#كنت_هنا #كنت_هنا #كنت_هنا The new Iraqi Council of Ministers building... the first project that embodies Iraqi civilization
The Council of Ministers Secretariat building project "The Infinite Free Iraqi Constitution"
The architect Manhal Al-Haboubi won the design of the project of the General Secretariat of the Council of Ministers in Iraq. It is strange that none of them noticed the birth of a new star in Arab architecture, and the emergence of a new Iraqi talent capable of competing with the most important architects in the world and being ahead of them, the architect Manhal Aziz Al-Haboubi, who holds a master's degree in philosophy in architecture.. whose proposed design won the architectural competition to design the new headquarters of the General Secretariat of the Iraqi Council of Ministers. Perhaps the architect Manhal Al-Haboubi's study of philosophy had this great impact in winning this design over other projects in this competition... The philosophical depth is behind everything A line and every element of the design, which came to summarize one of the greatest and oldest civilizations in human history, has given the project richness and uniqueness, making it a project that cannot be built except in this place and time. The designer chose this title for his project... "The Infinite Free Iraqi Constitution"... It is a summary of the design philosophy behind this project, so his answers on how these words are reflected in the project were the main engine for the formation of the general shape of the project... How will the term "constitution" be expressed Al-Iraqi.. How will he express the word "free" and how will he express "infinity". A slight bend in the building, which suggests dynamism in the shape of the building, continuity and ascent .. was an expression of infinity ... while the glass and the relationship between the closed and the open was the architectural language that was used to express the meaning of freedom ... These simple philosophical reflections make the building convey these messages The visitor to the building is unconscious... and makes the building's formation meaningful and valuable. The shape of the ancient seal used in Iraq, the shape of the formation of the ancient city of Baghdad, were the basic determinants of the general composition of the project... Even the external surfaces, its formations, did not come from a vacuum, but rather came to reflect the cuneiform language and a mixture of Islamic motifs to convey to you a distinctive Iraqi flavor that you can never miss when you see the building In a modernity that makes the building belong to its era and at the same time conveys and expresses the originality of the place to which it belongs.
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