i don't think he transcribed the other movements. if you look at page 3, under "transcriptions de concert", only the first movement of beethoven is listed s9.imslp.org/files/imglnks/usimg/a/ae/IMSLP233164-SIBLEY1802.19130.f957-39087012484244score.pdf
@rosiepiano
13 күн бұрын
of course it's possible that he began transcribing the other movements, and maybe they have been lost, but i don't think they were ever published
@ciararespect4296
12 күн бұрын
@@rosiepianoI've got them 😂. Ill be publishing later
@_b_moll
13 күн бұрын
Yooo cool I'm learning the normal version right now and was thinking about playing the Alkan cadenza or trying my hand at writing my own because his looks way too hard
@happypiano4810
13 күн бұрын
You can do both.
@pseudo_klavier
14 күн бұрын
I love cadenza 14:34 which he quoted Symphony no.5
@piyamaslimaichay9061
14 күн бұрын
Woah, I never knew there was a recording of this obscure but wonderful piece, please more thalberg
@cantdecideonmyname4441
14 күн бұрын
where did you get such a good version of the score? the one on IMSLP is very grainy. did you engrave it yourself?
@rosiepiano
14 күн бұрын
@@cantdecideonmyname4441 i found it on the french national library's digital archives! it should be uploaded to imslp and accessible in a week or so. i always try to look for a good quality score and i upload everything i find to imslp :)
@cantdecideonmyname4441
14 күн бұрын
@@rosiepiano oh thanks a lot!
@Hameln1
14 күн бұрын
@@rosiepianobased
@ciararespect4296
12 күн бұрын
Thanks very much I've screenshot this but that'll be handy @@rosiepiano
@thenameisgsarci
14 күн бұрын
omg thanks for bringing this back :D
@Muphy-xq7qr
14 күн бұрын
Thank you
@Archiekunst
15 күн бұрын
Waiting for the 3rd movement. It will be glorious I'm sure.
@rosiepiano
15 күн бұрын
i fear alkan only transcribed the first movement of this concerto
@Archiekunst
14 күн бұрын
@rosiepiano Ach! Shame! I'd do it but I'm incredibly lazy.
@WD_GX
9 күн бұрын
Well, he did at least transcribe the full concerto no 20 by Mozart, the adagio from the emperor concerto, Handel's 1st movement from the piano concerto (lost) and many others, he did arrange for orchestral and vocal works, like the allegretto and the Finale from the 7th symphony by Beethoven arr. for 2 pianos, 8 hands that he himself played live with his friend and neighbour Chopin, Zimerman (Alkan's teacher and the head of the "conservatoire de Paris", Alkan was his best student), and Gutmann, which is really sad that it's lost
@rosiepiano
8 күн бұрын
@@WD_GX i can't find any evidence of an emperor concerto transcription. do you have a source?
@WD_GX
8 күн бұрын
@@rosiepiano sorry, didn't mention that it's lost (i guess), but there is, from his 6 petits concerts that he performed in a course of 4 years, he played it (i guess), maybe you can find about it in the Alkan society. It was in his 2nd year, the 3rd program and the 2 part after the interval, he played 1 : a. canon by Schumann, b. Fugue for piano-pédalier. 2 : Lieb, for voice and piano. 3 : 3 transcriptions for solo piano : 1. Andante from concerto no 4 by Beethoven, 2. Andane from symphony no 36 Mozart, 3. Menuet from symphony no 40 Actually, nvm i can't seem to find it and found the no 4 instead of no 5, i'm really sorry for that but i believe that i already saw it, but also found that he played the Largheto from Chopin's 1st piano concerto but i don't think that he transcribed it for solo piano.
@jessicaeskebk5945
15 күн бұрын
randomly quoting Beethoven's 5th in a cadenza is such a power move. feels like something Rzewski would do
@rosiepiano
15 күн бұрын
i quite like it. in c major the first three notes are identical, so it's only logical that he puts the two themes together
@jessicaeskebk5945
15 күн бұрын
@@rosiepiano it’s awesome
@mrtchaikovsky
16 күн бұрын
Do you take requests?
@rosiepiano
16 күн бұрын
@@mrtchaikovsky whats the request
@mrtchaikovsky
16 күн бұрын
@@rosiepiano Felix Petyrek's Variations and Fugue in C Major.
