Some additional thoughts: 1) On the bass run thing, yes, I am aware that sometimes artists just do things 'cause they sound good, and there's not necessarily a specific motivation to them. But when they do that, usually they wind up doing fairly predictable things because what sounds good to us is heavily influenced by the other music we listen to, so even if the artist doesn't know why they're doing something, you can still explain the decision structurally. My point here is that I can't find a way to do that: If they were just "playing what sounded good", they'd most likely have just played a B under the B chord and then moved to C on the downbeat, so the fact that they intentionally didn't do that means that, for some reason, that sounded worse to them than doing it this way. What I'm struggling to ascertain is _why_ it sounded worse to them. 2) If I'm being honest, I think this song is better notated in cut time 'cause most of the patterns repeat in two-beat chunks, but I didn't want to get into that in the video and the backbeat explanation is a little easier to get if you're using 4/4 so I went with that. But if I was just trying to transcribe it, 2/2 is the time signature I'd use. 3) If you wanted to, you could probably analyze the chorus in F# dorian as well, in which case the C major is borrowed from locrian. Same basic explanation, just a different reference point. 4) Some folks are saying that apparently some "official" transcription out there has the last note of the riff as an E instead of an F#. I encountered that transcription (or some variation of it) while researching this video, but playing it along with the track felt incorrect. To be sure, though, I ran the same isolation process on a random bar of the riff, and it's definitely playing an F# there, at least in that one bar. It's Zeppelin, so it's very possible they slipped an E in there occasionally to mess with me, but I think generally incorporating other notes, even in passing, would really disrupt the drum-pattern feel of the riff so in addition to not matching what I hear when I listen to it, it would make very little compositional sense. 5) On that note, some folks are also saying that the C9 at the end is incorrect, and that Page is actually playing a weird voicing of a G minor. This one I think is actually probably correct, as it comes from interviews with Page himself. I'm not convinced I got the name wrong, though: From an analytical perspective, the full "chord" is a combination of all notes sounded simultaneously, in this case counting both the bass and the guitar, so while it's true that if you isolate the guitar part it's a G minor, I think once you factor in the bass, which is playing a C, the full voicing is still probably best read as C9 voiced without a 3rd, which admittedly reduces its dominant, directional power significantly, but I still think that C9(no 3) is the most accurate name for the full collection of notes. You could also call it Gmi/C, but that doesn't really convey the dissonance of it as well, and I'm personally not a huge fan of using inversion notation for notes outside the chord.
@vitormelomedeiros
5 жыл бұрын
While we're on that, could you please quickly explain the difference between 2/2 and cut time, if there's any? Same thing goes for 4/4 and common time? Why do these weird C times exist???
@mentalitydesignvideo
5 жыл бұрын
@@vitormelomedeiros 2/2, 'alla breve' IS cut time. It's more of a polka feel, uhm-tsa-uhm-tsa, rather than the "four on the flour". The difference with 4/4 is an arrangement of strong beats, to underline the shape of the overall pulse.
@Ohctanex
5 жыл бұрын
Torilovem Interwebs Cut time is just a quicker way to refer to 2/2, common time is just another way to refer to 4/4.
@vitormelomedeiros
5 жыл бұрын
@@mentalitydesignvideo Thanks for the explanation! I think I get it now.
@Sly_Spy
5 жыл бұрын
About the c in the B chord... My opinion is that maybe instead of an anticipation it's just a way to keep musical interests. I mean, which sounds more interesting: a b note in a B chord or a c note in a B chord?
@Maxificent
5 жыл бұрын
I've always called those a "hi-hat choke".
@rchlclr
5 жыл бұрын
Choke was definitely the first word to come to mind for me, too
@kryptonitejesus
5 жыл бұрын
Choke is how I've always heard it referred also.
@dominicmoisant8393
5 жыл бұрын
Choke is best thing I would call it
@bryanvickers
5 жыл бұрын
I believe it's called a bark
@mikebehrend3152
5 жыл бұрын
Pea soup is what I called it when I wanted the drummer to do that.
@PrinsessePeach
5 жыл бұрын
I really wish that the music industry would allow the use of the original tracks of music for this type of video without claiming it.
@anthonywestbrook2155
5 жыл бұрын
I wish fair use was easier for algorithms to detect. This would absolutely count as both educational and scholarly fair use. And using the original would enhance at least the part of this analyzing that C; I'd love to hear the low pass filtered 50% speed play, and that wouldn't just be entertaining: it would be like citing his sources.
