Lucky the race movi. Alluarjun bike entry seen reaction 🙏🙏
@sanjaysamal6157
4 жыл бұрын
Plzzz
@naginafirdouse9061
4 жыл бұрын
Pleace react to emiway machayenge
@mansitiwari3555
4 жыл бұрын
Dhivara song from bahubali movie kzitem.info/news/bejne/wGiZ0otuk6qia20👈 here is the link to it! Plzzzzzzz
@ammu9787
4 жыл бұрын
Pistah song from neram movie
@artist_arun
4 жыл бұрын
Ragas are pre-defined notes with all the micronotes in between included. Two ragas will have two different set of notes and the musician will go ascending and descending notes on the raga and improvise. While the percussionist have an idea where the singer will go, they still have to follow the improvisation and ensure they make it more beautiful. Also, the change the tempo as well when improvising. Takes years of practice to reach the level of artistry.
@iamme762
3 жыл бұрын
No use of saying this. Theese guys have watched a full video about ragas.. But korbin dosent even seem to remember the word.
@kadalavan4589
3 жыл бұрын
Micro tones depend on which system we're talking about here, as far as carnatic music is concerned micro tones are almost never sung in any substantial way, the markings for micro tones are present in raaga guides and such but they are never sung even by veteran musicians
@rpd-ut9rt
2 жыл бұрын
@@iamme762 If you are referring to anuja kamat's video, well, they watched that video after they reacted to this.
@iamme762
2 жыл бұрын
@@rpd-ut9rt Oh, if that's the case, i am sorry. I like theese guys still😁 but they dont remeber a lot of things obviously. They reacted to Bhimsen joshi once and seemed to be awe struck by him. After a while they reacted to another video of his, but never even recalled watching him before. Not a big blame still, as they do hundreds of videos.
@vijidurvasula7744
4 жыл бұрын
Love you both! Thank you for appreciating various forms of Indian music! 😘
@itsanjali2309
4 жыл бұрын
You just Have To Have Skills Tailed No Need To Demand Appreciate 🇮🇳🖤It Will Come through
@AmitKumar-qz2us
3 жыл бұрын
India is the cradle of the human race, the birthplace of human speech, the mother of history, the grandmother of legend and the great grand mother of tradition -Mark Twain. 🙏🧘♂️
@artildenram
4 жыл бұрын
Wow indeed! This is what I love about this channel...it's impossible to find everything that's beautiful on your own. Beauty is scattered all around you. It takes a platform like you to pick them all up (it's a group effort,bi know) and make a garland of exquisite beauty. Thank you for being that platform! 💕💕👍
@bindui3382
4 жыл бұрын
Raga means 'color.' Just like each color has a unique hue, each raga has a unique sound. The sound of each raga is associated with certain emotions, times of day, Hindu deities, and seasons. As an example, we will look at raga Khamaj, which is associated with sensuality, feminine beauty, the Hindu personification of god Radha Krishna, and the time between midnight and 3 am. A raga is a musical mode in the Indian classical music tradition used in an improvised performance. Modes are collections of musical notes coupled with rules about how those notes should be used. There are two main Western modes: major and minor. In India, there are over 300 ragas!
@prateekchhillar
4 жыл бұрын
Since when Raag became colour? You are probably south Indian. Colour is rang.
@ಸನಾತನಕನ್ನಡಿಗ-ಷ7ಛ
4 жыл бұрын
Raaga means is tune
@prashanthmotadoo6084
3 жыл бұрын
Raga means 'Colour'? wow! that a new definition I have ever heard.
@ChameeraDedduwage
3 жыл бұрын
@@prashanthmotadoo6084 @prateekchhillar he's not wrong. Raga is born from the root √RANJ which means "to colour, to paint". Raga means to cling to, to satisfy, and to leave someone wanting for more. Check the etymology from the highly respected Monier-Williams Sanskrit Dictionary.
@mridulak1166
3 жыл бұрын
Raaga (Hindustani) or Raagam (Karnatic) is not colour. It is a musical mode or sound, which inturn is obtained by collection of Swarams (Notes as called in Western music). Each Raaga is unique because Swarams in that are differently arranged. That's why Hindustani +Karnatic music (both are Indian classical) has close to 300 Raagas/Raagams.
