It is interesting how Odile sort of went from cold perfection to a more seductive, evil look. I guess it is dancers responding to what the audience is looking for. This character certainly gets a ton of mileage out of not really all that much time on stage
@emersondovale
Жыл бұрын
To be honest, I find the newer versions more technically perfect and yes, more seductive. In the first videos you can see the ballerinas' bodies going diagonally when they spin. The last two have perfect straight postures. They also seem more slim and have longer legs, which I think adds to the sense of seductiveness.
@winniechau4442
Жыл бұрын
I can give a better explanation as to why she’s not a sister to me guess what?? You’re the same Christy
@mercyobourke8776
Жыл бұрын
I was born in 1942 in Havana, Cuba. My family held tickets for the “Musical Pro-Art Society”, which presented ballet, opera, symphony and drama productions as well as touring soloists of classical music. Since I was 4 it was my joy to see Alicia Alonso in all the rôles of the classical repertoire, usually 3 times a year. Giselle was my favorite, with Swan Lake a close second. What fascinated me most was the difference between Odette- warm, shy, gentle, playful, - and Odile- cold, precise, aloof, cutting. By 1947, I found myself in London with my parents and we went to see Swan Lake; I don’t remember who was the prima ballerina in that production, but I remember going to a restaurant afterwards and expressing a strange feeling of disappointment, despite the far more lavish scenery and costumes. As a child, my appreciation was for the storytelling and the personages of the tale. The rigorously exact steps were not able to communicate as well. In fact, over the years I’ve had difficulties embracing perfect technique with extreme extensions and total exactitude of positions. Regardless of how athletic and physically perfect they are, if a dancer doesn’t speak his/her role through the choreography, the performance is moot to me. When both aspects are present in dance, it’s a wonderful experience!
@lilydewinters4729
Жыл бұрын
Gillian Murphy, nailed it! The way she, dances in moves is breathtaking and magical. She’s everything that ballet should be.
@teijaflink2226
Жыл бұрын
At least here the newer versions give lot more character and passion, the older Odiles kind of look boring.
@gmnclaycomb7038
Жыл бұрын
Osipova was technically superb but Murphy’s interpretation was absolutely gripping....she looked magical. It is difficult to compare ‘progression’ when the dancers are already diverse in their abilities. Certainly the earlier version footwork and balance looked less accurate
@Matreshka03-86
Жыл бұрын
мой комментарий, только на английском языке!
@SeleneSalvatore
Жыл бұрын
I like Murphy's version better less cold and more alluring. I like also smoothness of Murphy's moves more than Osipova athletic and more technical approach.
@amaliaemirova1169
Жыл бұрын
This is because back then it was painful to stand for long periods of times now days we have more support on pointe shoes.
@lonesparrow
Жыл бұрын
I agree, she was the most mesmerizing
@lonesparrow
Жыл бұрын
@@amaliaemirova1169 I think probably the cuts and editing in the earlier ones don't help
@Adrienne_
Жыл бұрын
I absolutely loved the way Gillian Murphy (2005) embodied Odile. Every move she made and her gaze, she made it all seem completely effortless. Such elegance, she moved with such grace, she wasn't stiff once, pretty much every move of hers was circular and flowy, so fluid, they remind me of the way birds move
@nerdloserwilldiealone
Ай бұрын
Omg i was so confused i read that as cillian murphy 😭
@elizabethclaiborne6461
Жыл бұрын
I’m no dancer, but after forty years of training and competing in womens sport, I’m seeing shifts over time here that mirror development across the entire spectrum of womens sport - and ballerinas are pro athletes, they’ll tell you that. Better injury treatment, nutrition, addressing the demands that women starve themselves, and better sport science in general has gotten into ballet schools like it has everywhere else and given better transitions, better power, greater ability for directors to exploit. Dance does not exist in a silo, a good company will use better science to get better dancers. As a fencer I saw the same things from 1977 to 2010, you can run tape from 1968 of any sport vs now and see this. You have better dance athletes giving better performances because they can.
@guardianfish7718
Жыл бұрын
Yes yes yes! This!
