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@Ricardo7250
Ай бұрын
Thanks for putting the full performance on the start of the video
@TimondeNood
Ай бұрын
No problemo!
@composer7325
2 ай бұрын
Excellent,thank you for this upload.
@TimondeNood
2 ай бұрын
You're welcome Peter!
@tobias.s.dreher
25 күн бұрын
I don’t feel the real climax is on the forte Dominant (as it comes identically in the reprise). The point of main interest is that unexpected e-minor6 chord just before the reprise: it is basically the only sequence that comes only once. It is special and outstanding. Even if it is not as « loud » as the E-Major, it gives the whole piece a point of horizon from which to come back from in the reprise. But thanks for the great analysis and video!!! ❤
@MofosOfMetal
2 ай бұрын
Great analysis! the simplicity of the theme also reminds me of Medtner's Sonata-Reminiscenza. Does anyone else hear the similarity?
@TimondeNood
2 ай бұрын
Indeed, similar contours in the opening bars
@teodorb.p.composer
2 ай бұрын
Yeah. But Medtner has of course more original harmonies and the structure is kinda more complex, well because Medtner was using more the philosophy - More is more.
@TimondeNood
2 ай бұрын
Lol, I hope you don't believe that yourself. Perhaps you should think twice before passing judgment based on one composition by Sibelius. IMO the framework of a composition determines whether you should use a lot or little material. So no, more is not necessarily more.
@eltonwild5648
3 ай бұрын
Do you have more examples of latent melodies found in other works? Can't wait for the Brahms analysis! Good stuff Timon!
@TimondeNood
3 ай бұрын
Go take a look at Bach's solo sonatas for violin & cello, you will find and hear plenty! Thank you Elton
@Tyrell_Corp2019
3 ай бұрын
Ugh. Brahms. The music of sexual repression and rhythms for constipated white guys.
@illtemperedklavier-ir9fy
3 ай бұрын
That was delightful, the right hand was so clear, and the left wasn't forced. That looks like something where I'd try to play it, but I'm not great at piano, I'd blur it at best, or just use the pedal. Ew. This one was great.
@TimondeNood
3 ай бұрын
Yeah, that's something you need to practise without pedal first!
@martinjohnson2549
3 ай бұрын
More is more...- Yngwie J. Malmsteen
@TimondeNood
3 ай бұрын
Well it depends ofc 😅
@Tyrell_Corp2019
3 ай бұрын
😂
@Lahdyn
2 ай бұрын
One thing is please play the segments/fragments as you explain them. A video about a musical piece without playing the bits is frustrating (especially for the visually impaired). Thank you for the excellent content.
@TimondeNood
2 ай бұрын
Thank you, I do this in some of my recent videos, for example: kzitem.info/news/bejne/l66IrHengIt0f6wsi=dP1TCOMhcodSCOmR Thanks for pointing out!
@jamesrockybullin5250
Ай бұрын
This would double the length of the video. It’s not clear that would make it more accessible.
@TimondeNood
Ай бұрын
It's not a necessity to replay every single fragment. I'm now editing a new video about one of Ravel's works and it's just way better to replay some fragments for the listener.
@MarxistischerMillionaer
2 ай бұрын
Isn’t it at the last cadence at the end (the measure before the last one) a I 64 chord instead of V 64 chord?
@TimondeNood
2 ай бұрын
Morphologically yes, functionally no. American and european analysis label this chord differently. Take a look at this video: kzitem.infodz8RxGKzxQk?si=nzX0wqJ1lubTfkmL
@MarxistischerMillionaer
2 ай бұрын
@@TimondeNood thanks, yes that makes sense. I watched a similar video on music theory but it was on an American channel
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