Thanks for having me on Emily! That was fun. For those curious there's one tidbit about BBDs vs digital systems which is really special. BBDs are sort of in the middle of analog and digital. The signal in a BBD isn't quantized in amplitude, but it is sampled. Changing that sample rate changes the delay time. Fast sample rate = short delay, slow sample rate = long delay. For digital systems, signals are quantized in both time and amplitude and it's common to change the delay time by setting the length of a memory buffer. When you're making a chorus, vibrato, flanger, or other effects based on modulating the time of a delay line, you run into this concept called "fractional delay." This means basically delaying for less than one sample, which you need to do if you want a smooth change of sample rates or delay times. This is really hard to do unless you can change the clock in steps of less than a billionth of a second! It's also possible if you do some sophisticated DSP trickery (google "subsample interpolation" for more). A BBD with an analog clock doesn't have to worry about this because the sample rate clock is continuously variable. So it's a lot easier to get very smooth, continuous modulation without a lot of complex hardware. TL;DR analog good, digital good too but it's harder to do right
@ashevillemusictools
Жыл бұрын
For me the incredibly profound and important part is where you said "The stuff that is trying to get around that (the in perfections) but then contributes its on character" and "the sound of BBDs is the sound of all the stuff that you have to use to make them behave properly" BINGO!
@soveriegn777
Жыл бұрын
COOOOL!!
@conmanyoda
Жыл бұрын
Small world John. Crazy to see you pop up in my feed lmao
@kaitlyn__L
Жыл бұрын
That’s a great point. Analogue sample and hold circuits definitely have their own character
@CorbCorbin
4 ай бұрын
Bucket Brigade delay and mods like chorus and flanger, can sound excellent, but they are also limited. I’ve owned enough analog and digital pedals, to know that there are digital ones that are just better. Then there’s the karaoke chips, that so many builders use. When done correctly, they sound great. I kept a BBD on my board for awhile. I also had a Boss DD-3, for the pristine delays, combining the two is where the great tones come. But, I replaced that analog delay, with the Caroline Guitar Company Kilobyte, because I just liked the sound better. It has more of an analog tape delay thing going, than a BBD sound. Now, we have builders coming up with these multi function, true stereo BBD delays. These usually have some type of digital control. There’s just so many great analog and digital pedals out there.
@aaronl3460
Жыл бұрын
Someone call the bucket brigade!🪣🧑🚒🚒 Because this video is 🔥
@emilyharpist
Жыл бұрын
Haha yesss! Hope you’re doing well Aaron!
@evanlee93
Жыл бұрын
There needs to be a bucket brigade pedal that is super analog. Inside there are just a bunch of little guys with buckets
@soveriegn777
Жыл бұрын
☝️🧐 *THIS*
@annother3350
Жыл бұрын
How much will you pay me? I have a bucket
@ericm8811
Жыл бұрын
Hey Emily Hopkins and Russ! Thanks for boldly harping where no Emily has harped before! Ahead Russ factor 7! Ride ride ride!
@emilyharpist
Жыл бұрын
Ride ride ride!
@davedavem
Жыл бұрын
The digital processing on the zoom call was ironically imperfect. I love that attention to detail.
@BugsBunns
Жыл бұрын
I'm building my own pedals for the sake of learning electronics engineering (and also for fun) and I'm getting into the realm of the BBDs. I find it crazy how I can use technical knowledge and apply it creatively to build a device that changes how I use my instruments. Your channel is great, a lot of material for inspiration!
@janbam1778
Жыл бұрын
If you can get your hands on a tape echo like the Roland Space Echo, give it a try! IMHO it's even more magical than bucket brigades.
@emilyharpist
Жыл бұрын
I actually have an Echo Fix tape delay on the way! I can’t wait! Stay tuned for a video on that!
@alexfletcher9915
Жыл бұрын
AFG-1 + ADG-1 is stunning! Great demo!