@bubble8829
Жыл бұрын
This is so true, technically. Artistry, musicality and interpretation, though - they're something else again. In those areas, some older stars had what some newer stars don't, despite technical advancement. In addition, I think there are a lot of modern dancers who would give a lot for Alicia Alonso's balance. Or Anthony Dowell's. To this day, so far as I've seen, no one can do des Grieux in Manon technically as well as Anthony Dowell did (especially the Act I solo), with the one exception of Vadim Muntagirov. Muntagirov has everything, (and it helps he's a lefty, as Dowell was).
@lonesparrow
Жыл бұрын
The progression in gymnastics in particular is pretty shocking
@sofia_aa
Жыл бұрын
I love your insight! I know nothing about sports so would have never imagined that.
@lavinder11
Жыл бұрын
Yes, but the actual artistry is missing. I see the same in the bellydancing world. Lots of abs but very little dancing.
@latsnojokelee6434
Жыл бұрын
Its amazing to watch the difference in the body types of dancers back in the 50s and 60s. Before Balanchine, women could be athletic and still have enough weight on them to keep their curves - previous generations of dancers were able to keep their careers going all the way into their 40s. Now, because of hyper extension and malnutrition, dancers are already injured with back problems by their late 20s.
@mariasheliaputri7678
Жыл бұрын
Omg that's so sad....
@AnnaEmilka
Жыл бұрын
I noticed that as well, the first two dancers while athletic still looked slightly curvy compared to modern-day ones. You can really see that in their legs and shoulders. I don't know anything about ballet though so I don't know why this change happened or whether it has positive/negative effects on the dancers
@tolde
Жыл бұрын
If you do not eat good you do not have strenght and power to do all that. The dancers eat goed but they burn a lot of calories during the work out. It is a myth about malnutrition. A lot of them smoke also. My daughter is a dancer
@lisawentworth6831
Жыл бұрын
absolutely! They had the more 50s kind of ideal of curves...thin, but curvy. Once Balenchine became popular, it was anorexic and athletic. I was just explaining to someone above, who is a fencer, that thought there was better support for injury and nutrition. Ha! It's an art form, not a sport, and that hyper flexibility and malnutrition we know runs rampant
@lisawentworth6831
Жыл бұрын
@@tolde are you kidding me? In professional companies, the dancers starved. Our company only allowed the women to have a handful pf candy all day while training. Of course the body needs fuel, but the person has an excellent point; once Balenchine hit the scene, the style was starvation thin and hard training. Think Gelsie Kirkland in the 70s. The 50s ballerina looked completely different from her; 50s one probably cooked dinner for her family before performance...70s was anorexic.
@l.alexandra5871
Жыл бұрын
Osipova is a genius in a class of her own for the past twenty years (and I suspect her greatest years are coming to a close). Alonso was forty-seven when she did this performance. More importantly, Alonso was not filmed while dancing the variation on stage at a theatre or during a performance. This was a ghastly, made for TV, dumbed-down version of Odile, it was photographed terribly, it wasn’t a proper dance floor. Filming dance back in the 1960s and 1970s was a nightmare. It was very difficult, the equipment was awful, the technical ability was dreadful. That’s why we are missing so many, many great performances. The Russians filmed everything always so we are lucky to see so many minor ballerinas we would have never seen in the west.
@claireschweizer4765
Жыл бұрын
Thank you!! I had really wondered about this!🖤🖤🖤
@melissatranfield4054
Жыл бұрын
I don’t think her greatest years are coming to a close, she’s only 36. Sarah Lamb and Marianela Nuñez are in their early forties and still exquisite. She’s hitting her prime now with the maturity of her technique and acting ability. I predict she’ll have her own company when she does retire from performing as often (hopefully not for a while yet). Alessandra Ferri is 59 and still performing brilliantly for the Royal Ballet.
@An_Gold
Жыл бұрын
And who prevented to film major dancers in your country? I even do not know what to think of your comment. There are really many, many wonderful ballet dancers in Russia, we are lucky that some of them were filmed. Filming was always expensive, so if a ballet dancer was filmed - that was the reason for that.
@An_Gold
Жыл бұрын
@@melissatranfield4054 I agree, perhaps the best years of Osipova are coming to end. After all, 36 for ballet is quite a number, the body possibilities have limits, unfortunately.
@valerina01
Жыл бұрын
@@An_Gold that’s not what she wrote. Quite the opposite, actually. Your other comments above are very confrontational too. Quite unpleasant to read.
