Professor, we need a translation. Where is the translation? ، 教授,我們需要一位翻譯。 ، F , J ,
@guoxiongli2233
2 ай бұрын
以莲花或莲瓣作为器物之纹饰及造型,随佛教之传入而盛行,尔后更取其出泥不染之习性,寓意廉洁,广为各类器所采用。该器状似未盛开莲花,线条温柔婉约,高雅清丽。原器应与一执壶配套,为一温酒用器,晚唐至宋所常见。莲花碗呈十瓣莲花形,似宋代常见的注碗形制,宋代南北方瓷窑均有烧造,为宋代常见器型,此莲花碗造型比例适度,器身随花口亦呈十瓣,形似一朵盛开的花朵,凸凹与莲口相衔接,显得格外协调自然,美观大方。充分表现出莲花开放之势,器物青釉温润且有油腻质感,润泽如稣,有如网状大小开片纹。在圈足跟内壁和外壁的地方,有许多明显的缩釉点,缩釉点多为口小内大,露出铁黑色胎,为老器物的特征。此器采用垫饼垫烧,胎体较厚,釉面垂流形成紫口铁足,颇具艺术风韵,集观赏与实用为一体。 哥窑瓷器釉面一般都开有不规则的,大小不一的片纹,而且大小片纹的颜色也不同,小片纹一般是土黄色,俗称金丝,大片纹一般是灰黑色,俗称铁线,这两者结合起来就叫金丝铁线。开片大小相似的称“百圾碎”,弧形的称“蟹爪纹”。马未都说审美有四个境界,从下往上分别是艳俗、含蓄、矫情、病态。哥窑的审美是介于含蓄和矫情之间,是一种缺陷。比起完美的漂亮,哥窑天生的缺陷美才是一种难得的天赋。哥窑是宋五大窑系中的真正神话,无确切窑址,无公认器物,虽为世所向往,却只能于诗文中设想其芳姿一二。哥窑现在也成了五大名窑中疑问最多的一个,许多谜团都还等待我们去破解。 鉴赏要点:1、哥窑瓷器釉面开有不规则大小不一的片纹称为金丝铁线。2、哥窑瓷器裹足支烧的较多,也有垫烧的,比较少。3、哥窑瓷器有明显的缩釉点,缩釉点多为口小内大,露出铁黑色胎,为老器物的特征。 The use of lotus flowers or lotus petals as the decoration and shape of utensils became popular with the introduction of Buddhism. Later, its habit of emerging from mud and being unstained symbolized integrity, and was widely used in various types of utensils. The vessel looks like a lotus flower before it is in full bloom. Its lines are gentle and graceful, elegant and beautiful. The original vessel should be matched with a jug, a vessel for warming wine, which was common from the late Tang Dynasty to the Song Dynasty. The lotus bowl is in the shape of a ten-petal lotus, which is similar to the common pouring bowl shape in the Song Dynasty. It was fired in porcelain kilns in the north and south of the Song Dynasty. It is a common vessel shape in the Song Dynasty. The shape of this lotus bowl is moderately proportioned. The body of the lotus bowl also has ten petals along with the flower mouth, resembling a The blooming flowers, with their concave and convex shapes connected to the lotus mouth, look particularly coordinated, natural and beautiful. Fully showing the lotus flower blooming, the celadon glaze of the vessel is warm and has a greasy texture, as moist as a jellyfish, and has a mesh-like pattern of large and small openings. On the inner and outer walls of the heel, there are many obvious glaze shrinkage points. Most of the glaze shrinkage points are small in the mouth and large in the inside, exposing the iron-black body, which is a characteristic of old utensils. This vessel is fired on a cake mat, with a thick carcass, and the glaze flows vertically to form a purple mouth and iron feet. It is quite artistic and combines appreciation and practicality. The glaze of Ge Kiln porcelain generally has irregular flake patterns of different sizes, and the colors of the large and small flake patterns are also different. The small flake patterns are usually earthy yellow, commonly known as gold wire, and the large flake patterns are generally gray-black, commonly known as iron wire. , the combination of the two is called golden wire. Those with similar sizes are called "hundred garbage pieces", and the curved ones are called "crab claw pattern". Ma Weidu said that there are four realms of aesthetics, from bottom to top they are gaudy, subtle, pretentious and morbid. Geyao's aesthetics are somewhere between reserved and pretentious, which is a flaw. Compared with perfect beauty, Ge Yao's natural imperfect beauty is a rare talent. Ge Kiln is a true myth among the five major kiln systems of the Song Dynasty. There is no exact kiln site and no recognized artifacts. Although it is coveted by the world, its beauty can only be imagined in poems. Ge Kiln has now become the one with the most questions among the five famous kilns, and many mysteries are still waiting for us to solve. Appreciation points: 1. The glaze of Ge Kiln porcelain has irregular patterns of different sizes called gold wires. 2. The Ge kiln porcelain is mostly fired with feet wrapped around it, but there are also some that are fired on a cushion, which is relatively rare. 3. Ge Kiln porcelain has obvious glaze shrinkage points. Most of the glaze shrinkage points are small in the mouth and large in the inside, exposing the iron-black body, which is a characteristic of old wares.
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