@AmitKumar-qz2us
3 жыл бұрын
India is the cradle of the human race, the birthplace of human speech, the mother of history, the grandmother of legend and the great grand mother of tradition -Mark Twain.
@anshul9462
4 жыл бұрын
Raag are unique combination of notes with a fix rule in carnatic and flexible rules in hindustani, a combination of notes such that it conveys an emotion without necessity of lyrics.
@shwetarupalika
4 жыл бұрын
Beautifully explained!
@SurajES
4 жыл бұрын
I wouldnt say fixed but has some rules, when changed becomes something else, more of a pattern
@anshul9462
4 жыл бұрын
@@SurajES thanks for info
@anshul9462
4 жыл бұрын
@@shwetarupalika thanks
@yaminithottassery9244
4 жыл бұрын
Rick, you are correct about the idea of a 'Raag' but when one says that they are 'doing' a raag, it is not just a piece of the repertoire but also it basically means that they are exploring the combinations of notes in the raag. So essentially, the notes in the two raagas in ChandraKauns and madhukauns will sound different, but here they are being sung together. For example, when you first listened to Kaushiki Chakraborty, she was singing in Raag Bhimpalasi. The way each note is sung in a raag is what makes it different from another. Hope this was helpful. 😊😊
@girinandan5799
4 жыл бұрын
Watch 73 RAGAS WITH ABBY V part 1&2. You'll come in touch with many ragas, Hindustani and Carnatic.
@rahulbharadwaj222
4 жыл бұрын
Yes!
@Raagvaishnaviofficial
3 жыл бұрын
Great to see that u people can distinguish between Indian art and bollywood ❤️
@krishnanunni2665
4 жыл бұрын
oh my God, this cant be real how pitch perfect is she singing...wow absolutely unbelievable. you cant explain it when you hear the notes hit perfectly under a soothing voice.Her voice is almost like an ideal voice to teach those ragaas. *Raga -means a type arragement of notes which follows a particular pattern. There a pretty much many ragaas in indian music both in hindustani and karnatic music.
@jyotsnatata4251
4 жыл бұрын
Appreciate u listened to this amazing piece... ❤️❤️❤️ This is a gem...one needs to have great listening skills to understand the difference between the two ragas... Also a bit of understanding of classical notes.. When the transition happens, it sounds quite similar to the ears... But they r two different Raagas...
@swatisaini6447
4 жыл бұрын
And that is exactly why classical music is underrated bcoz it takes special skill to just listen and appreciate what they r singing which most (untrained) people can't do☹️
@muddasirahmed
4 жыл бұрын
Sometimes you react to videos seeing which I go:"finally! This one!" This is one of those videos 😊
@MrinalM.
4 жыл бұрын
Oh you don't know how many greatest musicians we had in India like Tansen who when used to sing raag megh malhar than rain started pouring and when he used to sing Deepak raag than lamps automatically light up. Only he and his daughter was able to sing those raag. And there is a story too related to Deepak raag that on insisted by king Akbar in whose court Tansen was a royal singer, tansen had to sing Deepak raag but after singing it he started to get burning sensations all over his body and inside too and he had an acute thirst which even after drinking lots of water didn't died. So he sent someone to bring his daughter knowing that only she can save him by singing rain raag megh malhar. Then his daughter came and sing megh malhar raag and saved his life. By the way Rick is looking very handsome in this blue gray silk kurta. I hope its a gift from indarani😁😉
@vijeshvijayan4739
3 жыл бұрын
In the original concert, Gayathri ma'am is followed by a performance by the Violinist, Dr. Jyotsna Srikanth ma'am, its breathtaking and unbelievable..
@anumohanvadlapatla
4 жыл бұрын
Thank You Both for Showing Your Reactions about Ranjani-Gayatri Magical Musicians.....They are Idealogical Siblings and do experiments in their Lab called Heavenly Home ..... I am One of the requester.....and I am their DieHard Music Lover....and I always Pray God for their Wellbeing....Thanks again ......
