Clone stamping a still image is typically straight forward. With video it's a bit tricky. Blending everything, factors such as the sky gradient (lighter to darker blue from the horizon up), ISO noise, compression artifacts and lens vignetting must be considered.
Finding the optimal 'hardness' setting for the clone stamp brush is the main task, but make sure to not accidentally re-add the objects you intended to get rid of. I tracked the footage and applied the data to the clone stamp transform properties, then adjusted some key frames manually if needed be.
For the second shot I used a photoshop layer of a still from the footage to patch up the wall where the antenna was. I found 'Mesh Warp' useful for matching the perspective. Make sure to use 'Match Grain' when combining stills with your video.
Негізгі бет Tracking with Clone Stamp Tool | After Effects
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