@ţťþtţtt
17 күн бұрын
didn't know there was a non-MIDI recording of this
@jessicaeskebk5945
19 күн бұрын
love using the highest note on the piano in fugues
@benharmonics
16 күн бұрын
That note didn't even exist on the piano when this piece was written!
@Sujkhgfrwqqnvf
22 күн бұрын
How is possible to play that first chord on the piano? Id like to see the pianist monster hand
@mralbertoooo
21 күн бұрын
stretch your left hand from the low e to the f sharp. your right hand can take the top a of the bass clef. :)
@shalvahmbmacdonald8487
23 күн бұрын
Loving Philip Martin's Gottschalk recordings! Have been looking for the score for this (and other) pieces - imslp doesn't have a scan of it, and I have yet to find a publisher who does. Any info would be greatly appreciated.
It’s a beautiful piece, super light and beautiful.
@norwalltino
26 күн бұрын
Fabolous!!
@GarciaAlisson
26 күн бұрын
Am I the only one catching a lot of Petrushka from this?
@VictorDMusic
27 күн бұрын
I can hear the Grieg influence, including a few direct quotes. Fun piece!
@mrtchaikovsky
25 күн бұрын
Quotes such as?
@rodterrell304
27 күн бұрын
Beautiful pieces
@piyamaslimaichay9061
Ай бұрын
Can you do mark viner recording of alkan's Jean qui pleure et Jean qui rit fugues?
@rosiepiano
Ай бұрын
sure
@piyamaslimaichay9061
Ай бұрын
One of gottschalk best work
@scottelbourne5866
Ай бұрын
Almost has a Disney sound to it…
@empireentertainmentevents1353
Ай бұрын
I cant understand why Moszkowski is not more famous. His music is divine!
@philipstevenson5166
Ай бұрын
like czerny
@scriabinskunk
Ай бұрын
I'm almost ashamed to admit that, while listening to Liszt's transcription of the 5th, I was wondering where the part at 15:05 was, not remembering it came from Thalberg LOL
@largoallegrorisoluto
Ай бұрын
Must've practiced 40 hours to perform this
@Archiekunst
Ай бұрын
The role of Octavian is traditionally played by a female singer, specifically a mezzo-soprano. This type of role is known as a "trouser role" or "breeches role," where a female performer portrays a male character. The practice of casting women in these roles dates back to the Baroque and Classical periods of opera and continues in modern productions. In "Der Rosenkavalier," the portrayal of Octavian by a female singer adds to the opera's themes of disguise and gender fluidity, particularly in scenes where Octavian himself is disguised as the maid "Mariandel."
@Archiekunst
Ай бұрын
"Der Rosenkavalier" is a comic opera in three acts by Richard Strauss, with the libretto by Hugo von Hofmannsthal. Here is a short summary: Act 1: Set in 18th century Vienna, the opera opens with the Marschallin, Princess Marie Thérèse, in bed with her young lover, Count Octavian. Their morning is interrupted by the arrival of Baron Ochs, the Marschallin's crude cousin, who announces his engagement to Sophie von Faninal, the daughter of a wealthy bourgeois. Ochs asks the Marschallin to suggest a young nobleman to present Sophie with a traditional silver engagement rose. The Marschallin recommends Octavian, who disguises himself as a maid to avoid being discovered by Ochs. Amid the chaos, the Marschallin reflects on the passing of time and her fading beauty. Act 2: Octavian, in his role as the "Rosenkavalier" (Knight of the Rose), presents the silver rose to Sophie, and the two instantly fall in love. Baron Ochs arrives, revealing his boorish and lecherous nature, which repels Sophie. She and Octavian plot to thwart the engagement. They arrange for Ochs to meet with "Mariandel," Octavian's maid disguise, to expose his character. Act 3: The final act takes place in an inn, where Ochs eagerly awaits his rendezvous with "Mariandel." Instead, he is tricked and humiliated by Octavian, Sophie, and their accomplices. The Marschallin arrives to find Octavian and Sophie together. Realizing Octavian's love for Sophie, she gracefully steps aside, acknowledging that it is time for the young lovers to be together. The opera ends with Octavian and Sophie expressing their love and the Marschallin accepting her inevitable solitude. "Der Rosenkavalier" is renowned for its lush orchestration, intricate characterizations, and themes of love, time, and the bittersweet nature of life.
@art88tum
Ай бұрын
I can play this with only one feet...
@prammar1951
Ай бұрын
Hey Rosie I like your work, do you think you can do Thalberg's le depart? There is a great performance here by Stanley Waldoff
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