@jeffruebens8355
5 жыл бұрын
@@anthonywestbrook2155 it seems ridiculous that copyright law would be a problem for a video like this that will probably make much less than $50 for the maker from any advertising, and is mostly his talking and drawing for educational use.
@richfahsbender7756
5 жыл бұрын
Rick Beato often has this problem
@andrewjacks2716
5 жыл бұрын
@Know One Labels usually have more power than artists when those contracts are signed :/
@althealligator1467
5 жыл бұрын
I don't understand why they don't, it's free advertising
First time I heard the concept was reading an interview with Jimmy Page: "If I made a mistake on stage, I'd just repeat two or three times so everyone thought it was intentional."
@kennethdean4349
5 жыл бұрын
"I repeat myself when under stress. I repeat myself when under stress. I repeat myself when under stress."
@teemusid
4 жыл бұрын
@@kennethdean4349 Indiscipline is the working title to my autobiography. If I could only make myself sit down and work on it. Oh well, it's not like any one would read it.
@acapellascience
5 жыл бұрын
1) I really like that C9. There’s something satisfyingly muddy in the arrangement, like they also played whole chord on the bass or something, and it really helps give it that jarring alien sound. 2) I think that last 16th note in the main riff does have a ghost note on the snare as well. 3) It me!
@12tone
5 жыл бұрын
I'm just hearing hats on the last 16th, but it's possible I missed something.
@acapellascience
5 жыл бұрын
12tone Yeah if it’s there it’s almost not there
@telon_y
5 жыл бұрын
acapellascience you're rly cool!
@aaronfraley1686
5 жыл бұрын
Didn't JP Jones say in interview that nobody plays the riff correctly? Did you just find the reason why? All the tab is wrong? Lol
@acapellascience
5 жыл бұрын
Aaron Fraley Ooh, source?
@andreparoni
5 жыл бұрын
I absolutely love Zeppelin's contradiction: despite being insanely popular (to this day!), they're vastly underrated. No one really treats them as people normally do with the Beatles: virtually no one does this kind of detailed descriptions about not so known Zep tunes. That is a shame... while most musicians know the chords of "Glass Onion", almost everyone takes Zep for Stairway or plagiarism. I couldn't care less about those, their later work is much more interesting: In The Light, Achilles Last Stand, Carouselambra, In The Evening, The Rover, For Your Life, Nobody's Fault But Mine, Bron Yr Aur, Friends, Four Sticks, The Battle of Evermore. PS: I love the Beatles and I don't care who you think it's better.
@educostanzo
5 жыл бұрын
Well said sir, specially when it comes to the songs you mentioned: Achilles Last Stand is a blast of a song both in writing AND production, and always surprises me how it's rarely mentioned as one of Zep's classics. Friends is insane with Page's use of open tuning and eastern flavored scales and Bron Yr Aur, well, basically it's THE song that made me learn acoustic guitar and alternate tunings. Sure they are vastly underrated and so worthy of musical analysis as The Beatles, they were both phenomenal.
@punkinholler
5 жыл бұрын
Zeppelin and the Beatles were both insanely popular, very talented, broke up before fans were ready to let them go, and lost a band member far too young. That said, I think at least part of why The Beatles are revered in a way that Led Zeppelin is not is largely because of which band member died and what it meant for the future. When John Lennon died, anyone who still missed The Beatles had to take a double dose of grief. Once for the loss of the man, and again for the now irretrievable loss of the band. Even though the Beatles had been broken up for 10 years, Lennon's death meant they never would reunite. His loss was a death of potential as much as it was a death of a person (to people who didn't personally know him, of course) and that is always hard to get over. Jon Bonham's death and the subsequent breakup of Led Zeppelin, while extremely tragic, is a little different from the perspective of your Average Joe fan (i.e. I am explicitly NOT talking about megafans). Fair or not, drummers are rarely (with some notable exceptions) the focus of a band from the perspective of the average fan. The face and focus of a band is usually the lead vocalist and/or the lead guitarist. Jimmy Page and Robert Plant are still quite alive, meaning there was always hope they would reunite and create something like Led Zeppelin, even if Bonham's loss meant it would never be exactly the same again. Since that has actually happened a number of times, all those traumatized Zeppelin fans got a chance at some closure that Beatles fans never had. Even if Page and Plant had never played together again, having all these years to hope they would reunite would have given Zeppelin fans more time to accept the loss.