@maitri74
2 жыл бұрын
They are Biological siblings too. Not ideological only. They learnt together Violin first . Now They are Binary stars both In Voice and occasionally in Violin too. Violin cannot reveal the beauty of the poetry in the Compositions. They are genius twins in Carnatic Music. Because there are so many stars in the Sky the music Acaddmy has a tradition of giving the Most prestigious award once a year and one per year to only those singers who are great singers and technically brilliant and extend the frontiers. Still it has expanded that more and more and stars are born. The awardee has to preside over a conference of similar presidents and guide the conference. There is no question They will have the highest award and it is already in the folds of their beautiful Sarees. They are revealing their artistry and marry lest they slow down stuck in mundane day to day family responsibilities. They will be the one of the brightest stars in the firmament, for ever.
@maitri74
2 жыл бұрын
M
@sundarn3572
4 жыл бұрын
Ranjani and Gayatri are excellent singers of present days! The mix of sister ragsas of Madhukauns ana Chandrakauns, a hats off performance
@souravbisoi7148
4 жыл бұрын
Guys react to pandit Jasraj.....he is the living oldest veteran classical singer of India now
@srinivoice
4 жыл бұрын
Explained..!! A Raga, in simple terms, is similar to the western modes where combinations of semitones and wholetones in an octave give you different modes like Major, minor, Lydian etc. For comparison and to give you some ideas: In C Major scale(Ionian Mode), if you sharpen the note F, you get Lydian. Major is "Raga Shankarabharana" of Carnatic music (Called Raag Bilaval in Hindustani music) and Lydian is "Raga Kalyani" of Carnatic music (Called Raag Yaman in Hindustani music). Now about 2 Ragas she sang, through a device called Grahabheda. (I'm Taking Major & Lydian as examples for easy understanding). Take C Major and make F as your root note and play till the F of the next octave. You get F Lydian. That's how she sang the Ragas Madhukauns and Chandrakauns. Thank me by reacting to this Carnatic Song (Called Nadamaya) in Raga Todi by Dr.Rajkumar which won him India's National award. 😃 kzitem.info/news/bejne/1melm2yJjV-loag
@bhaskarhv2948
11 ай бұрын
Raj kumar also sung the song " Yaava kaviyu bareyalaara " in raga Chandrakauns , In Carnatic its called keervani, In westren music its called " C Harmonic Minor" . kzitem.info/news/bejne/1ZWm2aqQe3yeapg
@ashvinsivadas
4 жыл бұрын
Western music coming to India (Dr. STRANGE): TEACH ME!!
@shivangirammurty4729
4 жыл бұрын
A raga is actually in western terms - a scale, for example, the Lydian scale. It's a collection, permutation and combination of notes - natural, flat, and sharp. This collection is a basic structure, within which artists improvise on the spot and present performances. The "structure" refers to the notes used in the raga, and the way they are approached as well, as the same note can be sung with varying emotions.
@leomacron4882
4 жыл бұрын
Well said!! 🥰
@shivangirammurty4729
4 жыл бұрын
@@chipblade4181 absolutely! I'm aware of the characteristics, I just used the "scales" comparison for them to be able to try and relate it to something they're familiar with
@abewewew
4 жыл бұрын
Don't your neighbours think that Rick comes here every morning and makes loud "Ooohh" noises periodically 😂
@sreeanu-fj3cj
4 жыл бұрын
Me too think it also
@srikarrao9957
4 жыл бұрын
😂😂😂
@sreeanu-fj3cj
4 жыл бұрын
@@srikarrao9957 Hi hi
@pritamm
4 жыл бұрын
6.05 they got orgasm 😂😂🤣🤣
@abewewew
4 жыл бұрын
@@pritamm that would be a very weird orgasm sound😂😂
@siddhsense5085
2 жыл бұрын
The reactions rick give at perfect timing in classical music are just wholesome and also the sign hes getting it all.
@reshmaumesh1250
4 жыл бұрын
You guys are the best.I'm discovering my India along with you n am so happy every morning because of you
@arunnayyar4511
4 жыл бұрын
Hey korbin and rick please react to Kadri Gopalnath saxophone
@ShivamSingh-qz3kh
4 жыл бұрын
Indians still be explaining their culture to the white man in the comments section.
