TroyloDelay
Based on the original formation of the typical tango quartet of “two guitars, bandoneon and double bass”, Troylo Delay develops this new proposal combining tradition with the use of new technologies.In the 1950s, a typical quartet stood out with maestro Aníbal Troilo on bandoneon and Roberto Grela on guitar at the head: “El quartet de Troilo-Grela”. From this tango event comes the name “Troylo Delay”, paying homage to these great Argentine musicians, being an “echo” or a “delay” of that very particular sound but with some gestures of new modernity. The word “delay” comes from the sound effect of electric guitars that provide the instrument with a repetition of what was played, like an “echo.”
“Troylo Delay” is a concept that reflects the old and the current.
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