын
03:18 03:23 08:56
@Dodecatone
2 жыл бұрын
35:18 cello part go 😀
@wilh3lmmusic
Жыл бұрын
Also the :v staccato+hairpin groups
@isakhungnes4416
5 жыл бұрын
I would like to ask a question to those who want to answer: Why does most classical musicians want their interpretation of a work to come as close to the composers intention as possible? The composer is dead 200years ago and so they will not be able to evaluate your performance. The only ones who will hear your performance is the audience, and so why not interpret a work the way we feel it should be?
@rackhamlevert8063
5 жыл бұрын
Hi there ! I'm not a professional, but I've been playing the piano for many years. I would say that one's intention shouldn't be to come as close as the composer's intention but to give a heartfelt rendition with respect to the composer's style and era. In my opinion, you can play "however you feel" but then if you put pedals and rubato changing the rhythm whenever you "feel like it", you can't call it "Prelude & Fugue BWV xxx" by J.S.Bach (random example), you should say you improvise on a Bach piece, which is fine but a different story. If you intend to give an interpretation of a piece, you have to respect the score and what we know of the composer's intention (time signature, tempo indication, pianos, fortes, other relevant marks or indications). Rest is up to you, and that's the beauty of it !
@____________9981
5 жыл бұрын
There are actually very few classical musicians who have that goal. Many say they wish to represent the composers intentions, but very few actually care. They simply want to imbue their interpretation with more significance than it deserves. We know pretty much the tempo they would have imagined their works to be played due to their tempo indications, and we can presume they would have used limited rubato as when the found it necessary they would put it in the score. These indications are largely ignored to different degrees, which I certainly don’t think is a necessarily bad thing. But for those who do truly care about performance history, there are a couple reasons. One, there’s the novelty (probably not the right word but oh well). Just the idea that we are hearing it how Schubert, Mozart, Beethoven etc. wanted their music to be played is just interesting. Also, in many cases it may be surprising how amazing some of these pieces sound when the composers tempo in particular is followed. I’ve just pretty much rambled so sorry about that, but just my thoughts.
@Superphilipp
5 жыл бұрын
Some of the discussion below Ashish's Video "Mussorgsky: Pictures at an Exhibition (Pletnev, Andsnes)" was really illuminating about this question. Some of it was also really toxic. Just ignore those comments.
@danal81
4 жыл бұрын
Cause there is a danger your interpretation may completely change the work both style and content wise. We are so much into the future that you can apply many styles to this
@gervaisfrykman266
3 жыл бұрын
It would be really interesting to hear this on original instruments. Schubert obtains the most luscious sounds from the medium, more so than Beethoven I think, but I should like to hear more exactly how it sounded to the composer. As for the question, of course you use all available resources to understand, ie the notes, tempo, dynamics, articulation, other works by this composer and his contemporaries. You certainly love the work, else why would you be playing it? Why do you love it? You feel it and admire it. So then you give it out in the best way you can.
@にこ-t8n
2 жыл бұрын
05:14
@kubacho_
2 жыл бұрын
32:40
@therealrealludwigvanbeethoven
9 ай бұрын
10:15
@therealrealludwigvanbeethoven
9 ай бұрын
10:48
@iakovosarvanitis8812
Жыл бұрын
Plus lentement bon Dieu…..
@333jma5
Жыл бұрын
Gran trabajo el de Schubert y el del caballero que tanto ama la Música como para hacer este vídeo. Gracias.
@lucasalvesdoo3725
Жыл бұрын
And the musicians who are performing
@333jma5
Жыл бұрын
@@lucasalvesdoo3725 Sí, claro. Sin duda alguna. A veces se nos pasa lo más evidente por cercanía.😊
@roy.3
Жыл бұрын
I wonder who is else here after the 2023 ap theory exam
@therealrealludwigvanbeethoven
Жыл бұрын
What was the question that involved this work?
@fewu816
3 жыл бұрын
13:08 - 13:10 wrong notes in the piano left hand 🤓
@Chorizo727
4 жыл бұрын
Thumbs down for mistake at 38:54 with the pianist’s F note.
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