@coryman125
5 жыл бұрын
Personally, I think the Beatles became as famous as they are for a lot of reasons- sure, they had some of the best songwriters in the world in that band, and made some incredible songs, but I think what really did it is that their career lined up so well with the progression of music technology. Sgt Pepper was recorded over a long time, and used a bunch of techniques in the studio that nobody else was really doing back then, as far as I know. The Beatles pushed what was possible in music. Led Zeppelin started a bit later and missed the chance to be at the cutting edge quite that much. I think any attempt to compare them just turns into personal preference, and arguing about them is just wasting time you could spend listening to them
@jasonadkins8894
5 жыл бұрын
Soo you like boy bands😄😄😄😄 how cute
@coryman125
5 жыл бұрын
@@jasonadkins8894 As opposed to what, classical music? Orchestras maybe? Or are you just here to mock people's taste without any real purpose?
@mattbacon285
5 жыл бұрын
Bro... I'm about to nerd out harder than you on the Bass part - listen close and also compare with a few live performances. You're right about ending the B Maj scale on a C - but there's a bit more to it than that. He plays a different scale each time. First is A mixolydian, then A Major, B Major, B Major ending on C, C Major twice, then C, D, E, F, G, A, A#, B, C for the last scale. The rising one-note higher change from one scale to the next is what gives that eeiry sense of build up. Additionally, after the full stop at :50, when the drums reenter, Bonham hits a cymbal on the down beat of 1, as well as a 16th note off-beat on the "e" of 2 in the first measure, to play off Jimmy's iconic guitar riff - on the 16th note that Page ISN'T playing in that part of the riff. Check the beautiful decay on the cymbals too - sounds like it was recorded faster and the tape slowed down. This also foreshadows the rhythm of the final vocal Plant sings on the "ooooo oooo oooo" outro. Either they telepathically played off eachother so magically well, or did much of the original recording live and immediately listened and responded to each others ideas in small, subtle ways that enhance the song without boiling over the surface.
@fundymentalism
5 жыл бұрын
Dude I hope buddy responds, that was a worthy comment :)
@PeterTea
5 жыл бұрын
So JPJ was building a literal wave of music to come crashing down on the shore. Vikings!
@mattbacon285
5 жыл бұрын
@@PeterTea pretty much that!
@ajpeal9861
5 жыл бұрын
I think there's always a ghost note on the e of 2. I think i can hear the drums just playing the guitar rhythm between the bass and snare.
@micky1thousand176
5 жыл бұрын
Nerd! 😐
@dougarnold7955
5 жыл бұрын
Awesome! Very probably my first favorite Zeppelin song. That note giving you nightmares is also very probably what they were trying to do. Blackmore riffs give me nightmares...and I love em.
@saintawful7127
4 жыл бұрын
Incredibly fascinating breakdown of the music. You just gained a fan.
@saintawful7127
4 жыл бұрын
I was hoping for a lyrical analysis and know nothing about music, but I love this. You are the Mr Wizard of music bringing the technical side of something home for the rest of us.
@the6ig6adwolf
5 жыл бұрын
The hi-hat technique has several names depending on which part of your foot you use (heel or toe) and how long the hat stays open before being closed. So in short there is no easy answer but if you called it a hi-hat splash or hi-hat bark either would have been acceptable. Then again this is the internet so I'm certain someone would complain or try and correct you.
@SamBrev
5 жыл бұрын
this is probably my favourite analysis of yours. i never realised quite how interesting this song is, but you've done a fantastic job with this one. thank you and well done :)
@ZodiacGallery
5 жыл бұрын
Drummer here, the word you’re looking for a called a ‘cymbal choke.’ Also, the drums in the main riff are filled with ghost notes (both snare and kick) depending on what live/recorded version you’ve heard/seen.
@swiftbunnyOG
5 жыл бұрын
I just learned this song on guitar and your video helped me understand it a bit better so thanks
@hiitsrudd8567
5 жыл бұрын
I almost did not view this vid being 10 minutes long. But I was intrigued none the less being that it was an Zep song & also one of my favs. You are definitely an music major & are sweet talking lad with the babes too, I bet!
@matthewrenton6998
5 жыл бұрын
Bernard Purdie called "putting air in your hi-hat". That's what I've called it for other drummers, and they always know what I'm talking about.
