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Let's overthink the sh*t out of this show!
Song used in intro/outro - "You've Got the Love" cover by Milka Christmas Choir
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Twitter: twitter.com/DeschanelBroey
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SOURCES:
Jane Arthurs “Sex and the City and Consumer Culture: Remediating Postfeminist Drama”, Feminist Media Studies, 3:1 (2003) pp.83-98.
Bonnie J. Dow. “Hegemony, Feminist Criticism, and The Mary Tyler Moore Show” Critical Studies in Mass Communication, 7 (1990), 261-274.
Jane Gerhard. “Sex and the City: Carrie Bradshaw's queer postfeminism” Feminist Media Studies, 5 (1) (2006) pp. 37-49.
Angela McRobbie. “Post‐feminism and popular culture” Feminist Media Studies, 4 (3) (2004) pp. 255-264.
Angela McRobbie, Lynn Spigel, Yvonne Tasker. Interrogating Postfeminism: Gender and the Politics of Popular Culture, Duke University Press (2007).
Emily Nussbaum. “Difficult Women: How “Sex and the City” lost its good name” New Yorker (2013).
Ariel Saramandi. "A Novel About Sleeping Through the ’90s, Designed to Wake You Up" Electric Lit (2018):
electricliterature.com/a-novel-about-sleeping-through-the-90s-designed-to-wake-you-up-in-2018/
Belinda A. Stillion Southard. “Beyond the Backlash: Sex and the City and Three Feminist Struggles” Communication Quarterly, Vol. 56, No. 2, (2008) pp. 149-167.
David Zurawik, “The Trouble with 'Ally' Analysis: Fox's pseudo-feminist, 'neurotic female' is sending mixed messages on gender and workplace issues” Baltimore Sun (1998).
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