@noyd4172
Жыл бұрын
So many good bits in this one, loved the history lesson full of deep lore, and I had no idea that EAE was linked to Asheville and Asheville to Moog, but that makes so much sense and explains why they're all so good at taking the innate characteristics of analog component and building a tool around them. In a way, it matches with old recollections of fine stonecarvers who spoke of freeing the sculpture out of the natural rock instead of breaking a rock until it was the shape they wanted. Emmas 2023: OOPS! All Flangers edition. is that the sixth street fighter on the third monitor while mentioning the second channel
@emilyharpist
Жыл бұрын
Lmfao OOPS ALL FLANGERS! I’m dying 😂 I love spreading the word about AMpT because of the amazing history of the team and the incredible knowledge and devices! Yes! That was Dunkey’s video on Street Fighter 6 lmao I was watching while editing!
@soveriegn777
Жыл бұрын
@basementlyle
Жыл бұрын
That ADG-1 is magic. I don't need another delay but I guess I do need another delay. John is such a legend too. Nice episode!
@davidcunningham5485
Жыл бұрын
There's something about 5:07 and onwards with the ADG1 alone that makes you feel as if you were sitting in a corner inside of the harp Pretty cool, sawcy stuff ❤
@ashevillemusictools
Жыл бұрын
Thank you again Emily for a great video. Loved seeing your interpretation and thanx for inviting John to chat. And of course with the blank Emma Flanger category we knew we had a slam dunk this year. It's all your fault ;-)
@soveriegn777
Жыл бұрын
You've got my vote!🫡👍
@samuellopez-je9nw
Жыл бұрын
Love The Return to Analog and ur harp solo is hypnotic 😵💫🤩
@ryanbaptiste249
Жыл бұрын
5:05 I could listen to this gorgeous, dreamy passage on loop forever!
@karlvanbeckum9029
Жыл бұрын
Wow! The 6 minute mark. Very cool!
@emilyharpist
Жыл бұрын
Thanks so much! They sound so good haha
@ricktheexplorer
Жыл бұрын
When I was a sophomore, junior and senior in high school, my only classes were music theory, and recording studio. I had full run of the famous Hillsboro High School Recording Studio with Vic Gabani as my teacher in studio, and Bobby Gene Frost as our cig smoking music theory teacher. If I had the money, I would never open my daw again; I would just use all analog equipment for recording, including pedals instead of plugins. One of the main reasons is latency in daws, but also, as Jimmy Church once stated, "Here is a high hat in digital - 'Tss', here is a high hat in analog - 'Tsssssssss'. He's right; much better, deeper sound. Use analog whenever you can!
@ambienttrash5234
Жыл бұрын
omg the ADG-1 + AFG-1 sounds 😍
@ANTheWhizkid
Жыл бұрын
Just checking back in here. Great content as always! 💯
@DTZinatbakhsh
Жыл бұрын
respect! I have the special edition of that delay. It's got such a chewy sound... I want to sink my teef into some bucket brigade flanger tones now.
@emilyharpist
Жыл бұрын
The special edition looks SO good!
@DTZinatbakhsh
Жыл бұрын
@@emilyharpist i keep forgetting to get a cable to try the breakout effect loop on it, but just having more range in delay is fun 😊
@pongtrometer
Жыл бұрын
Superb velvety tones with grains of dirt in the layers of time within time )))))) lushness that wobbles without wobbling 🌌soul good .🎆
@BKandtheUnderstanding
Жыл бұрын
I love it: "The beauty of analog is all the imperfections." Absolutely, John! That’s my problem with today’s music production: it lacks the imperfections that create beauty and instead create superficiality. Humans are imperfect, and the greatest art celebrates, embraces, or contains those imperfections.
@Eden_Laika
Жыл бұрын
What do you mean, "today's music production"? Seems like you're taking a very narrow view of contemporary music.
@BKandtheUnderstanding
Жыл бұрын
@@Eden_Laika (It’s called using simplified language to effectively communicate a thought, not to be interpreted literally as an absolute.)
@bornach
Жыл бұрын
@@Eden_Laika Perhaps by "today's music" the commenter is refering to Venus Theory's latest video on Playlistification.
@Eden_Laika
Жыл бұрын
@@bornach I went and watched that video, and it's not relevent to OP's point. Venus Theory never talks about the problems with digital production, or the lack of imperfections in music, he talks about music becoming shorter and more commercialised.
@MaTTheWish
Жыл бұрын
Yes! Same with this AI art, it is too polished and doesn't show the character (human imperfections) of the artist.