@matttucker3
5 жыл бұрын
Absolutely spectacular work man fantastic video love the channel
@sigil5772
5 жыл бұрын
Not sure what mode it would be, but you could imagine a less creative musician taking the A section in steps back to F#m, viz A /// B/// C/// D/ E/. Zep just stay on the C to give a particularly f*** you version of what an expected cadence might be; and that seems in keeping with the vocal intro AND the C9 stabs in the outro. Certainly martial in intent, like Holst's Mars and parts of Yes's Gates of Delirium, tritone-heavy.
@guitarworks2546
5 жыл бұрын
what a complete waste of time...analyzing something to this point wile trying to "understand" the song? they played what hey did because they were in a room jamming.."hey , this is a cool riff....yeah tust play along with this...sure that sounds like its going to be really allright....AHHHHAHHHAAAAAAHHAA AAHH....oh is that what you're gonna do over this part??? sure... sounds awesome....you gotta match?....hey, can we just roll the tape? yeah...it needs something else right here....what about this?......Ok , so...when you sing 'now you better stop.." we should all maybe stop?..that would be cool.....no..?/ yes that's almost too stupid and cliche....better just keep playing right through...yeah that's better....you want a glass of wine?/...who's got a match?....so, let's just get a bit of a bed down before we forget that other part...can we roll the tape again?.... what's that line you're singing?..something about Odin's throne?? i don't know.....maybe try another line ...sure that western shore thing works better...can we roll the tape again....is that note you're going to play over that part?...no, nothing really wrong with it...it should work...at least it's not boring or predictable ...no need to fix it....ok, let's take a short break...we've been at this for almost 2 hrs now....sure sounds good so far...that's how you write a song....analysis complete....everything else is not rock and roll and complete bull.
@guitarworks2546
5 жыл бұрын
sorry, but in my own defense, I have had a career as a professional musician (not just guitar) for several decades and have done thousands of gigs, bars, major international rock festivals with platinum selling recording artists...I don't need to tell you more about myself other than what you seem to want to do theoretically I have actually done in real life with more than an average knowledge of music /production / recording and performing. My posting was quite simply a reflection of reality as it pertains to the songwriting process I have personally witnessed in major recording studios as well as pretty much anywhere else a cohesive band is jamming and creating what sometimes are hit songs. In fact, MANY of the "classic' hit songs you might want to analyze were written by artists who A: actually do know more than 3 chords B: spent more time developing the song idea in practice than jotting down a load of irrelevant data about which beat goes where.....and finally did so without much actual knowledge of "THEORY", but rather played the stuff from the heart.Not that Theory isn't important to some, but it does NOT represent the foundation from which great music is created, it is simply an analytical tool....this is easily illustrated by the fact that even an incredibly creative influential and musically sophisticated band like YES at their outset did not have any members that wrote music or understood "theory". they created from their own musical abilities Rick Wakeman (not a founding member technically) was the only one who actually had any musical training....it's safe to say these guys probably knew/know more than 3 chords as well....you seem to be of the impression that people who don't create from something other than some mathematical formula are not "real" musicians and are therefore delegated to some form of primitive 3 chord regurgitation...nothing is further from the truth and you appear to be a student of your own ignorance. I have spent more time actually playing great music than I wanted to sit and analyze what it is that i CAN do....and seriously...I might be wrong, but I suspect that iit's unlikely that John Bonham ever had a "drum lesson" in theory apart from watching some of his peers.
@sigil5772
5 жыл бұрын
GW you're not wrong about anything. I like to analyse music, but I'm a rank amateur compared to 12tone here. I was just engaging on a nerd level. If Bonham could summon The Crunge out of thin air without ever having had a musical theory lesson, that only goes to show that he was a greater musician than I can ever hope to be.
@Wayne_Robinson
5 жыл бұрын
That anticipated C is a cool detail... it was definitely worth some analysis and commentary.
@KemRod
5 жыл бұрын
On my high school drumline the cymbals do a similar thing to the hi-hat bit, and we call it a biz-bop.
@violenceisfun991
5 жыл бұрын
I played drums for about 10 years but guitar was always my main instrument. I always called that hat thing "pedaling (the note) out". I know it's not the right terminology but I'd say it like this "play 8 beats on the hi hat and pedal out the last one"
@Matthordika
5 жыл бұрын
My best theory on the anticipation: he did once by accident and they decided to run with it. Now that I've listened back and heard it, I really like the extra bit of rise it gets, helping to build anticipation. It just feels right.
