Naming the notes you play, is the first thing I teached my pupils. Right from te beginning. The sooner the better. The 'power' is the brain.
@scooter5005
7 күн бұрын
Thanks for the inspiration!
@swagpilledcommisar
7 күн бұрын
those were some beautiful chords at the end i didnt even know of!
@andec5699
7 күн бұрын
Could you do a video explaining the things on your guitar and what they do. Like what’s around the neck and what’s like under the strings near your pick up. I’m curious about what they add to the sound
@CourtWatchAu
7 күн бұрын
yeah i was curious too, iots like he taped a piece of cork tile across the sound hole (but normally hollow bodys dont have a hole there so im not sure what the deal is, plus the rubber bands near the nut... im not sure what thats about)
@davidsteinberg2120
6 күн бұрын
Early on I found that having a great year for the intervals allowed me to do this exact same thing without ever once thinking about names of notes! So I can move skill patterns or riffs or anything all over the fretboard just thinking of numbers not letter names of notes. And when I'm playing I don't even think of them either I just hear the space in between I don't think of the 3rd the 5th or the route but I'm thinking of how it sounds all kind of the same thing but I ended up just doing it by ear
@CourtWatchAu
6 күн бұрын
@@davidsteinberg2120 That sounds a good approach.
@davidsteinberg2120
5 күн бұрын
@@CourtWatchAuwell it was an approach that worked for me, it might not work for other people. You have to have a really good year for that. I'm just putting it out there because what he's doing here I've always been able to do I can take any note you gave me and find a place that it is all over the front door and I can take any scale and just jam on it up and down across the strings and up and down the neck. But that wouldn't work if you can't hear the intervals the way that I do. Also it's not to say that I could use a lot of growth and improving because we all can. I want to learn more diverse jazzy chords like he plays at the end and also just ways of understanding Harmony and constructing chord progressions for example
@davidsteinberg2120
5 күн бұрын
Well the voice texting changed a few of my words but I think you get it
@erianersitetras7172
7 күн бұрын
Heard the same Wisdom from Steve Lukather!
@RotemSivanGuitar
7 күн бұрын
Oh very cool!!
@CourtWatchAu
7 күн бұрын
I dont think notes are important except on the bottom two strings , its more important to know the chord shapes and the chord tones / arpeggios. if you know two strings 6 n 5 then the next two(4 n 3) are offset by two frets.
@menamgamg
7 күн бұрын
@@CourtWatchAuFor me one of the biggest mistakes i made in my guitar journey was underestimating the importance of learning the notes and therefore neglecting it. But for me it felt impossible to learn without knowing why i needed it as well as not having a proper system to learn it - which pretty much no one teaches.
@CourtWatchAu
6 күн бұрын
@@menamgamg ok fair enough. i feel beginners should learn the natural/wht notes on the lowest two strings ,and the wht notes on the first five frets on all strings, but i think a gap re note names in the other areas of the neck is not as important as learning scale shapes and chords and they can enable intermediate/advanced playing more than knowing not names. Sure eventually you will be able to pinpoint notes more qucikly everywhere else but imo having several scale shapes n many chords embedded in your finger(& mind) will be more useful than notes in the other neck areas until you become inter/advance in other areas first. Plus when adv jazz players (inc Rotem, jens etc) play, i dont think they are thinking 'this not name, that note name', they are more playing arpeggio shapes following chords, plus chromatic enclosures , and small scale fragments and hopefully some melodic improv, without thinking c# G# A# etc . Even in non jazz I doubt Yngwie is thinking Bb here and Eb next , its all happening so fast hes drawing on patterns embedded/ingrained into his hands and if he knows where the 1 of a chord/scale/arpeg is then the other notes fall into place based on the fingering adn 135 or 1b3,b5 etc without having to think oh thats B,D F for this diminished runn, instead you just play finger, finger finger and youve played the 3 dimineshed notes already and its time to move to the next postion (eg i)up three frets from first note, ii)or last note) instead of thinking oh its time to find D or G#. Thats my perspective anyway, good luck with your gtr journey and continued learning :)
@menamgamg
6 күн бұрын
@@CourtWatchAu I doubt anyone can think of every note they play. But that's not the point of knowing the notes all over the fretboard.
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