Thank you so much for watching this video essay, as I am a new user I would really appreciate if you could please share the video with those who it may resonate with, or to those who are fascinated by the works of David Lynch. I truly appreciate the support, and thank you once again!
@WhiteTulip2002
5 ай бұрын
One thing that occurred to me with your Wonderbread analogy: Blue Velvet is a lovely song and the first few times it has this sweet, nostalgically comforting feel. But as the movie goes on and the song gathers more disturbing connotations, it becomes grating in it’s repetition and actually helps build the dread in every scene it’s heard in. By the end you think “Oh no not this again”, which feels so strange considering how nice it was at the beginning. The song becomes a perversion of itself, and a macrocosm of the entire movie’s theme. That’s masterfully subtle
@the-hoc
5 ай бұрын
That is fascinating, thank you for sharing this thought-provoking analysis! And also, thank you so much for watching the video. It means a lot!
@WhiteTulip2002
5 ай бұрын
@@the-hoc And thank you for the excellent video, it’s been tricky finding good straightforward analysis of this particular movie
@the-hoc
5 ай бұрын
☺️
@randomuser-zf5er
Жыл бұрын
This is such high quality! Love your analysis, and the editing is very unique and beautiful. I hope the algorithm will pick your channel up!
@the-hoc
Жыл бұрын
Thank you so much for the compliments, I wish I could afford them. It would mean to if you could share these if you feel it’s worth. Thank you once again!
@dgamefake5035
6 ай бұрын
Congratulation ! You deserve many many more views. Best analysis I've seen of Blue Velvet
@the-hoc
6 ай бұрын
Thank you so much for the compliment, I am not sure if I can afford it. Still, it truly means the world to me, thank you once again! 😊
@ethanmiller631
8 ай бұрын
spectacular analysis!
@the-hoc
8 ай бұрын
Thank you so much for the feedback Ethan, It truly means a lot!
@claypotts2334
6 ай бұрын
I thought Dorothy was weird. From her strange accent, her asking Jeffery to hurt her, her visible enjoyment on her face when Frank was calling her "mommy" while her legs were spread. And then at the end when she got her kid, it made me think that she was the type of mother who would probably at least try to perpetuate the cycle of abuse that Frank probably went through to become as crazy as he was. The musical hat, seemed to me to relate to Frank's love of music. And the strange look on her face when she held her kid in her arms at the end. She seemed to sort of enjoy the entire ordeal she went through, and she also never spoke a word of her husband. I also got weird vibes from Sandy's dad, from the minute Jeffery told him about the ear, he seemed to already know what was going on, having a smug look on his face. And why was the yellow jacket detective at their house on the Friday night?
@the-hoc
6 ай бұрын
Hey Clay, thank you for watching the video, really appreciate the support. To answer your question, first I would like to express an opinion that Lynch uses Blue Velvet to showcase uncomfortable truths about the human condition. This is why it sticks in our head like a nightmare. Interpretations of this movie are often multifaceted, and this is why I think it deserves credibility. In some ways, Jeffrey’s journey and his interactions with the other characters mirror Freud’s theory of sexual development. So let’s have a look at Jeffrey’s situation. His father, debilitated by a stroke in the opening scene, lies in a hospital bed, unable to speak or have any authority in Jeffrey’s life. His mother on the other hand doesn’t seem to take much interest at all in her son’s affairs. The relationship between him and his parents clearly leave a void to be filled. This void is eventually filled by Dorothy, his new mother, and Frank Booth, his new father. In the phallic stage of psychosexual development, children eventually become aware of their bodies and the bodies of their parents. The scene in which Dorothy instructs Jeffrey to undress is particularly noteworthy because once she sexually embraces him, she repeatedly tells him to not look at her, so Jeffrey’s super-ego is blocked from refusing her advances. This makes sense because during the phallic stage, the super-ego is not fully developed yet. Also in the phallic stage comes the Oedipus complex, in which the one of the parents become the sexual interest of the child. Jealousy comes into play for the child because it is the father who is the one who regularly has intercourse with the mother. As a result, the boy wants to hurt or in most cases kill his father, and to have sex with his mother. Both