You want to know your triads! When you start to play jazz it is easy to get completely lost in extensions, alterations and chord substitutions. And while that is also a part of jazz then it is often much more useful to work on more simple things like what Triads you can use on a dominant chord.
To demonstrate some of triads you can use in a Jazz Blues solo and also talk about different ways to use them I have written a one chorus solo on a Blues in G which will illustrate a lot of options in terms of triad options for a lot of the chords in there.
Download the PDF on my blog: jenslarsen.nl/triads-on-a-g7-... 🙂
Content of the video:
0:00 Intro
0:20 Know You Basics
0:30 A Transcribed Blues Solo
1:06 The Blues Solo Example
1:27 Breaking Down The First 4 bars - G7 triad options
1:48 Basic Phrases and why you need them
2:30 How To Improvise Jazz With a Triad
3:41 Licks that lead into the next chord
5:00 Upper-structure Triads and Tri-tone substitution
6:01 C7 and C#dim lines
6:49 Using the Triad from the 7th of G
7:39 How to Make lines with the F major triad
8:21 Bø E7 triad solution
10:02 Am7 D7alt, triad combinations
10:54 Making the triad a motif
12:05 An Overview of the G7 triads
12:54 How To Make lines with the triads and Practice this material
13:42 Like the video? Check out my Patreon Page
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