@janikauta2275
Жыл бұрын
ACV-1 sounds absolutely magical. It's definitely my favorite out of all featured on this video. Though AFG-1 is nothing to scoff at, either!
@flutechannel
Жыл бұрын
tech jargon makes me nappy as well. but it's so glorious. love ya Em ❤❤❤
@dinopanda_sql
Жыл бұрын
Dagnabbit. Here I thought I’d finally figured out flangers, you come shilling some BBDs. Dope vibes as always. Peace.
@emilyharpist
Жыл бұрын
😂
@odesseus
Жыл бұрын
I always know that when I click on Emily's videos I'll hear something I never thought I'd hear a harp do, and it's always mind blowing. And I don't even play the harp.
@jimhoman4415
Жыл бұрын
I like a good BBD too.... and I like the pedals too.
@boringgearreviews
Жыл бұрын
This was really awesome! 🎉
@emilyharpist
Жыл бұрын
Thanks so much! Loved your video on the Benson Germanium Fuzz!
@boringgearreviews
Жыл бұрын
@@emilyharpist ☺️☺️☺️
@AlanW
Жыл бұрын
I love analog time effects, have an older JHS Panther Cub, and it's just so chewy and dirty, almost grindy, it gives a wonderful character to the sound.
@emilyharpist
Жыл бұрын
I’ve always wanted to try that one!!
@danbaker90
Жыл бұрын
more of this content i like you interviewing people in the music and gear industries
@Bobert-Rob
Жыл бұрын
You respect the grind because you ARE the grind. The work you put into your art is stellar! The music, the videos, all that jazz. Mmm, jazz harp. With some FLANGER. Flanger danger. Or something, I dunno.
@emilyharpist
Жыл бұрын
Thank you SO much!! ❤️
@matts1246
Жыл бұрын
There are some really neat audio signal circuits ive learned about in school -- I wonder how some would work as effects. The Lorentz attractor, for example, is a way to create an encrypted signal.
@soveriegn777
Жыл бұрын
Oh heck yes! Encrypted harp track👍✨
@parkerazz4385
Жыл бұрын
Had no idea you were lovely and making unique music for so long. Keep going.
@MargaretHarmer
Жыл бұрын
Great sounds! Both pedals together - really nice!
@dacomputernerd4096
Жыл бұрын
"If you're going through the process of putting a big giant processor in your pedal" I already feel mildly called out, but it's also a really interesting video
@emilyharpist
Жыл бұрын
😂
@omgitsbees
Жыл бұрын
I was just thinking about you the other day, Emily! It felt like there hasn't been much in the way of updates from you lately, so I was happy to see a notification for this video.
@KibatsuMusic
Жыл бұрын
Really insightful conversation with the engineer from EAE. Always wondered what gave analog pedals their magic. Also editing while watching dunkey? Emily is so cool 😂
@annother3350
Жыл бұрын
3:30 I like the way you're really playing into the effect -- that works well.
@haydenfletcher4007
Жыл бұрын
Lovely content, as always! You are a very warm and charming video personality! Congratulations on all of your successes and here's to many more!
@RemitheDreamfox
Жыл бұрын
NEW EMILY VIDEO LETS GOOOOOOOOOOOOOO
@emilyharpist
Жыл бұрын
Awww yiss
@christmas83
Жыл бұрын
that lil piece with the acv1 is so damn nice! the afg1 also seems like a versatile flange/notflanger! #JusticeForUncleEm
@soveriegn777
Жыл бұрын
🫡#JusticeForUncleEm
@petercheney8316
Жыл бұрын
omigod, "All the technical jargon made me sleepy." that was every math class I ever had to sit through
@cameddy4081
Жыл бұрын
Really great review-and a great ‘history’ lesson on the development of the bucket brigade process and the great sound we all love . It is eye opening for me how these pedals and their amazing sounds are also all tied directly into the ‘history’ of electricity itself and how we have channeled what electricity does - from a simple incandescent bulb to a complex modern synthesizer ( or the hologram/ microcosm pedal etc ) and the crazy sounds . Your harp playing is beautiful as usual and shines through with or without all the effects ! 🙏
@Iskimoi
Жыл бұрын
Thank you for your lovely & interesting music videos. I like your evolution over the years & the fact that you getting more and more interactive in your last videos. How about a new original music arrangement? 💚
@kaitlyn__L
Жыл бұрын
Okay tuning the LFO rate to the piece so as to make the effect be gone in the intro and outro is just perfect
@stuffnuns
Жыл бұрын
This is interesting to me because I’m a harmonica player,and I know that most pedals are EQ’d for guitars. Most pedals end up being way too hot in the high mids for harpoon(yes, we do call it that), resulting in ear shattering tone. I like hear how a different instrument works with all the stompers out there. There are some very good digital emulations of analog effects, but, especially with delay, the ol’ bucket brigade pedals have that degrading fidelity built in that makes them so niiiiiice.