@ОльгаКовалик-э3з
Жыл бұрын
Каждая балерина - мастер и хороша по-своему. Сравнивать сценическую и студийную запись не совсем корректно. Кроме того, они танцуют разные редакции этой вариации. С удовольствием посмотрела все четыре исполнения.
@taschayaro7743
Жыл бұрын
Абсолютно верно!
@wildpendulum
Жыл бұрын
Само видео сравнивает не балерин, а партию Одиллии.
@Outlander_
Жыл бұрын
Вообще четыре танцовщицы это мало , чтоб сравнить . И потом , а почему Плисецкой нет в этой подборке ? Самый прекрасный и известный русский "лебедь" . У нее Одиллия тоже хороша .
@akunamatata777
Жыл бұрын
Видна тенденция к упрощению партии. В последней версии больше половины элементов выброшены, либо заменены на упрощенный аналог, что никак не красит партию, выглядит скупо и неинтересно.
@isabelaandzico
Жыл бұрын
Alicia Alonso’s turns!!!🩰👏🏻👏🏻👏🏻
@IfeelMT
Жыл бұрын
Interesting… I expected the dancers to be more impressive over the years and while flexibility extension fluidity and technique might have some gains over Alicia … Alicia is the only one who accomplished 5 pirouettes 👏👏👏👏👏
@isabelaandzico
Жыл бұрын
@@IfeelMT I was a very young girl and had the honor of dancing a bit part with National Ballet of Cuba 🇨🇺🩰 right before Dame Alonso passed. I was so little but in awe of the fact that she’d be brought on the stage by wheelchair ♿️ with the curtains down for final bows, but she mustered the strength to stand up and bow like the Prima Ballerina Assoluta that she was without the audience ever knowing. Never let them see you sweat. I’ll never forget and vowed to dance and live like that, like everyone is watching. Brava!🇧🇷🇵🇹🩰
@honeysweetbunbun
Жыл бұрын
Her posture was better and her moves more graceful and carefree than the newer ballerinas. Which is crazy because she is visibly weighing a bit more than the younger ballerinas so you would think she’d struggle more. I noticed the newer ballerinas also have a more bony and muscular look that makes their moves look less easy-flowing and more mechanical and rigid. The two earlier clips of those ballerinas were very magical on the eyes, looked beautiful.
@isabelaandzico
Жыл бұрын
@@honeysweetbunbun да 👏🏻 пожалуйста, I appreciate having been coached by Ирина Колпакова and other primas from mainly the Большо́й . Their artistry, epaulement, everything down to the fingertips was addressed. Yes, I’m more of the bony and athletic type (naturally) but that didn’t matter to me or especially my Ballet Mistresses and artistic directors.🇧🇷🇵🇹🇷🇺🩰
@13meli55a
Жыл бұрын
In the first dance the choreography has pauses where I can see the shape of a bird in the pose. The modern choreography is constant spins and the arms are always acting as wings, so I can’t see the long neck poses.
@karinec.8037
9 ай бұрын
yes, same feeling for me, I like when there is variation in the rythm, giving more sense to the move; dance must express something, not be just a performance... whatever the talent of these dancers.
@senselessplace
Жыл бұрын
I actually preferred the very first one. I'd love to see it in the outfit in the last performance. but the more technical the moves got the more motion sick I became... but I'm really glad to see that changes are made as time moves on. there are many choices
@karalozdan4414
Жыл бұрын
Gillian Murphy' arm movements is perfection.
@laragee567
Жыл бұрын
Gillian впечатлила больше всех, волшебство и воздушность. Спасибо каналу!
@vivianleenet
Жыл бұрын
Alicia just whipping out a quintuple pirouette on not-so-supportive pointe shoes (0:15) like it's the easiest thing in the world 😍 You should do this same video with the other version of the Odile variation (the sinister sounding Russian version with the oboe)!
@antonyakubovskiy1887
Жыл бұрын
Русская не версия ,а оригинал. Это русский балет
@olgaerler4111
Жыл бұрын
Не только исполнение, но и хореография отличаются оч сильно. у всех.