@zacharywilliams2
5 жыл бұрын
It's called a hi hat bark. Great video! I never thought that this simple song had so much thought put into it. And also, when you said that the drums don't play on that last note, I believe that Bonham played a grace note on the snare.
@clomino3
5 жыл бұрын
A good friend of mine calls the hi-hat trick "barking the high hat" and the canine reference made me smile enough to adopt it into my vocabulary
@numbers3268
5 жыл бұрын
I think another warlike part of the song is that it has a very 2/4 feel rather than 4/4, like a sort of march.
@andrewkyprian3197
2 жыл бұрын
That technique on the Hi-hats is called a “bark”
@kisterdrums
5 жыл бұрын
I was literally just singing this song in my head, and then I saw this video thumbnail
@LilLWH
5 жыл бұрын
When that hi-hat technique is replicated with marching cymbals, we refer to it as a sizzle so I would probably call it that.
@nobnobnobnob
5 жыл бұрын
I didn't realized that c# before the c natural until I heard the cover from the band with the Japanese Sentai Costume
@markgoody4098
5 жыл бұрын
not a musician ,so my brain just melted ..love Zep tho!!
@ToddtheExploder
5 жыл бұрын
High-hat played opened and then immediately closed is called the “disco slap”.
@ashleycrane415
5 жыл бұрын
I just did some analysis of my own thanks to KZitem’s playback speed function. 1. On the intro rhythm bonham plays his high hat 1/16 before and on the beat once per bar. It sounds like a ghost note but in the context of the song it gives the beat more fluidity and is a subtle way of telling you where the 1 is in relation to the wall of rhythm the listener is confronted with. Bonham uses a similar technique on a number of songs where he’ll play the beat 1/16 or sometimes even 1/8 before or after the beat in the interest of making the drums more sonically interesting. 2. Pay attention to what Jonesy is doing. He’s throwing a few C’s in with the F#. This is likely for two reasons. The first being that the frequencies between C and F# are closer on the bass meaning you can take a few more liberties. In fact if you can rub a bit of funk on it and it still works. The second is that from Zep 3 Jones had much more say in the writing, much of the bands melodic shift was down to Jones being alone in the studio while Plant and Page were off having a Heroin addiction and Bonham was in the bar. Bonham needed multiple takes for anything other than 4/4 timing and he struggled massively with odd signatures..From that point on Jones never plays a riff straight. There is always some special sauce thrown on. 3. The C in the major walk up is down to sloppy timing on Page’s part. He slides up to it a bit early so Jones just follows him. It sounds deliberate because it doesn’t happen in the A>B shift but to go from A to B you need to change the shape of your hand and you just move it from B to C so that might account for it. Either way the Cmaj chord rings 1/16 to 1/32 before its strummed. I think the answer to the conundrum is that he plays the C because he really knows what he’s doing
@bacidius7375
5 жыл бұрын
I've always thought of it as a "hat-stop". That's the sound I hear when I play one anyway
@LordChevonlier
5 жыл бұрын
When you hit the hi-hat open then close it right away I believe people call that a hi-hat bark or a choke
@shawnkonigsberg9075
5 жыл бұрын
So whenever I've referenced that hi hat thing you're talking about, I've always called it a "hi hat bark" or just a "bark" and I've heard other people call it that as well. It's not exactly a choke, because a choke is when you use your hand to dampen the sound of a cymbal. Also there is a 4th option for the hi hat, which is to play it closed, but loose so that the sound is sustained longer, but the sound is of the two cymbals repeatedly hitting each other very fast
@shawnkonigsberg9075
5 жыл бұрын
Also that ghost note on the guitar is also a ghost on the snare
@i_am_a_music_maker5212
5 жыл бұрын
I’m a drummer and from what I can conjure, the hi hat thing is called a bark
@andifisaytoyoutomorrow0
5 жыл бұрын
Although I don't play I do draw and you sir are more proof that us Lefty's rule the world. Fantastic video.
@thezombiepanda5065
5 жыл бұрын
I'm a big drummer in northcal and we call it the silenced splash
@AmandaKaymusic
5 жыл бұрын
haha miss steak.
@jasonruka1665
5 жыл бұрын
So do I.... dearly ☹
@-1subswithoutuploadingavid621
5 жыл бұрын
Brexit intensifies
@lazergurka-smerlin6561
5 жыл бұрын
But this time they are brexiting from the scandinavians AY
@vanhelsingfan1
5 жыл бұрын
@@lazergurka-smerlin6561 Norwexit!