@bosgaurus1
4 жыл бұрын
No one noticed that the sub count just blew past three quarters of a million? Good work.
@mahavasundara.m.k7466
3 жыл бұрын
That's the power of carnatic ✌
@chrisdhillon4017
4 жыл бұрын
Khuda Haafiz trailer reaction please, it just dropped yesterday.
@pilloobaba272
Жыл бұрын
Thanks for your reaction and bringing attention to our music. Hopefully, westerners also get hooked into our music. Please, keep listening carefully and eventually it will all make sense. I don't know Carnatic, but the concept of a raga should be similar to North Indian classical. Essentially, in North Indian Classical music, a raga is based on one of 10 Thaats, whereas in Carnatic they have 72 melakartas. The Thaat (north Indian) or melakarta (south Indian) is equivalent to a scale in Western Music, for example Bilaval Thaat is the same as the major scale or Asavari Thaat will be the same as the Western minor scale, and so on. In Western Music you mostly play tunes in say one major and perhaps three or four minor scales. However, North Indian Classical uses 10 scales (Thaats) and South Indian (Carnatic) uses 72 scales since there are a total of 72 permutations of how full tones and half tones can be played in a 12 note chromatic scale. The tunings of the notes are a little different. Western music uses the Equal Tempered chromatic scale whereas Indian classical music uses Just Intonation tuning. In total the North Indian system as 22 tunings in a scale compared to 12 fixed tunings (notes) in the Western equal tempered chromatic scale. The reason for these tunings in North Indian classical is that each note except for the starting note and the perfect fifth are fixed whereas the remain 10 notes of the Western chromatic scale each have 2 tunings approximately 20 or 21 cents apart. Depending on the background drone tuning which changes with the Raga -- each Raga has its own flavour, so even though we have a total of 12 notes in the scale, we select those 12 from the 22 variations of tunings to best produce the flavour of the raga. Now what is a raga ? It may be thought of as a characteristic melody based on the notes of the Thaat (North India) or Melakarta (South India). So for example, we may have several Ragas created in the Bilaval Thaat (Western major scale). Typically, a Raga has at least 5 notes in ascension (aahroh) and descension (avroh). The ascension uses particular notes upwards and the descension uses particular notes downwards, but usually from within the Thaat the raga is based on (there are exceptions to the rule). So think of it as a path up the scale and a path down the scale. If you break either path, you break the flavour of the Raga and the Indian audiences who are seasoned listeners will at once know you broke the Raga. Furthermore, a Raga has a signature, which is a characteristic group of notes within the melody that is played from time to time to keep the mood of the raga in focus. The raga also has a dominant note and a sub-dominant note. So the improvisation phrases may emphasize the dominant note more often and then the sub dominant note as well but less often. The notes are not plain notes like in Western music. Instead, the notes have grace notes which they slide up or down from to the played note. These slides are also part of the raga movement (chalan) that give it its characteristic mood. You cannot simply play the notes of a raga at random, you have to follow the path up the scale, a path down the scale, emphasize the signature, the dominant and sub dominant notes with the characteristic graces note slides and embellishments etc. that are common to the given raga. The raga also has a particular time of the day it is played or sung, and it also has a particular season in the year it is played. For example as the monsoon approaches, Indian Classical musicians play Raga Megh or Miyan Malhar and so on. In North Indian classical music, the musicians start slow with what we call an aalaap which translated means meditation. Here we gradually introduce each note of the raga, starting from the Sa (which is like Doh in Wester solfa notation) we introduce the ascension and descension, the signature (pakad), gradually moving up to the upper Sa till the whole raga is introduced and the mood of the raga is built up (that's why it goes on for an hour or so). The percussionist doesn't intervene at this point. In the next, phase we introduce a signature song (the bandish) which has mostly two verses of words, a lower portion (the sthaaee) followed by a higher portion (the antara). This is the point at which the percussionist also introduces the agreed upon