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Targeting The b9 With Inner Voices
In this lesson we learn how to target the b9 chord alteration over the V7 with a descending inner voice.
We start by applying this technique to 3 jazz standards so that you can see how it is applied in practice. We then explore the movement over a 251 in the key of C Major, and finally we take this drill around the whole step 251 sequence.
Visualising The b9 Alteration
The main benefits of mastering this exercise is that you will be able to visualise the b9 chord alteration in all 12 keys. When playing jazz standards and filling space in tunes, the b9 is a lovely tone to target to add colour and tension.
0:00 Lesson Introduction
0:52 Application To 3 Tunes
1:10 Autumn Leaves
2:13 Moonlight In Vermont
2:54 The Nearness Of You
4:40 251 In C Major Analysis
7:25 1st Set of Whole Step 251s
9:21 2nd Set of Whole Step 251s
11:46 Practice Tips & Guidance
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