@emilyharpist
Жыл бұрын
Hey! This is so interesting! I’m sure there’s something you can add to your chain to deal with the level or the high mids that can make them more palatable with your instrument! Thanks for being here, I hope you can get more pedals working out with your harmonica!
@chinmeysway
6 ай бұрын
oooh that is sounding lovely 😊 the playing / effects. i agree the bbd is classic. i do like digital too bc can get really long delay times. the flanger sounds great.. never heard of these makers
@mesientogut6701
Жыл бұрын
Such an inspiration. Keep on keeping on!
@markhammer643
Жыл бұрын
In Dave Hunter's book "Guitar Effects Pedals: The Practical Handbook", he has interviews with a number of prominent and well-respected designers/builders. One of them is effects legend Roger Mayer. One of the interesting things Mayer says is that the differences between digital and analog delays become most audible in the decay. His hypothesis is that, where the resolution of digital converters is fixed, and results in fewer bits being used to encode the soft fade-outs, analog sampling in BBDs is effectively infinite resolution, no matter how quiet and subtle the delay repeats may be, since what each bucket gets handed is the exact voltage of the signal at each sampled moment, not the nearest "rounded-off" value that the encoding recognizes. It is probably worth noting that, when the interview was recorded (published in 2013), 16-bit resolution, and 48khz sampling was the likely state of things, so the digital-vs-analog differences in soft passages may have been more audible, in comparison to current 24-bit/96khz technology. Still, an interesting proposition to account for why some folks prefer analog delay over digital. Of course, disentangling it from near-ideological faith in this or that technology is no easy task. Worth noting that earliest attempts at digital flanging were stymied by the inability to sweep very wide. My old blue rackmount MXR Digital Delay was able to flange, but it could only cover a 4:1 range of delay times. So, if you set it to the .63 msec range, it could sweep from around .36 msec (.63/2) to around just under 1.7 msec (.63 x 2). More impressive flanging generally requires a sweep range of at least 30:1 (e.g., .25 msec to 7.5msec). My analog PAiA Hyperflange will do 88:1 and the legendary A/DA Flanger has a 40:1 ratio. Not all analog flangers are that capable (Boss BF-2 is 13:1), but for many years, analog flangers kicked digital flangers' collective hineys. John is quite correct in noting that much of what makes analog BBD effects sound the way they do is a result of all the things you have to do to make them behave themselves. But it is not necessarily impossible to emulate all of that in the digital domain.
@electronicaudioexperiments
Жыл бұрын
Mark, thanks so much for chiming in. I have enormous respect for your work and have read many of your articles over the years. I think Roger Mayer's hypothesis is spot on with low level behavior of early converters. You can see signs pointing to this with the nonlinearization/relinearization circuits found in early Lexicon units, or even the prevalence of companding systems in pedals like the old Digitech PDS series. That "hybrid" era sounds gorgeous. I think that as state space modeling continues to improve, emulating all the nonlinearities of filtering/companding behavior is absolutely possible in a DSP system. If you look at pedals like the Strymon Brigadier, I'd say it's already achieved in most respects. Not to mention whatever AI profiling is doing these days. (Though, that's pretty far from my core competency!) Digital clocking limitations are absolutely the biggest factor, IMO. My understanding is that, barring proprietary magic I'm not privy to, sub-sample interpolation is always going to sound different compared to true fractional delay with a continuously variable analog clock. I'd be curious to hear your thoughts on that. The limitation is also applicable to BBD delays with a clock generated by a processor. The resolution of a typical hardware PWM peripheral is rather poor, and if you want exponential control of a clock frequency over a wide range it's going to take resolution on the order of hundreds of picoseconds to get a smooth sweep over several octaves.