beat cycle. Both, the Sthaaee and Antara must fit in the beat cycle with emphasize on the phrase or word sung on the start of the beat cycle, called the SUM or synchronization point. Improvisations are introduced into the Bandish as sequences of notes such that you must always complete the sequence (usually) on the synchronization point (SUM) and pick up the bandish at the correct point. The musicians are so well practiced that they can improvise on the fly and picture long sequences of notes that fit into the beat cycle. That's why they never use sheet music. It's all done by memory and practice. During these improvisations they must be careful to follow the rules of the raga (a characteristic melody) that has a path upward, a path downward, a signature, a dominant and sub dominant note with slides typical to that raga, and so on. For a lot of Westerners, the music may sound repetitive and monotonous, but as you get used to it and listen carefully, you will see a kaleidoscope of infinite variations and patterns. No two performances of a raga are ever identical, and the musicians are so well practiced that they never need to rehearse. Each performer knows the rules of the raga so that whether they are instrumentalists, percussionists, or singers, they intuitively know exactly when to fit phrases into the performance so that they can almost telepathically know how to synchronize their improvisation with the improvisations of the other performers, so that the whole performance becomes like a combined telepathic musical game -- that's why you see them look at each other and smile when they hit the correct synchronization points. The audiences are also quite sophisticated and you will often hear an "AHAAA" on a beautiful improvisational phrase that precisely fits into the beat cycle where they again pick up Bandish. You will also see each performer complementing the others, as each one introduces his/her improvised and synchronized phrases. So the whole thing becomes like telepathic meditative game that can go on for hours. In the 1970s and 1980s as kids we went to many musical concerts that went on continuously for a week or two 24/7. We would start listening to morning ragas, go into afternoon ragas, then midnight ragas and again early morning ragas. Each musician would play for or five hours and rotate performances. It was great ! time didn't matter, we even slept in the open air concert gatherings.
@cookingwithnature5332
4 жыл бұрын
Yes...please do this frequently..i love it ...thanks
@Rrr17777
4 жыл бұрын
Please react to more classical stuffs guys👍😊🎼💓
@rohitSfitness
4 жыл бұрын
I wish you both can understand how difficult is to sing both ragas at the same time and also to sing those sargams.. you have to be accurate at every note.. classical music is a sea.. 🙏🙏🙏
@RajeshP17
3 жыл бұрын
love watching these along with you guys...such an amazing performances...Darbar gives us these with good quality videos too...
@harshwardhanmishra3743
4 жыл бұрын
I think you should react to basic stuff like definition of raga , taan , alaap and how many notes are there in hindustani music etc. for better understanding.
@shirishbhide158
4 жыл бұрын
Love what you guys do. Have seen so many more videos on Indian classical music (and many others) through your channel 👍🏼👏🏼
@abhigyanbarthakur5995
4 жыл бұрын
Woww korbin's showing side-effects of watching DARK
@adityasuyal1023
4 жыл бұрын
Hey guys please react to song tere liye from movie veer zaara. It will definitely leave you in tears. Please
@dsd6856
4 жыл бұрын
Pls react to jagadheka virudu athiloka sundari songs
@rocky4219771
4 жыл бұрын
Want to tell you..It almost difficult for western world to achieve this...bcos i know the reason...
@razeshbudhathoki
4 жыл бұрын
Dancing in madness by Anushka sankhar, next please
@shraddhasane3002
4 жыл бұрын
Really dont knw if korbin understands classical music or not bt wen rick exclaims WOAH korbin smiles a little more🤣
@aryaroy476
4 жыл бұрын
bengali movie Parineeta || movie by Raj Chakraborty and Piku sarod song pleeeeeeeasssee
@singji123
4 жыл бұрын
This is just nthe height of indian raga/music and the singers performed at ease. How much practice must have gone into it. Salute to their Guru who taught them and indian tradition is continued in this yuga.
@maheswarsahoo5558
4 жыл бұрын
Only because of Nawazuddin Siddiqui I skip the intro
@vijidurvasula7744
3 жыл бұрын
Thank you for reintroducing our culture to us!! 👍
@siddharthmenath
4 жыл бұрын
KS Chithra's birthday today guys. She is the best female singer of India!
@OJESHKUMAR
4 жыл бұрын
Wtf!!!! Dont use words like "best" for musicians !