@robertotorres7832
Жыл бұрын
Six pirouette on the point for the one and only Alicia Alonso
@ОксанаАстрецова
Жыл бұрын
Семь
@felicity1877
Жыл бұрын
Oh wow! Odile is one of my favorite ballet characters! A difference I observed was the changing head pieces (; Nevertheless, though this is considered as canon, there are also some alternate versions with the different music from the Pas de six. It's hard to imagine that Odile wasn't interpreted as Black Swan before the 1940es (though, Petipa had introduced Black Swans into Act 4...), but it seems like intended by Tchaikovsky himself (;
@НатальяКоролёва-е2и
Жыл бұрын
Вы правы. Одиллия не лебедь. Она - демоница!! Я не знаю,отчего в мире пошла путаница с тем,что она черный лебедь.
@felicity1877
Жыл бұрын
@@НатальяКоролёва-е2и I think the main problem are her swan movements- with those she is pretending to be Odette. Also Odette is not a swan on stage, but rather hinting her swan enchantment with her movements. This is the other common mistake and often target of parody. Swan Lake gets constantly mistaken with "The dying swan" - actually Odette's "classic, but actually modern" swan tutu is based on Anna Pavlola's dress, and so there the tradition is from. Plus, "Black swan" is probably more poetic than the darker imagination of a demon. Yet, there is also "Arrival of black swans" a piece by Richard Wagner, and it reminds me also greatly of Pas de Six No 2 (Andante con moto), and Odile's instrument is also like Odette's the oboe, which is fitting to the whole swan connection....Which means, that Odile is also not a black swan on stage, but black swans are also associated with demons (There's also an opera by Siegfried Wagner: "Realm of the Black swans").
@iamtoxic4663
Жыл бұрын
The sequence done by the first ballerina is no doubt my fave
@MsSteelphoenix
Жыл бұрын
I think what I noticed most was the shoes. The blocks on the two earlier dancers' shoes (Alonso and Evteyeva) are noticeably smaller than the ones on the more modern dancers'. I think it lends a lighter feel to their performance and likely makes it more difficult to remain en pointe. Also, just my two cents, but I prefer the sets of chasses in the earlier performances than the bourrees tournant. It suits the character/music better.
@takemeseriouslynt
Жыл бұрын
Gillian murphy was my favourite, to me her arms were perfect, she was silky smooth in her movements, I cant deny the sheer capacities of Osipova, but to me its just like in iceskating showing their physical prowess takes a bit from the art/the message. I personally would love to see Osipova in very strong roles like an evil queen or something of the sort, I'm going to search for that, and it's very interesting to see the little changes
@babayaga3098
Жыл бұрын
Yes exactly! I got light airy flowy vibes from Murphy and evil Queen vibes from osipova, both are amazing but Murphy embodied this role better
@Lightcode
Жыл бұрын
i’ve always loved baller I but I didn’t know the names of the dancers. Having watched all four I really enjoyed watching Elena in 68. It really feels like you are watching someone who has just connected with the joy in the energy of dance and she dances like there is no one else around. Plus the lines of her body and feet are just absolutely amazing. I feel like the ones that came after it’s almost like a competitive endurance sport. I don’t feel the connection to the music or the character as much. But like of all things it is personal choice
@pridenprejudice2004
Жыл бұрын
Gillian Murphy is one of my favorites in this role. So glad you included her.
@itsjudystube7439
Жыл бұрын
I want to see grace, elegance and story telling together with alignment to the music and beautiful lines. These came from the earlier dancers. The most recent dancer slung her arms and legs around as if she were in a gymnastics or acrobatic performance. Sometimes less is more. In these examples less is much more
@janaselle8063
Жыл бұрын
Ох! Как вы правы! Была рада прочесть ваш комментарий.
@lynlyn9850
Жыл бұрын
So true. Watching the later dances I can recognize that they had a lot of good technique, but I still feel more captivated by the first 2 dancers.
@Марта-й7е
Жыл бұрын
Споделям вашето мнение.
@estrellitasdanceduoestrell2282
Жыл бұрын
My favourite is Plisetskaya😍 But Osipova is good too👍🏻
@АннаПетрунина-в2ф
Жыл бұрын
Согласна с первым предложением
@anastasialenkova-molchalin5874
Жыл бұрын
Evteeva had perfect technique, besides artistry and musicality. No one today can compare to Soviet ballerinas.
@flonoiisana4647
Жыл бұрын
Sylvie Guillem.
@anastasialenkova-molchalin5874
Жыл бұрын
She’s retired and was never close to Ulanova, Plisetskaya, Makarova, Kolpakova, etc.