@markhammer643
Жыл бұрын
@@electronicaudioexperiments Well now you're talking well above my pay grade! But many thanks for the nod. Deeply appreciated. That said, we should be mindful of the quirks inherent to BBD-based effects, that are asked to operate in different delay-time ranges. Those itty-bitty capacitors in each stage will leak, as all caps do, so asking them to hang onto samples too long will likely result in an imperfect sample passed on to the next stage. Longer delay times CAN be achieved by use of multiple cascaded BBDs, such that samples can be passed along quickly enough to avoid that leakage IF you have lots and lots of stages. But for chorus and flanging, where we're talking only a tiny fraction of the delay time, those concerns don't apply. Equally, the filtering needed to reduce audible clock noise, when aiming for longer analog delay, imparts much of the "warmth" people associate with analog over digital. And while perhaps never deliberately intended to do so, it comes closer to the treble-eating qualities of real-world reflective surfaces than early digital delay did with its maximum bandwidth. Again, wet-bandwidth concerns tend not to apply in the context of ultra-short delay effects. Heck, the Electric Mistress and A/DA flangers had barely any lowpass filtering, because the clock was always operating at a frequency well above hearing range. In contrast, many delays will require clocks to slow down considerably, increasing the risk of audible clock noise, and the requirement for lots of filtering to *make* it inaudible.
@DocPop
Жыл бұрын
So many hair styles in this video! I never realized your hair changed so often, now I'm hella jealous.
@rwsfwifi
Жыл бұрын
Emily and Russ always great stuff - I haven’t posted in awhile- I had to take of that thing.
@CVinyl
Жыл бұрын
"Music is the healing force of the universe" - Albert Ayler 🎷
@Whydyoucare
Жыл бұрын
The thing that you were playing for the chorus was stunning, amazing.
@emilyharpist
Жыл бұрын
Thanks so much!
@MEGAMIGA
Жыл бұрын
You keep on coaxing great sounds out of the myriad pedals you use! Well done!
@TopperMIDI
Жыл бұрын
Oh my, the sound you're getting at 4:32!
@emrob31
Жыл бұрын
That chorus at 3:27 was instant goosebumps wow
@nunoalexandre6408
Жыл бұрын
Love it!!!!!!!!!!!!!
@jsimes1
Жыл бұрын
That was just 🤯 or 😶🌫 I don't know how analog works but then again I don't know how my car works either! I'm just glad that they both do what they do! 🙂
@Valery0p5
Жыл бұрын
Glad I found your notes
@bills4915
Жыл бұрын
I know zero about harps, so forgive the potential dumb question but does the color of some of the strings mean anything (notes, etc)?
@emilyharpist
Жыл бұрын
that's a great question!! all of the red strings are C notes, and all of the black strings are F! they're color-coded in this way so that you know where your hands are landing while playing. harpists would get lost very easily otherwise!
@bills4915
Жыл бұрын
@@emilyharpist Thank you!
@calilil
Жыл бұрын
Awesome video!! Loved John’s context and this pedal is gorgeous on harp. Totally curious about it on bass, since you mentioned how it was reactive to the different registers you played in. 🤩
@emilyharpist
Жыл бұрын
I think it would be amazing on bass, especially with the envelope! It should be pretty easy to dial in! The difference in resonance across the harp makes it so weird for the instrument in a good way!
@MME....
Жыл бұрын
Great video Emily really enjoyed that. Your harp playing is amazing, was getting some lovely Vangelis vibes which I love :) all the best
@avectorgaming
Жыл бұрын
Great sounds 🙌 BUT @electronicaudioexperiments is that a Dungeons & Dragons TShirt you've got on? Yes one of us!
@justinroeder5315
Жыл бұрын
until seeing this video, i had no idea how many different sisters you have .... AND you all play harp ...
@AndrewWukusick
Жыл бұрын
I'm working on designing some pedals, one of which is an eerie sounding bucket brigade modulated delay called The Epitaph. If I can get it working right and have enough parts for an extra build, I'll send one your way to have some fun with
@glassmaw_
Жыл бұрын
Also, Strymon needs to send you ALL of their delays. I'd like to hear what you can with their stuff.