@mayasarabhai6392
4 жыл бұрын
Why no one is suggesting them to react to Jugal bandi of Rahul Deshpande and Mahesk Kale. Even Me Radhika sung by Aarti Tikekar s treat for ears
@sankalpdravid
4 жыл бұрын
Yeah, "Mi Radhika" is celestial!
@venkat6260
4 жыл бұрын
@@sankalpdravid It takes us into trance
@aanandkumar3097
3 жыл бұрын
Indian Classical Music - The Ultimate Trip to Cosmic Heights.
@sujatharamesh3271
4 жыл бұрын
Pl react to Kadri Gopalnath sax and flute jugal bandhis pl.
@siddheshdeshpande7183
4 жыл бұрын
You guys can react to what is raga video made by darbar festival, it's explained beautifully by Niladri Kumar. He also shows how the improvisations are done by playing it on his sitar. I am sure it will prove to be a very naturally insightful video to react to.
@MadaraUchiha-iz9es
4 жыл бұрын
The thumbnail though🤣😂
@apurvamandwekar6503
4 жыл бұрын
Rick just wanted to show his kurta off😅
@omkarjha640
4 жыл бұрын
guys watch omerta available on Zee5...stars rajkumar rao.....its a film from the perspective of the terrorist involved in murder of american journalist and 9/11.
@sanjaycharan2499
4 жыл бұрын
Did u ever hear singing bhupen hazarika u should
@dikkhabrotoiyer8667
4 жыл бұрын
Did you guys realize that the 2nd guy on the left of the screen is playing a pot?!! 😂😂😂
@morningstar2715
3 жыл бұрын
I think you guys hit the nail with this reaction! You guys got it, this isn’t smtg that you can do just by learning the raags and the beats. They are in the zone and it’s truly spectacular. And all put together on stage, the spontaneity, that’s just a whole different world they are in.
@Jhankaardhwani..
4 жыл бұрын
They are the real gems and pride of Our Country " INDIA " 😊
@mychordschords9092
3 жыл бұрын
Our Indian carnatic music is best in world I can tell because ,only in our music you can sing the music notations (swaras : sa re ga maa pa dha nee Sa) as a song but in Western music you can't sing A A# B C C # D E F F #G as a song. I hope you agree with this...
@manavmehta413
4 жыл бұрын
Holy crap have some changes atleast see something different
@alekhyagns8997
4 жыл бұрын
Sangeeta sampada enta Mandi Naina ershapadela cheyagaladu......music is greatest assest that can make anybody jealous......loved the performance
@sumeshrameshan1088
4 жыл бұрын
when you wake up in morning you must listen to m s subhlaxmis song you will feel it
@preetamaswath1461
4 жыл бұрын
Great loved the blending of chandrakauns and madhukauns Chandrakauns goes well with hindolam too
@rahulbharadwaj222
4 жыл бұрын
*Omg YOU GUYS HAVE TO REACT TO ABBY V’s 73 RAGAS video!*
@Jcoke2201
4 жыл бұрын
I hope you realised that through those variations, it was still a system of constant beats.
@sewaligoswami781
4 жыл бұрын
Hey OSR! Please react to Khuda Hafiz trailer.
@ShubhamMishra-nm9qt
4 жыл бұрын
Plzz react to sunny deol movie ghayal u will luv it
@madhulinabhowmick39
4 жыл бұрын
Thank you for introducing new generation Indians to the finer things in Indian culture other than Bollywood 🙂🙂🙏🙏
@Rimsan555
4 жыл бұрын
Listern singara velane deva song by s janaki
@Nikeshbabu06
4 жыл бұрын
❤️Makka Kalanguthappa Song From Dharmadurai Movie ❤️
@pranitag1613
4 жыл бұрын
Rick is wearing Kurta 😍
@AGhere
4 жыл бұрын
One should admit the fact that stupid babies (like me) are getting to know India's great unique talents from various fields via OSR channel and from fellow stupid babies. Thankyou ❤️😊
@dushyantsinghrahine2521
4 жыл бұрын
Guys, you should watch the videos on Anuja Kamat's channel. It's a series of videos/layman tutorials done by her explaining some of the fundamental concepts of Shastriya Sangeet with examples in such a manner that everyone can understand what it's all about... I would say, they are a must watch for anyone who doesn't know Indian music, but wants to know more about it...
