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Jazz pianist Jeremy Siskind shows you how to use broken triads and upper structures to create sonorous and rich fills for the upper register of the piano. Uses Billy Strayhorn's "Chelsea Bridge" as example.
00:00 Introduction
00:35 Jeremy plays "Chelsea Bridge"
02:00 The basics of interlocking 5ths/6ths
5:55 What are upper structures?
8:05 Jeremy Sneezes and it's gross - edited out!
8:08 Great recovery, Jeremy! Nobody noticed!
8:50 Coming up with options for different kinds of chords
13:45 Summary and Conclusion
Негізгі бет Музыка The Prettiest Upper Register Fills for Piano (Interlocking 5ths/6ths)
Пікірлер: 28