Manikandan talks about his next film, Kadaisi Vivasayi (The Last Farmer), and why Rajinikanth would be great for the lead role. He talks about how he uses realism as a tool, and how a director needs time to confirm his talents. He says you shouldn’t make issues too strong, and you shouldn’t have only entertainment, without any message. He says not everyone will get the layers in a movie. He says a director can create engagement value through image, sound, a melody. In a visual medium, he says you have to think of images rather than dialogue. He says he won’t allow anyone to affect the core story, not even the producer. He says a lot of films don’t need background music, and talks about the Indian tradition of using music right when the emotion begins, not just to underline it. He talks about lensing and colour palettes. He analyses why he is considered uncompromising. He talks about keeping a hero’s image in mind, about the use of film festivals. He says doors open more easily for commercial filmmakers.
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The Film Companion is a web channel intended to promote Indian cinema through films review, interviews, discussions, video essays and analytical compilations. It is intended primarily for the purpose of encouraging informed discussions, criticism and review of cinema and towards such purpose the programs use short extracts of cinematograph films, sounds recording and photographic works. These clips and extracts are of a minimal nature and the use is not intended to interfere in any manner with their commercial exploitation of the compete work by the owners of the copyright. The use of works are in compliance with the fair dealing exception provided under Sec. 52 of the Copyright Act, and we asset our use of the works under the exception provided for criticism and review.
Негізгі бет "You participate in Kaaka Muttai. You observe Aandavan Kattalai." | M.Manikandan | Face2Face
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