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The scale-chord relation when improvising. What scale to play on what chord. How to train jazz style improvisation. What I think and what I use. Scales, chromatic approaches, surroundings, enclosure, when improvising on a jazz standard. In this video I try to give you my personal version on this challenging and debated topic. In the link below you can find a transcription of what I played.
Lead Sheet drive.google.com/file/d/1ka7c...
Scale chord relation drive.google.com/file/d/1ofER...
Examples
drive.google.com/file/d/1KAg-...
Valerio Solo drive.google.com/file/d/1wtez...
MY VIDEO COURSES:
✅ HOLY HARMONY 1: The Basics of Harmony "REMASTERED"
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✅ HOLY HARMONY 2: Harmonic Analysis - Analysis, Memorization, and Transposition
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✅ HOLY HARMONY 3: Fluid Harmony - "REMASTERED" - Song Reharmonization Techniques
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✅ HOLY HARMONY 4: MELODY HARMONIZATION FOR PIANISTS AND MORE
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00:00 Intro
00:28 Opening theme
00:35 Here we go again. What am I thinking about when improvising. The scale-chord relation
01:35 Here's how I think: Major chord, the major or lydian scale
02:44 Minor chord: the dorian minor or natural minor scale
03:18 Non altered dominant: the melodic minor from the fifth or the Mixolydian scale.
04:38 Half diminished chord: melodic minor from the flat 3rd or major scale a semitone above (locrian mode)
05:15 Diminished chord: proper diminished scale
05:26 Altered dominants: Melodic minor half a step up or diminished dominant scale.
07:14 Why "playing the scale" is a hoax, the things that really work
08:00 Fragmentation of melodic places. Approaches and surroundings
09:43 Let me tell you note by note what I'm playing-
12:08 First 16 bars of "There will never be another you"
12:35 The big secret, how to learn to improvise on a jazz standard-
14:27 Ending theme and suggestions.
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