@flonoiisana4647
Жыл бұрын
@@anastasialenkova-molchalin5874 She's retired and was far better then all those you named.
@anastasialenkova-molchalin5874
Жыл бұрын
@Flonoii Sana I disagree. I think she was more of contortionist than ballerina, of course many don’t agree with me. Ballet is subjective of course, unless we’re talking about technique (which would mean 1960s-1990s Vaganova graduates are the best obviously).
@flonoiisana4647
Жыл бұрын
@@anastasialenkova-molchalin5874 We have to respectfully disagree.
@lalalahi323
Жыл бұрын
Elena was like a music doll 😍😍😍 soo beautiful clean and elegant
@АннаПетрунина-в2ф
Жыл бұрын
Сравнение с куклой не очень лестно, она здесь именно по-женски очень соблазнительна🙂
@mariosantana5767
Жыл бұрын
Alicia is a diamond ❤
@colleenwilliams1689
Жыл бұрын
I play classical music but have never been able to really appreciate ballet. By seeing these performances back to back and reading the comments of those who really know ballet, I can get a better sense of how different airs are conveyed and I'm looking forward to seeing my next ballet with this education!
@cloche-et-chocolat
Жыл бұрын
Osipova truly looks like a swan with the way she moves. Incredible
@АннаПетрунина-в2ф
Жыл бұрын
Вот уж лебедя я здесь не увидела, при том что Осипову я обожаю
@francescadore3455
Жыл бұрын
Osipova fantastica! La vedrò mercoledì in Giselle, non vedo l’ora ❤
@Marta44339
Жыл бұрын
Beata te!
@sebumpostmortem
Жыл бұрын
😍🙆🏻♀️🙆🏻♀️🙆🏻♀️🙆🏻♀️🙆🏻♀️🙆🏻♀️😍
@todd-ut9sj
Жыл бұрын
うらやましい😂
@naomiweaver1855
Жыл бұрын
What a treat! Thank you so much! I looovvve the inky darkness of Osipova’s interpretation.
@abigalerichard3679
Жыл бұрын
I liked the 1967 & 2005's performances. I like the way the 2 ladies did it. Everyones was lovely just btw.
@tonyaustin4629
Жыл бұрын
So impressed with Gillian Murphy! Her athleticism and grace were extraordinary.
@АннаПетрунина-в2ф
Жыл бұрын
Атлетизм здесь не к месту( ее руки в этой партии бесподобны
@tonyaustin4629
Жыл бұрын
@@АннаПетрунина-в2ф Natalia Osipova (2018) was the best.
@monicafraga6630
Жыл бұрын
Brava Alicia!!!
@strekosa666
Жыл бұрын
Всё не то. Технично ,четко, но не то. Кто видел Майю Плисецкую в роли Одилии,тот поймёт.В ее исполнении столько душевности,жизнелюбия, любви.Она жила танцем.Сердце замирает,когда смотришь на танец Майи.А тут не ёкает,совсем. Не хочу никого обидеть,это только моё субъективное мнение.
@JBryan-sx8qs
Жыл бұрын
Gillian Murphy is exquisite!
@irinakolesova1128
Жыл бұрын
Советы по балету,весело про руки ,мимику,па головокружение, шум!Это в прошлом ,а ныне шоу,от которых мухи дохнут!!!
@elenaahumada9842
Жыл бұрын
Simplemente magistral Natalia OSIPOVA....... No hay comparación, técnica, carisma, talento interpretativo, contextura, estatura y belleza 👏👏👏👋🇨🇱
@GradKat
Жыл бұрын
I agree!
@janaselle8063
Жыл бұрын
Осипова не балерина, а гимнастка.
@МихайлоЛьвович-ш6у
Жыл бұрын
@@janaselle8063 К сожалению такое сейчас сплошь и рядом. Многие зрители не понимают искусство, только спорт.
@АннаПетрунина-в2ф
Жыл бұрын
Просто эта партия не ее. Для меня она лучшая Жизель современности
@elemonade8830
Жыл бұрын
I'm not very into ballet, but this was an interesting watch and I can at least appreciate the beauty of it
@НинаЩербина-ю5г
Жыл бұрын
Каждая последующая Одилия прекрасней предыдущей!
@ХристинаГрицай
Жыл бұрын
Alisia Alonso was the best. Incredible!
