maybe if youd highlighted it in the score when it happens or something?@@LearnCompositionOnline
@sebastian-benedictflore
4 ай бұрын
I'd be lying if I said I could hear it. I'd expect thats the point and if the piccolo were left out, I could tell the difference. Or maybe my phone speaker is just bad...
@LearnCompositionOnline
4 ай бұрын
good idea, gonnna bring this into a spectrum analyser. ; ) yes, your phone is bad, try on headphones
@Dodecatone
11 ай бұрын
never noticed before! really cool
@LearnCompositionOnline
11 ай бұрын
i noticed this on third time hearing this music ; ) But reading . I guess i noticed because this is one of the first thoughts in orchestration that i personally could UNDERSTAND and USE lol Becuase it is the thought process of the organ playing
@LearnCompositionOnline
Жыл бұрын
Fine art here. Mahler looks to be the composer that started to hear the orchestra from a more ACOUSTIC point of view, and this example shows it beautifully. Can you find more? Book the first lesson for only 25$ . www.upwork.com/freelancers/emanuel
@CalebRen
11 ай бұрын
Definitely not the first. All composers paid attention to the timbre and overtones of instruments when orchestrating a piece. There were definitely composers who paid a lot of attention to HOW the orchestra sounded even before Mahler like Berlioz, Haydn, even Bach.
@LearnCompositionOnline
9 ай бұрын
@@CalebRenyes but it looks that you missed the point: this sensualistic use of acoustics was not the substance of the musical ideal yet by these composers, and you notice just some rare moments . Mahler is one of the composers that made impressionism possible, where the sound is an intermediary for timbre first, not harmony. I didn’t say other composers did not pay attention to acoustics or how the orchestra sounded, because this is obvious.
@jasonmp85
5 ай бұрын
These are wild statements. Ravel’s Bolero uses the stacked overtones and timbres of the orchestra to mimick entire other instruments. Impressionism was alive a half century before Mahler
hear my music for the 11 September kzitem.info/news/bejne/wIyMzGGshmihoH4si=BhIQAtAkWYuCjxwz
@LearnCompositionOnline
Жыл бұрын
Playlist with more things like this here kzitem.info/door/PLGDXxcgpWORyeZ7QmL1v7hkegFSDVj5Tr
@qwertyuiopzxcvbnm9890
3 ай бұрын
Interesting. The flute comes exactly when de trumpet plays the punctuated figure. Both times
@td3053
4 ай бұрын
Out of curiosity. What is the beauty in this?
@LearnCompositionOnline
4 ай бұрын
The beauty of finding a creative solution using this limited instrument to achieve spectral balance in a not conventional way
@td3053
3 ай бұрын
@@LearnCompositionOnline in what way is the piccolo limited in orchestration compared to any other instrument in trying to achieve a certain effect? I've seen it used on many more beautiful ways than this as an overtone. So again, what is the beauty in this example. I'm genuinely asking.
@theohornsby51
4 ай бұрын
Genius
@yama-c
4 ай бұрын
Resurrection
@qwertyuiopzxcvbnm9890
3 ай бұрын
The piccolo flute is more linked to the flute than the trumpet (and the trombone). Also don't forget the strings
@LearnCompositionOnline
3 ай бұрын
@@qwertyuiopzxcvbnm9890 yes it is if course “linked” , this means, in the harmony. However! the flute comes exactly in the accent of the trumpets phrase highlighting the melody. This is the orchestrational thought. Thanks for the comment
@qwertyuiopzxcvbnm9890
3 ай бұрын
But also very interesting how it highlights Trumpet overtones
@qwertyuiopzxcvbnm9890
3 ай бұрын
Ah now I realise. It really supports the little climaxes in the theme of the trumpet
Пікірлер: 42