R. Austin Freeman (1862-1943) was a British writer best known for his detective fiction featuring the medico-legal forensic investigator Dr. Thorndyke. Born in London, Freeman studied medicine and became a physician, serving as a colonial surgeon in West Africa. However, ill health forced him to return to England, where he eventually abandoned his medical practice. Freeman held conservative political views and supported the eugenics movement, expressing these views in his non-fiction book "Social Decay and Regeneration" (1921).
Freeman began his literary career in the early 1900s, collaborating with John James Pitcairn on the "Romney Pringle" stories under the pseudonyms "Clifford Ashdown" and "Ralph J. Jay." His first solo novel, "The Golden Pool" (1905), drew from his experiences in West Africa. Freeman's most famous creation, Dr. Thorndyke, first appeared in the novel "The Red Thumb Mark" (1907). Freeman continued to write Thorndyke novels and short stories throughout his career, with his last novel, "Mr. Polton Explains," published in 1940.
One of Freeman's most significant contributions to detective fiction was the invention of the inverted detective story format, which he first employed in his 1910 short story "The Case of Oscar Brodski." In this format, the crime and the criminal are revealed to the reader at the beginning of the story, and the focus is on the detective's process of solving the mystery. This innovative approach shifted the reader's interest from "Who did it?" to "How was the discovery achieved?" Freeman's inverted detective stories, including "A Silent Witness" (1914) and "The Singing Bone" (1912), inspired later works in this subgenre, such as the "Columbo" television series.
In his early writings, Freeman expressed anti-Semitic views and racial stereotypes that were, unfortunately, common during his time. His novel "Helen Vardon's Confession" (1922) and his non-fiction book "Social Decay and Regeneration" (1921) contain offensive stereotypes and diatribes against Jewish people. However, Freeman's views seem to have evolved over time, possibly influenced by the rise of Hitler and Nazi Germany. In his later works, such as "When Rogues Fall Out" (1932) and "Mr. Polton Explains" (1940), Jewish characters are portrayed more sympathetically and positively, suggesting a shift in Freeman's attitudes.
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