Thank you. I never understood that the Estrobilla was essentially the "chorus". Additional long rambling 😂question. I thought the Colletia was sung when the dancer "went to the corner" and that the cantaor would shorten/lengthen depending on the cues they interpreted from what the dancer was doing and vice versa. Especially Bulerias por Fiesta. I've tried to figure out as a dancer how to listen and signal properly so I leave respectfully, properly and in synch. Anything you can help me and fellow dancers with?
@FlamencoMAPS
Ай бұрын
Thanks for your comment and for watching! It’s « Estribillo » and not « estrobilla » 😆😆 Yes, coletillas and estribillos are usually sung at the end of a baile or a patá por buleria while the dancer wraps up and exit the stage. And yes, the usual cue for the singer is when the dancer goes to the corner. When this happens, then the singer is usually waiting for the dancer to exit, not the other way around. Once you have given your cue to communicate that you’re leaving, you just leave, quickly or taking your time, it’s up to you. The singer will “provide” cante until you’re gone or you have “rematado”. But careful with the dancer’s bias here 😉 coletillas and estribillos can be danced, but they are primarily cante elements and can exist without the dance. I hope it answers the question!
@drmargaretcheung
2 ай бұрын
Fantastic comparison. Thank you for the lesson.
@FlamencoMAPS
2 ай бұрын
Glad it was helpful! 🙃
@ofusername
Ай бұрын
Thank you so much for this Video :) it's finally clear
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