@emilyharpist
Жыл бұрын
Haha that would be cool! They’ve never reached out before
@collisiondevices
Жыл бұрын
I love EAE and AMT so much! thanks for this video
@tonepilot
Жыл бұрын
Super interesting vid. Learned a lot. Also love the lo-fi sounds these give you.
@sparkyprojects
Жыл бұрын
What is a bucket brigade ? Imagine you want to transfer water from source to destination (putting out a fire0 Get a line of people with buckets to pass the water along Imagine in your case it's sound that's passing along, but you can also sample that sound at any bucket or a mix of buckets to pass to the output, you get differing delays Also look into tape delay machines, like the 'copycat' The most basic delay is a long length of cables (there's video on this) Compare a digital delay with being in a big building that echoes (search 'tom scott echo' ) for a demo
@Sadsoft
Жыл бұрын
But what delay does bucket head use
@andybungert
Жыл бұрын
😳 I must know
@noyd4172
Жыл бұрын
Boss DD-3 or Line 6 DL4; Buckethead, oddly enough, not a bucket (brigade device) head.
@CathodeRayNipplez
Жыл бұрын
KFC
@toolzshed
Жыл бұрын
It sounds so lovely ❤
@felipegrandy5738
Жыл бұрын
Loved how AFG-1 + ADG-1 sounds. btw you have a typo in the description link of the AFG
@dreplaysharp
Жыл бұрын
This is so interesting. Thank you for this!!
@WingZeroSymphonics
Жыл бұрын
Great stuff, analog rocks!
@dustinmcfarland2441
Жыл бұрын
Hey, this sounds like i'm floating i like it
@FantasticExplorers
Жыл бұрын
401th like! The Empire approves!!! These sounds will be heard through out The Galaxy!
@josiethompson5739
Жыл бұрын
Woah I love that outfit with the colorful sweater! I wanna sweater like that now lol
@lordofgonzo
Жыл бұрын
I'm from a town not far from Asheville, so this is super awesome on multiple levels. Good ol' MOOG and Asheville!
@stefansynths
Жыл бұрын
I resonated with what John said about once you put a computer in there, it tends to bring with it more features and complexity. I run into the same thing with my synth module designs. Microcontrollers are so cheap these days that there's hardly anything that it makes sense to do without one. But it bothers me from an aesthetic standpoint when we use them for simple stuff. It's like using a multitool as a screwdriver. I won't deny the convenience of having a screwdriver in your pocket when you need it, but the experience is just... not as good. So when I build things, I like to design them for their specific purpose, and nothing more.
@Daphoid
Жыл бұрын
Lovely stuff from lovely people. I will say though the one comment I noticed around these being simpler thus less pricey. While they're not at say EHX H90 multi effect territory, they're still in the "more premium / small batch" price range I'd say. Which given that small batch nature is expected. Not a gripe - just wanted to point it out for folks.
@toolzshed
Жыл бұрын
Yayyy the Emmas ❤️🎉
@richardsaffle
Жыл бұрын
The flanger + delay sounds a little like the Rainbow Machine… Those pedals all def sounds rad!
@patrickjordan2233
Жыл бұрын
I've had pedals (and keyboards) that I consider "aged out"...IE the decay of the transistor performance...? Granted, it takes (normally) decades, but the longer and frequency of device use seems to accelerate it slightly? When I first noticed this (early 2000's) I thought I was craZy (LOL 🤣😂👍), until I found some DOD & NASA papers discussing this phenomena? And mind you, our devices/effects DON'T have military/NASA grade components inside (they'd be HUGELY unprofitable AND unaffordable..) Moral? Don't be afraid to "freshen" up the signal path... (Dang aging, I guess it affects Everything? ROFL 😂😂) Love your channel, BTW..
@flamindigo
Жыл бұрын
Looks great, love the science, can't afford the price tag. - Keep on rockin' in the "never to be free again" world.