@sarojini108
Жыл бұрын
How to pretend to be a young woman pretending to be another young woman? Is she cold temptress, innocent pawn or a bit of both? And does she secretly actually begin to find Siegfried attractive as they dance together? Does she feel any remorse? How much has Rothbart told her; the whole plot, or only to dance to impress? I guess all these are up to the individual ADs and artists. I really enjoyed these different interpretations, all technically brilliant for their time and all with different nuances. I can’t really say I have a favourite, although Murphy’s dancing was totally mesmerising therefore may tick more boxes... however, I do find the fluffy, short sixties tutus a little Thanks so much for another really interesting compilation!
@tiff8346
Жыл бұрын
I think I love Gillian Murphys the best. Very sultry, sensual and flirtatious. Her arms movements move like waves or wings. Bravo👏
@rosa2098
Жыл бұрын
Gillian Murphy 2005 beautiful, precise, graceful
@summer-roseknight
Жыл бұрын
Natalia Osipova will always be my favourite ballerina 🩰
@MURMAU
Жыл бұрын
Осипова меня просто завораживает.
@linshannon4480
Жыл бұрын
Osipova is clearly an athlete in peak condition and dances Odile with assurance, but for me, Murphy's rendition was captivating to watch. Alonzo and Evteyeva were somehow less fluid which surprised me, actually.
@sabrinatscha2554
Жыл бұрын
It must have been really difficult to film dance before the 1980s because it’s really hard to find good quality footage of any ballerina before that time…
@DanceLineBallet
Жыл бұрын
Absolutely true 🙈
@latsnojokelee6434
Жыл бұрын
There’s quite a bit of footage of Fontaine, the famous British ballet dancer.
@alicewilloughby4318
Жыл бұрын
They all dance like angels! 7:04 - Wow! A slightly alternative staging? That mohawk!
@AsucaTheBLUBB
Жыл бұрын
Murphy's technical perfection is incredible! But man that girl looks starved! I really enjoyed Evteyeva's impersonation of Odile.
@mburke0330
Жыл бұрын
Beautiful group of danseuses.
@latlorien
Жыл бұрын
Elena Evteyeva bravo!
@_JanetLouise
Жыл бұрын
beautiful
@BeatricerIVA-lm3vp
Жыл бұрын
Splendido vedere i ballerini che hanno preceduto quelli attuali
@lizvaldes2271
Жыл бұрын
Alicia Alonso !!!!!!🤩🤩🤩🤩🤩
@J_Isak
Жыл бұрын
When we get to the 2000s onwards it quickly becomes "Oh just let me flex my skillz on these fools" and really speaks more to the evolution and skill of ballet dancers.
@ТатьянаК-ч6п
Жыл бұрын
Браво, Осипова!!! Самая лучшая!!!
@quakerparrot9084
Жыл бұрын
The first stretch of the right hand toward the right toe - why do some go nearly to the floor and others hardly reach?
@dawnnotagiacomo8497
Жыл бұрын
Osipova’s shoes look like they are about to disintegrate off her feet. Beautiful dancer but those dirty wrinkly shoes were doing her feet no favors. Murphy is brilliant, her arms, her feet, I could watch her all day
@amylynn3821
Жыл бұрын
I agree. Her shoes looked completely dead.
@annastinehammersdottir1290
Жыл бұрын
She has strong feet and I believe she wears broken toe shoes for a reason: more flexibility, less noise on the stage floor and they work for her. It is my favourite part of her presentation - crazy but I am an old ballet dancer myself.
@sebumpostmortem
Жыл бұрын
Ossipova loves to enhance her naturally insane feet with about-to-die shoes. Some people find it exagerate, some others drool with extream insteps. I must confess that I love crazy hyperextensions and oversplits level Sylvie Guillem or Lala Kramarenko (rhythmic gymnast). Can' t help, the thumbnail pic made me click in Panck' s time😅🤷🏻♀️
@skdoremi6666
Жыл бұрын
Is it just me or the 2018 version was more about spinning and hand gestures compared to the previous ones!!! I feel like the older choreography was much more technique whereas today its also theatrical its also more fluid,less rigid, am not an expert but I like the 2005 ver because of her amazing steps and looking so effortless.
