I've been shooting on the RED Komodo 6K for nearly two years now so here's everything you need to know about this strange little box camera! (and NO - I'm not selling my RED Komodo for the BlackMagic PYXL 6K). We'll take a look at some comparisons between the Sony FX6 and Panasonic EVA1, look at how I rig the camera out, my colour grading work flow and how to achieve proper exposure in this camera.
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KOMODO RIGGING:
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-CHAPTERS-
00:00 - Intro
01:57 - Why I bought the RED Komodo
04:13 - RED Komodo sensor and image quality
04:49 - Does the global shutter actually make a difference?
06:22 - Comparing the Komodo to the Sony FX6 and Panasonic EVA1
07:32 - Concerns around lack of frame-rate options
09:00 - The beauty in the Komodo image
10:45 - Exposing the RED Komodo
11:38 - Exposure: confusion around ISO and exposure on the Komodo
12:18 - Exposure: Choosing the right ISO for your scene
14:31 - Sponsor message
15:47 - Exposure: Using the traffic lights
17:33 - The IR problem
19:14 - Shooting Anamorphic on the Komodo
20:27 - Working with Komodo footage in post
21:54 - My Komodo colour grading workflows
24:44 - Growing pains: storage!
25:48 - The truth about black shading your Komodo
26:53 - Run and gun shooting with a minimal rig
27:59 - Powering up the Komodo
28:08 - Using the Komodo's top screen
29:45 - How I rig my Komodo
34:40 - RED Control App - Komodo's secret weapon!!
36:21 - What I don't like about the RED Komodo
38:14 - My thoughts on the RED Komodo X
40:02 - Why I'm not selling my Komodo for the BlackMagic PYXIS 6K!!
42:41 - Outro (thanks for watching!)
Негізгі бет The best camera I've ever owned | RED Komodo long term REVIEW
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