of these events occur in the narrative. So, in the same way you can interpret Frank’s situation. He finds comfort in Dorothy and sees her as his mother. She has to comply because her and her child’s life is in the hands of Frank. Now, Frank Booth in a lot of ways represents the earliest stage of development, the oral stage, when the mouth is the primary erogenous zone. All of his pleasure experiences are mouth related, whether it’s his interest in inhaling oxygen or shoving the blue velvet in his mouth. After the wild joyride scene, Frank is seen applying lipstick and kissing Jeffrey, again indicating Jeffrey in the phallic stage, as this is when the child learns the differences between males and females and begins to develop a sexual preference. The homoeroticism between Frank and Ben is also not coincidental. The most concrete evidence for Frank being a Freudian character is obviously his unique choice of words during his sexual escapades. The “transitioning into adulthood” explanation intertwines with this view of Frank because it’s obvious that Jeffrey must kill Frank, his oral stage nemesis, in order to complete his transformation. Also, Dorothy’s final expression I think expresses relief and pain. She is a nuanced character and that expression subtly hints at her feelings during that moment. She had to endure that ordeal for her child, she had no choice. She is relived to be reunited with him but is yet to move on. That scar left behind by Frank will remain. Personally, I think It is a harrowing moment. Plus, because of David Lynch’s avant garde surrealism, his films are often difficult to make sense of. Now, about The Yellowman. Well he has seen Jeffrey at Williams, and he’s seen him at Dorothy’s but in his bugman disguise; he doesn’t connect they’re the same man. So, when Frank is raided at various precise locations he assumes someone talked, not thinking that Jeffrey is the suspect. He believes it’s either Dorothy, or that the Yellowman double crossed him. During the final sequence The Yellowman still has his gun holstered; he was among trusted associates and did not expect to be shot. Frank was there when it happened, because when he arrives at Dorothy’s apartment, he’s not surprised by the scene at all. He is basically there to check if Dorothy gave Frank away and whether she had been double crossing him all this time. They’re the banal context of the gang betrayed, the traitor killed, that we’ve seen, or imagined we’ve seen, in many movies and TV shows. I stress the banality, because I think Blue Velvet is one of my favorite movies, if not my favorite, and to make clear, if only to myself, that the power of the movie does not lie with the plot, which again, is not that unconventional but non-linear in its approach to tell this coming of age psychosexual story. I hope this answers your question, apologies for the long read and any minor errors. Thank you once again, please subscribe and share the video if you feel it’s worth!
@claypotts2334
6 ай бұрын
@@the-hoc Incredible analysis. Thank you, and God bless you.
@the-hoc
6 ай бұрын
Thank you, truly appreciate your support and kindness!
@hawkins347
4 ай бұрын
That moment when you open this video essay and you're greeted by Alan Wake music 😂
@the-hoc
4 ай бұрын
😂 I am glad you noticed and I would like to thank you for watching!
@shawn6669
3 ай бұрын
What is your accent???
@the-hoc
3 ай бұрын
I grew up immersed in English culture, which has given me an English accent. However, during the period when I created these videos, I experienced unforeseen issues with my voice. Consequently, the audio might sound somewhat peculiar. Additionally, I was sixteen at the time, so my voice now sounds quite different. Thank you for watching though, it means a lot!
@BRNRDNCK
Ай бұрын
You’re racist!
@TreborPaulson
8 ай бұрын
Bwue welbet?
@the-hoc
8 ай бұрын
😂
@joshjuanfifarek7382
5 ай бұрын
Alot of assumptions made here. A few far off as I've heard David's own takes and his intentions
@the-hoc
5 ай бұрын
Thank you for watching Josh, and I comprehend what you mean. I did not intend for this subjective video about the film to be seen as an interpretation of David Lynch's intentions. My goal was simply to offer a different perspective and not to present it as a factual analysis. Still, I am truly thankful that you gave this video an opportunity and also shared your thoughts on it!
@C0SM0.SMALLS
5 ай бұрын
@@the-hoc I enjoy your take brother
@the-hoc
5 ай бұрын
This means the world to me Cosmo, it truly does. Thank you but I also appreciate feedbacks, it allows me to improve and grow. Once again, thank you 🙏
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