@gwyneth2869
5 жыл бұрын
we're taking all the proto norse influence from your language on the way out have fun speaking Latin xD
@maxcelcat
5 жыл бұрын
Damn it, I'm watching this at 11.10PM and everyone else is asleep, so I can't belt out a few verses of this at the top of my lungs in honour of my viking ancestors! "HAMMER OF THE GODS!!!!!!!!!"
@DenniWintyr
5 жыл бұрын
You left out how having a killer intro can make people forgive that the song doesn't really have an ending ;)
@mayhem7455
5 жыл бұрын
I'm a drummer. I always knew it as open/closed hi-hat.
@MrToddKa
5 жыл бұрын
Well hell, that was some analysis, but I'm just a stupid drummer who loves playing this song. Killer foot action.
@MaexleBo
5 жыл бұрын
I'm just here to wanting to tell you that I am continuily blown by your drawing skills
@marcelovalenca8752
5 жыл бұрын
Hey, drummer here! I'd just like to add that this song is incredibly hard to learn to play on drums. You're right to say this song is rooted to the rythm more than it is to harmony. John Bonham does his magic there. Lots of notes, breaks, ghost notes + a lot of power and brightness. A nightmare for the beginner me years ago. Oh, and the hihat thing I call chique. But that's Portuguese, so... whatever.
@gabebilbee9602
5 жыл бұрын
I've always heard it called a splash.
@stuartalexander2657
5 жыл бұрын
Nicely done.....but as a long time guitarist (and I'm the first to admit I may have this wrong!), to my ears Page doesn't go straight from the open E chord back to the F#m. Rather, he "walks it up": E, F, F#m (forget the # if we're talking single notes, natch). The bass does the same.
@kikojavier3804
5 жыл бұрын
Led Zeppelin rules man 😈🤟🏻🎸
@territhetankedupterrapin6592
5 жыл бұрын
The hit hat open closed beat thing should be called a Clopen.
@64DrPeppers
5 жыл бұрын
Its just a cymbal choke. Regardless if its on the hit hats, on a crash, or a ride ect. Interestingly the hit hat in the only cymbal that you can choke with your foot (usually) but it can also be done by hand
@jasonrowland3379
5 жыл бұрын
I've always heard the open to closed high hat thing is called a "wash"
@thetoxbloxer503
5 жыл бұрын
I’ve always called the hi hat thing by it’s onomatopoeic name, the “Psoup”
@swim_ad
5 жыл бұрын
As far as I know, that hi hat move is called a choke.
@stevenmetzger3385
3 жыл бұрын
@09:36 you wrote, zoso, which is not Zep III, but Zep IV I just had to point that out. Hello from Arizona! Great video!!!
@DeFiSiYT
5 жыл бұрын
That was awesome!
@jacksonsmith107
4 жыл бұрын
It’s just getting his hand in place for the heavy drop, think about the shape of a bass and how you play it
@kickinbackinOC
5 жыл бұрын
Holy sht, dude! Fantastic!
@davidpreece5491
Жыл бұрын
The hi-hat thing - a 'splash'
@consequenceable
5 жыл бұрын
i'm not a drummer, but your videos absolutely great
@brushycat
5 жыл бұрын
i always knew it as a hihat "bark"
@sticksmcfly
5 жыл бұрын
I LOVE your videos! I hope your drawings sell at auction for a lot of money someday!
@randyrhoads3747
5 жыл бұрын
I almost missed the entire message. I love Zeppelin and grew up with them but I have to say the Narrator is the real star here. Music Theory for Steven King and the rest of us who have to look up words to understand the real meaning. Anyway this guy or frickin Robot.... which is stuttering with it's all too impressive music theory and crazy knowledge has an interesting perspective.
@jaaqess2525
5 жыл бұрын
When marching cymbals, a crash that is stopped is called a choke.
@lowellruck5772
5 жыл бұрын
Are you from NH? RIP the old man of the mountain, and great video
@jackmckee8196
3 жыл бұрын
You draw miraculously quickly....
@levihigginbotham6307
5 жыл бұрын
The high hat thing you mentioned is called a "bark"
@kai_bittner
5 жыл бұрын
As others have said, it's commonly known as a hihat bark.