@aknowndo
4 жыл бұрын
I just about to say this. She did a free service to humanity.
@marklutnes935
26 күн бұрын
Think of a raga as a person, with its own very unique personality. Some ragas look similar to one another, like people with very similar features, like Puriya and Marwa, two ragas in Hindustani classical music, but they are not the same person. Then, when someone sings or plays a raga, both the composed part (bandesh in North Indian classical music) and all of the improvisation during the performance adhere to that raga's personality or rules. A person might be talking, eating, walking, running, sitting, or sleeping, but the person is still that person. A raga has a specific set of notes, sharps and flats, a way of ascending its scale, a way of descending its scale, a note which is given the most importance in that raga and note given second most importance, key phrases that also make the raga immediately recognizable. A musician may choose to perform two ragas but they nonetheless perform one at a time. If someone breaks from the notes or scale of a raga, you will know it immediately. "Oh that musician made a mistake there. There is no sharp 4th in Raag Darbari Kanada," for example. The only exception, and it's not really an exception, comes in the form of a "ragmala", which means "garland of ragas". It's when a musician slips in and out of a raga into other ragas. A master does this so tastefully, subtly, and almost magically that it causes audiences to ooh and ahhh at each departure from and return to the raga. But when a musician sings or plays a raga, whether in a composed portion or an improvised portion, the integrity of the raga i.e. the notes, scales, key phrases, etc. must be strictly maintained. *Edit: I forgot to mention that every Raga has a time of day or night it should be played. Every raga is also considered to have a specific mood or "Rasa" as well, mood meaning happy, sad, melancholy, peaceful, etc.
@adithyamm9962
4 жыл бұрын
Raga is just a set of notes. If a composition is said to be in a raga,that composition consists of only those notes that are in the note set of that raga. It's as simple as that.
@kmvinayvishnunambisan
4 жыл бұрын
Hi guys. Listen to Trichur Brothers: Endaro Mahanu Bhavulu and Akhilandeshwari. And get transported to another world. Please Please react to it. 🙏
@prateekchhillar
4 жыл бұрын
Carnatic oes not strike a cord with me. I am a Hindustani lover.
@maitri74
2 жыл бұрын
Rick Corbin. You got it all wrong please here them singing Raga Kamboji. It is just one Raga being sung foe one full hour. This is in these hyper sonic days. Fifty years Ellie in days of 4 hours concert it will go to 2 hours. Before that in temples it may go through out full night one Raga. All improved and fresh,
@prateekchhillar
4 жыл бұрын
Try listening to Ustad Salamat Ali Khan Sham Chaurasi gharana. kzitem.info/news/bejne/kZ6Y34ZssWOlpJw
@rampathak8826
4 жыл бұрын
No... any Raga not present in between songs...but all songs in this world , no matter whatever languages, or whatever emotions, or whatever subject ,- any song rather entire song or rythm based upon and placed on the basis of one of the Raga among so many... Each song, any kind any language, any time era - is basically depends on and comes under one kind of raga... Please just don't depend on only limited source of raga singers or platforms, find more kind of singers in indian classical music universe, and feel the difference between two singers' from two different gharana or musical tradition schooling family.. which are singing same song in same Raga but in different style because of their own unique traditional musical school of thoughts and different learning teaching background.... possibility is always endless..
@renjithnath1508
4 жыл бұрын
It's KS Chitra birthday today . It amazing none of the stupid babies know her or suggest her songs . She has more national awards than Lata Mangeshkar or Shreya Ghoshal. React to any one of her 6 National award winning songs or 112 song collaborations with AR Rahman. Probably kaanalane or malargale
@sridharsrinivasan7817
8 ай бұрын
Thank you for reacting to these amazingly and insanely talented musicians. You guys stand out for choosing to react to some unique videos. Appreciate your effort.
