I felt it strongly in Grieg's concerto, which she played when she was 11 years old, but even in this piece, I don't feel any clumsiness that comes from her youth. The tones and phrases are not those already played by Japan. Of course, it is probably rooted in his innate talent, tireless effort, and love for the piano. At the same time, I feel that the fact that she has been growing up in a culture in Russia and Europe since she was a child, listening to the languages of those countries, is also connected to the beauty and expression of her unparalleled tone. I'm really happy that she's definitely a world-class pianist. 彼女が11才の時に弾いたグリーグのコンチェルトの時も強く感じたのだけれど、この曲でも年齢の若さからくる拙さは全く感じない。音色やフレーズがもう既に日本人が演奏しているそれではない。勿論、本人が生まれ持った才能とたゆまない努力とピアノに対する愛情が根底にあるのだろう。同時に小さい時からロシア、欧州でそのお国の言語を聞いて文化の中で育ってきた点も彼女の比類のない音色の美しさと表現に繋がっているのだと感じる。彼女が堂々と世界に通用するピアニストに間違いなくなったという事が本当にうれしい。
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