Осипова очень техничная, но почему-то отдельная от музыки
@СветланаВечеровская
Жыл бұрын
Плисецкая эталон!!! Для меня😊
@aleshkaemelyanov
Жыл бұрын
Девушка с каре - Взору представился облик красивый, вид утончённый и титульный стан статуей иль эталоном, иль дивом, вазой из южных, неведомых стран. Факт упущенья певцов и поэтов - то, что чей образ ещё не воспет! Ива волос под узор эполеты аркой касается плеч, как шербет. Муза явилась в скупую реальность в угольных тканях от шеи до пят, плотно прильнувших, открывших всю тайность ради мужских, распалённых услад. Чёрная стройность славянской принцессы, тихой, кофейноволосой звезды и каревласо-точёного веса очень похожа на страстность грозы. Шарм и эстетика радуют душу! Очи-стилеты - барьер, что у глаз. Мой этикет не позволит нарушить святость её в этот лакомый час. Родинки - пара семян из грильяжа. Женский задор не угас, не остыл. Взгляд умилённо и женственно влажен, бур и отважен, но всё-таки мил. Не пышногрудая чудо-девица, чьи утончённые чресла, как шторм, вдруг поселилась на белых страницах, оттиском прямо на сердце моём
@jayque
Жыл бұрын
Gillian Murphy is the best. And the first one Alicia Alonso.
@Любовь-ы6ъ1г
Жыл бұрын
Фон Ротбарт-любовь с детства!
@user-ew8og3ry9g
Жыл бұрын
Вторая балерина лучше всех.
@yung_sira5463
Жыл бұрын
Осипова - лучшая!!!)))
@claireschweizer4765
Жыл бұрын
I dressed up as Odile for a Halloween party this year!! (It wasn't a ballerina flavored costume I had a low cut, floorlength solid black dress with lace and a choker and a high bun with black feathers, a black rose and a tiny single red feather in my hair and used a special Guatemalan beaded necklace as a headpiece since I didn't have a dark tiara...it bordered on looking 1920s and I had crazy makeup and black heels and black, gothic patterned fishnets under the dress and velvety black wings...I thought it was more of "concept/character" costume rather than dance costume because no tutu...and it wasn't the best but I'm happy with it! Love Rothbart's daughter!! 🖤🖤🖤🖤🖤🖤🖤🖤🖤🖤🖤🖤🖤🖤🖤🖤🖤🖤🖤🖤🖤
@ЕленаШевченко-ф8е
Жыл бұрын
No one performs this variation better than Natalia Dudinskaya and Maya Plisetskaya. Why aren't they here?
@jayestahnke9917
Жыл бұрын
Maya is everything.
@Marta44339
Жыл бұрын
I agree very much about Plisetskaya. In contemporary dancers, I vote for Kondaurova.
@janaselle8063
Жыл бұрын
Плисецкая- неподражаемая! Её в ряд всех этих балерин смысла нет ставить. Её Одилия - непревзойдённая!
@sailorv8067
Жыл бұрын
@@janaselle8063 это та самая Одиллия, которая даже обязательные 32 фуэте не могла стабильно делать?
@janaselle8063
Жыл бұрын
@@sailorv8067 Да, мой друг! Искусство балета - это не 32 фуэте. 32 фуэте вообще не проблема, даже для обычных выпускниц балетных училищ. Но несмотря на это, Плисецкими они не становятся. Харизма, гармония, музыкальность и ДУША в каждом движении- это не каждому дано.
@theobserver2309
Жыл бұрын
Well the standout for me is Elena Evteyeva, the second dancer. Her movements are graceful and fluid, AND she has a great line to her body. Visually very delightful. Very few dancers can embody music. This lady certainly does.
@ТатьянаКруглова-ю9й
Жыл бұрын
Осипова молодец, но от Мерфи мне захотелось плакать от счастья, что я такое вижу
@c.stephanieberry8695
Жыл бұрын
Alicia Alonso did five pirouettes on pointe.Three times in a row she did this. Most of the men today only do four pirouettes. For a woman to do five pirouettes on point is stunning, to do it repeatedly is excellence. I appreciate her musicality. I believe she led these ballerinas. They have not reached her standard, not yet. Their bodies are prettier but what they are able to do with them is not as impressive.
@ЛенаИскакова-ю4п
Жыл бұрын
Все прекрасны,но Осипову обожаю.