@samburrows9553
5 жыл бұрын
With that hi hat thing, to my knowledge I’ve always called that a hi hat choke ? Or just a choke
@SpookyLuvCookie
5 жыл бұрын
i would call the hi-hat thing a 'bark'
@LeonTodd
5 жыл бұрын
Flattened fifth = metal
@Viviantoga
5 жыл бұрын
Here's a potential curveball for a song to analyze: "Sekai wa Sore o Ai to Yobundaze" (lit. That's What the World Calls Love) by the Japanese punk-pop band Sambomaster. It's a song that'll only be recognized in the western world mostly by niche fans of anime and video games, but it's a really fun and heartfelt (at least by what the translated lyrics and music video imply) song that does some weirdly interesting things with the chord progression. I've been analyzing it off and on while using it for ukulele practice, and it would be fun to see a likely more thorough take on it.
@joebolick112
5 жыл бұрын
I'm a guitars, not a drummer.....but you should call it "The Bonzo" as John was a master at this....
@LivingDeathGuy
4 жыл бұрын
I asked my drummer friend and he said it’s called “that one spshh sound thing”
@finbarrheather5718
3 жыл бұрын
I’ve always thought that hi-hat thing was called a “snatch”
@loganwilbur5131
5 жыл бұрын
I call that hi-hat cymbol sound "shoop".
@d0gbug
5 жыл бұрын
I was taught that that high hat thing is called a high hat bark
@haydenveals418
5 жыл бұрын
The high hat thing that you are talking about is called a choke
@DavM310
4 жыл бұрын
The hi hat thing is called a bark
@christiannorton9400
4 жыл бұрын
1:55 my drum teacher calls it a bark
@kitticatmandu
5 жыл бұрын
Because it's fucking awesome!!!
@FatihErdemKzlkaya
5 жыл бұрын
I think most explanatory name would be "hihat legato" for that drum technique.
@CrimsonKarl
5 жыл бұрын
It's usually called a hi hat 'bark'
@lucashellems1449
3 жыл бұрын
I like your words music man
@jasonremy1627
5 жыл бұрын
Did you slip an "Old Man of the Mountain" pic in there? Nice. Live Free or Die!
@N.aattee
5 жыл бұрын
It’s called a splash stroke
@crystallogician
5 жыл бұрын
Can you do one of these for Emperor "I Am the Black Wizards"
@brockmulhearn3490
5 жыл бұрын
I've always called it a "tizzop" but when saying it you say the tizz long and the op short
@druidmeats
5 жыл бұрын
eyyy just played this song for my schools GT concert YYAAAAAAAAA
@geoffws6
3 жыл бұрын
Hi-Hat "barks".
@squidsquirthd2684
5 жыл бұрын
0:38 anybody else hear the beginning of Black Sabbath or Sabbath Bloody Sabbath. I don't listen to enough Black Sabbath to know which one but still
@utterdisaster603
5 жыл бұрын
Not a drummer, but I think the high hat thing should be called “the ol switcharoo”
@coryman125
5 жыл бұрын
Based on how in-depth you got with that one bass note that seemed out of place, I almost hope you never have to analyse a song like La Villa Strangiato by Rush. It's a great song, don't get me wrong, but there's so much going on in it that I think it would take a full documentary series to get anywhere with :P
@artofbalance00
5 жыл бұрын
Hi-hat “thing” is usually referred to as a bark afaik
@jamesedwards8576
Жыл бұрын
I refer to closing the HiHat as the Woosh.
@nebing7708
5 жыл бұрын
Drummer here and as far as im concerned the best name would be a "choked hi-hat"
@jorge1726
5 жыл бұрын
I would call the hi-hat thing The Jab Hat
@bee7690
5 жыл бұрын
4:46 did someone say... both directions at once?
@ethanmcginnis8768
5 жыл бұрын
So I’m just wondering but did the band know and intend everything your explained? And if so, that’s amazing.
@michaelhird432
2 жыл бұрын
to an extent, it doens't matter. Intent might make it more impressive, but it's more about explaining why the decisions work rather than why they were made.
@Iwasbornin74
5 жыл бұрын
That hi hat thing has an onomatopoeia name; ssup. Yes, that’s “ssup” with two S.
@davin6175
3 жыл бұрын
😆 If anybody knows JPJ, maybe they can ask him if he remembers why he played a C instead of a B in the second run of the chorus of the song he wrote 49 years ago? 😆 That just kills me! 😜
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