@girish325
5 ай бұрын
You guys should react to Rashid Khan who recently passed away at a very young age of 54.. He was the best among the contemporary classical singers after Bhimsen Joshi
@anuktachattopadhyay6457
Жыл бұрын
They were two ragas of the same family. But different. It is incredibly difficult to sing two ragas simultaneously and make the switches between the ragas. Our minds just don’t bend to it and many singers will go out of tune while trying. But she didn’t- not even once.
@rahultkakur2162
3 жыл бұрын
Plz come in pune city, sawai gandharva festival. You crazy there becoz the festival on indian classical music. Many ustad come there
@whatadad...1770
4 жыл бұрын
Raga for you are like vowel sounds. Same like in English while you have alphabets but all alphabets are just extension of vowel sounds simillar way raga are tunes basis which you can compous any songs
@rajnizamre7717
4 жыл бұрын
When it comes to classic music I always feel like music gawar.... didn't understand any details.. but it feels very pleasant and touching to hear ❤
@swatisaini6447
4 жыл бұрын
Same here
@rajnizamre7717
4 жыл бұрын
@@swatisaini6447 😂
@rajnizamre7717
4 жыл бұрын
@Uttam Jana 👍👍
@pranitag1613
4 жыл бұрын
Same here! Love to listen but don't understand much..😂
@rajnizamre7717
4 жыл бұрын
@@pranitag1613 welcome to the club 😂
@craditya
11 ай бұрын
Raga is simply the SCALE in Western Music - so it can shift in scales and become new Scales but can be parallely presented like on Western Instruments- as simple as that.
@kalyanikrish7280
4 ай бұрын
This duo is well versed both in Hindusthani and Carnatic. A pride to our country. Soulful singing❤❤
@prabhakarganapathy9469
4 жыл бұрын
Guys you cannot reference this Indian classical with any western music further i would say you cannot do it any other music in the world Most of the Indian classical musics are Devine. It requires lot of dedication, devotion, and bhanthi. More over you have to learn from Proper Guru and lots and lots of practice
@vikash5772
4 жыл бұрын
Hii Korbin.. I love your reviews 🤟🤟🤟
@dilipupadhyay
4 жыл бұрын
I will try to explain what is raga in short but just very basic is it’s a set of basic notations and you are allowed to sing that group of set notations as you can vocally sing but within that given set . In set is given name as raga and group of raga’s are again classified as morning-evening midnight etc as per the environmental situations .This notations are again accompanied by Tal , that’s a Rethum which again has its bits specified . Something basics I tried to explain .
@maitri74
3 жыл бұрын
You don't have to go anywhere. Just go to Cleveland. 'Cleveland Thyagaraja Aradhana' look out for it it is an annual event.
@bharathysivakumar260
4 жыл бұрын
This is Amazing! They are singing hindustani raagas, but if you want to experience their carnatic concerts(since both of them are from Chennai which is in the south) you both should delfinitely come to Chennai (Tamil Nadu) in the month of December since it is officially the Margazhi kutcheri season(Margazhi- Hindu Tamil month for Nov-Dec, kutcheri- is basically a term for a carnatic concert).There will be continuous concerts of different singers from morning till late evening, every single day and the schedules will be out before a month or so. It is like a festival! I really hope that you guys learn more about the basics of carnatic/hindustani music and visit during the Margazhi season(not this year though!😶) It is a bit complex but I'm sure Rick would love it!
@dharmendrasinghbhadhoriya9171
4 жыл бұрын
Reat tari khan train sound on tabla... Who agree👇👇like hit...
@acercbox4373
4 жыл бұрын
Rick/Korbin, you are neither reacting nor stupid. Why the name stupid reactions? :)
@mathewtony3170
4 жыл бұрын
First
@guddupatel8680
4 жыл бұрын
Thr r rules About raga, specific time for specific raga...if u listen certain raga at certain time .u will feel true'beauty of d raga....we appreciate your all efforts 🙏 u r also contributing in indian classical music by reacting on it. .thanks sir🙏
@adarshu8094
4 жыл бұрын
Beautiful is an understatement 😍
@jayastubanerjee1998
2 жыл бұрын
Here, another magic is going called the " Key note shift " Chandrakosh and Madhukosh can be sung in parallel to each other, by only shift of base note, and the mastering depends on how quickly and correctly you can jump into base notes .
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