@svetlanavergeres8013
Жыл бұрын
Одной мне не нравятся спущенные бретельки на последней? Вид неряшливый. Ну и атлетическое сложение, как у спортивной гимнастки. Такое ощущение, что она сейчас начнет кувыркаться с булавами. А понравилась третья балерина. Царственная осанка, легкие руки. Вообще волшебный образ.
@sShortsMaster
Жыл бұрын
Мне кажется или балерины сейчас стали более техничными?
@babayaga3098
Жыл бұрын
Honestly I think Murphy was my fave!
@Aasenzeng
Жыл бұрын
The last one seemed more wicked, like how a black swan is supposed to be.
@jackiem3740
Жыл бұрын
Gillians’s Odile is my absolute favorite, however elena is my favorite ballerina of all time.
@jumaskon
Жыл бұрын
Осипова - чудо, как хороша!
@lindildeev5721
Жыл бұрын
I respect Alonso but there's no better Odile than Maya Plissetskaïa. She really embodied the character of the witch.
@Марта-й7е
Жыл бұрын
Плисецкая беше магия и щеше да е хубаво да я включат това преставяне.
@meghanhenderson6682
Жыл бұрын
...I should watch princess tutu again.
@ЛарисаСудьярова
Жыл бұрын
Стала пересматривать после У. Лопаткиной. Молодцы, стараются, но ощущение детского утренника не покидало. Всё в сравнении.. Может запись такая, точно это запись.
@tonio7367
Жыл бұрын
It seems that all of the ballerinas had their choreography adapted to their best qualifications, in my opinion the best was ALICIA!
@rrr.3121
Жыл бұрын
I vote for the second ballerina!
@mirandaagonzalez6370
Жыл бұрын
Can someone explain to me what position Osipova's leg is in after the piruetta en dehord? -Simply terrible and out of line, it's not an attitude behind or to the side- it simply doesn't exist in classical dance
@ani_4797
Жыл бұрын
Holy shit- Gillian Murphy might be related to my Ballett teacher I'm loosing it-
@davespriter
Жыл бұрын
there were a lot of athletic developments mixed with stylistic differences from dancer to dancer. i wish i could see like… a take on evteyeva’s style with more modern technique. if that even makes sense
@ДубовыеЛеса
Жыл бұрын
i see what you mean.
@VeraVerochek
Жыл бұрын
Let 's be honest , there is nothing in the world better than the Russian ballet school !!!
@olgaachmarina983
Жыл бұрын
Стихия по имени - Майя,лучшая Одиль
@claireschweizer4765
Жыл бұрын
Agreed. And Carmen, and Kitri 😅😁😁
@janaselle8063
Жыл бұрын
Да, да и ещё раз да!
@RecrueChoco
Жыл бұрын
splendide
@frznwisteria_239
Жыл бұрын
The movements keeps getting faster and faster lol
@diggermd1
Жыл бұрын
Where was Cynthia Gregory in this? You missed the 1970’s
@sottosopravoce
Жыл бұрын
And the 80s and the 90s!
@lhillenburg
Жыл бұрын
I wonder what choreography is closest to the original (?Pepita?)
@ЛарисаЗахарова-ц2ж
Жыл бұрын
Осипова- супер!
@feronia7
Жыл бұрын
In der Technik gibt es sichtbare Fortschritte aber im Gefühls- und Emotionalen Ausdruck gibt es Minuspunkte und das passt ja wiederum auf die Gesellschaft die sich genauso entwickelt hat im Laufe der Jahrzehnte mehr Perfektion weniger Gefühle weniger Emotionen. Ob wir zu kalten Robotern werden?
@МихайлоЛьвович-ш6у
Жыл бұрын
Спасибо за очень интересное сравнение. И оно не в пользу Осиповой. Оказывается, ее короткую шею и грубоватую простонародность можно лучше увидеть и оценить в контрасте с грациозной и изысканной Gillian Murphy и благородством Alonso и Евтеевой. А Осипова здесь - какая-то Кабаева да и только.
@andrear6094
Жыл бұрын
1968❤️
@ilovemuseums
Жыл бұрын
2005 ballerina Murphy looked more effortless and in control of what she was doing like she has studied the dance more or knew the steps better than the others. I don't know, she seemed more effortless
@НатальяПрохорова-ч4л
Жыл бұрын
Вторая слишком нежная и милая для черного лебедя. Эта партия определенно не ее.
Пікірлер: 667