@toppersundquist
Жыл бұрын
*three seconds into the video* ITTY BITTY EMILY
@michaelfowler3187
Жыл бұрын
I enjoyed the tribute to stings fields of barley with the two analogers stacked. Since you're getting so into BBD you should check into pastfx and Verlie reviving the buffalo fx reticon flanger along with many other Panasonic mn3007 equipped builds that have a slicker and more sibilant frequency response than the cool audio chips used in similar devices. You also should look at the new Loke by Fjord Fuzz, that's some of the most amazing digital Delay and flanging I've heard, they made a very tape sounding program and I'm a chip snob but love it love it. Lastly I'll mention the 550-tt deluxe memory man, these usually can be found with Panasonic chips still and analogman does some nifty mods to allow better signal flow than the stock version and the ability to overclock the chips so the clock noise becomes overbearing but awesome. I have a video of the 550 if interested.
@MacheteMB1775
Жыл бұрын
ok great vid got all the way to the end i droped my phone but i hear you say you smell that ? i was like i did not hear a creek in the floor bored she did not let rip i look on my phone i see you talking about the peddle i was to far gone cracking up sorry Emily 🤣🤣🤣
@emilyharpist
Жыл бұрын
😂 😂 😂
@samday6621
Жыл бұрын
😄 Hi Emily & Co, I’m a visual artist, not musical, but love music and lived with musicians. I’m also a gen X, so grew up amongst analogue stuff and saw the transition to digital thru my teens. So I’m in that two worlds, where I can appreciate the hard sharp digital, as well as the warmth and soul of analogue. To me analogue amps etc feel alive. You can feel them warm up n hum. Where digital is just cold fact. When I practised fine art, I would try to push the medium, so as not to express it’s obvious traits. - screenprinting or wood cut printing can lack tonal fade or look blocky, so you’d work to mess with that. But sometimes you embrace what the medium delivers because it expresses what you want to say. 😄 …I have no answers or directions for you. ✊🏻 more you being you. p.s I saw a 1 second of your hair untied. I thought it looked good, relaxed. We may need a “release the hair - Wild Hair” clip, for fun.
@emilyharpist
Жыл бұрын
Wow thanks so much for this comment! I really appreciate you being here, always great to get some insight from another artist. Have a great day :)
@MAZZI100
Жыл бұрын
Amazing!.
@BrandonOutside
Жыл бұрын
That hair montage tho! Good stuff 😄
@dillipphunbar7924
Жыл бұрын
Respek tha grind
@sunahura
9 ай бұрын
Love it
@marcfruchtman9473
Жыл бұрын
I think the issue with demonstrating Analog devices, is similar to demonstrating the Vibrancy of a new color television ... the person hearing and seeing it, can only see/hear it thru the crappy TV they own, and thru the compressed audio of YT. Ultimately the warmth of Analog is almost always compressed down to digital these days, and isn't something someone can experience unless its played with Analog equipment or in a live event.
@lasagnahog7695
Жыл бұрын
Oh hell yeah. What a cool video.
@ThaDeucesWild13
Жыл бұрын
You rock Emily🤘
@Oteyo
Жыл бұрын
😍Amazing
@andmo90
Жыл бұрын
Hey Emily, love your videos! Am also a videogamedunkey enjoyer 🤣
@emilyharpist
Жыл бұрын
Dunkey is the BEST!
@marcdinsmore8690
Жыл бұрын
So why does the afg-1 have airplane mode on the phase switch? That feature seems pretty niche...
@stvsmith1791
Жыл бұрын
Analog is to digital what acoustic is to analog. Each is good at a certain thing but not good at being the other things. Dig? Why would you seek to make digital sound analog when analog does it perfectly? Use digital to do what digital does best. Lots of food chains are bragging about how much they can make plants taste like beef when cows have been doing that all along. Also, I never noticed before because of the musicality and charming smile, but yeah ... Nice pair. ;)
@JamieMPhoto
Жыл бұрын
A lot of this sums up why I love analog photography. It's ... analogous? :)
@mk1st
Жыл бұрын
Wow, that flanger has "airplane mode"
@emilyharpist
Жыл бұрын
I wish I was smart enough to make that joke in this video 😂
@ashevillemusictools
Жыл бұрын
@@emilyharpist Surely it has Airplane mode. And please don't call me Shirley. There is actually an Airplane reference in the ACV-1 manual. Did you catch it??
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