Cradle Of Filth - Topic
These are heady days for those of us who wear our devotion to metal like a badge of honor. The deafening beast of the dark depths has lived to roar and rampage again and the scene has never been in a happier or healthier state. But don't be deceived. Metal never really went away. In fact, its current fortitude stems entirely from the bands that never surrendered those brave, liquor-soaked men whose total disregard for the vagaries of fashion and finance kept them glued to the grindstone through metal's mainstream wilderness years. Now, as seems wholly fitting, the greatest of these are finally reaping their rewards and hitting new creative peaks as they surge unstopably onwards and upwards. And, as it was in the beginning, so shall it be now.Just as the gravel-lined, turd-stained streets of urban England gave heavy metal to the world back in the late 70s, so that small country with the big voice continues to be the place where the world's finest dark metal band rest their weary, alcohol-ravaged heads after another sonic killing spree. Love them, hate them or both, Cradle Of Filth is back again to fondle you while slitting your throat. Thornography has arrived!
Recorded at Chapel Studios in Linconshire, England, with renowned metallic production genius Rob Caggiano (Anthrax, Bleeding Through) and mixed by Andy Sneap (Killswitch Engage, Arch Enemy, Trivium) at Backstage Studios, Derbyshire, Thornography is the band's seventh full-length studio album and their second for Roadrunner. The follow-up to 2004's widely acclaimed and Grammy Nominated masterwork Nymphetamine it's a scintillating and terrifying collision between the familiar and the unexpected. It's the dark, destructive and unsettling sound of a globe-conquering heavy metal band at the height of their sick, twisted powers, and the continuation of a proud, priapic and unhinged legacy that stretches back nigh on 15 years.
When Cradle Of Filth released their now legendary debut album, The Principle Of Evil Made Flesh back in 1994, the notoriety surrounding the Black Metal scene - and its spiritual epicentre in Oslo, Norway, in particular - was reaching fever pitch throughout Europe. These legions of the damned and disgusted took metal further into the abyss than it had ever been before, stripping away its worldly concerns and reducing it to a pure and chilling core of impenetrable black menace. Cradle Of Filth were undoubtedly inspired by this sea-change in metal's ongoing evolution, they had their
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