What works and what doesn’t at the bargaining table with unions in arts and culture. Cellist Ted Nelson served as chair of the players committee at the Cincinnati Symphony, and clarinetist Jessica Phillips served as players committee chair at the Metropolitan Opera Orchestra. Both worked toward collaborative and creative agreements, and in this final episode of the season, they share first-hand about their experience.
What needs to happen before negotiations ever begin, how training musicians serving in these important roles is critical, and their thoughts on streaming contracts going forward so together we can make the pie bigger for all of us.
See you again soon for Season 3!
Season 2 (2023)
#union #labor #collectivebargaining #cba #changingthenarrative #runitlikeabusiness #aubreybergauer
ABOUT THE OFFSTAGE MIC
Arts and culture is a big business-a $763 billion sector whose 100,000+ organizations serve almost every community in the nation.
This podcast is about running that business: how to grow audiences, develop high performing teams and leaders, get younger attendees in the seats and on the donor rolls, apply strategies working in other sectors, and generate more revenue, all in order to serve the mission and flourish in a changing world.
ABOUT AUBREY BERGAUER
Hailed as “the Steve Jobs of classical music” (Observer), Aubrey Bergauer is known for her customer-centric, data-obsessed pursuit of changing the narrative for the arts. A “dynamic administrator” with an “unquenchable drive for canny innovation” (San Francisco Chronicle), she’s held offstage roles at major institutions in Seattle and San Francisco, and as chief executive of the California Symphony.
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