The PDF booklet with the 11 shapes are available here: E-books: qjamtracks.myshopify.com/products/2-1-2-arpeggio-shapes Patreon: www.patreon.com/posts/e-booklet-2-1-2-96229081
@scottfriery9091
4 ай бұрын
Thank you! Much appreciated. I needed this course on arpeggios. You did well by removing all the muck from it. Simple and easy.
@jadeowenhamblyn4405
8 ай бұрын
Your pacing, the language used, graphics... everything so on point. Thanks for showing us how it's done man!
@MusicheadRick
8 ай бұрын
He is Dutch like me, but when he speaks English the Dutch accent is almost absent.
@HeadbangoO
8 ай бұрын
@@MusicheadRick If you play sheven chords, sure 😜 Just kidding, he's great.
@QJamTracks
8 ай бұрын
;)
@QJamTracks
8 ай бұрын
Dank je Rick :)
@bestboy897
8 ай бұрын
this is the best lesson on improvising imo. arps are the best tool for soloing
@markg2861
4 ай бұрын
Check out tim miller he has endless content on it
@steveelle2169
8 ай бұрын
Another great explanation of music theory and how to apply it. The best guitar channel IMHO.
@QJamTracks
8 ай бұрын
Thank you!
@django-unchained
8 ай бұрын
Nice with rapid pace and straight to point here. Helps hearing everything rapidly for the differences and we can always paus and go back :)
@ЗоранПетров-й5н
2 ай бұрын
Excellent harmonization theory lesson!
@BringerOfBloood
8 ай бұрын
What I am doing now for practice is the 2-5-1, but I do a tritone substitution playing Falt instead of B9 (with b5 and b9) - then you have nice "voice leading" and don't have the big position shift. And you practice one of the more weird shapes as well.
@TheMeister74
7 ай бұрын
I came across your channel wonderfully by chance. I love arpeggios. After a five-year break from playing, I have found love for our beautiful instrument again. You are a very good teacher with great examples of scales and tablature. Simply explained. It couldn't be easier to learn the guitar. Excellent
@QJamTracks
6 ай бұрын
Thank you!
@Crabfather
8 ай бұрын
You provide us with really top notch stuff man, thank you for all your hard work.
@shakyj1221
8 ай бұрын
Well done. Constructive, practical and concise.
@tonyrapa-tonyrapa
8 ай бұрын
Brilliant - thanks Rob.
@dayancakra1321
8 ай бұрын
Ok Johny Fontane, the Don would like to appreciate very much for the arpegios you have given him..😁
@micheal4897
8 ай бұрын
"...in case you have a good memory, but it's short." I love your sense of humor!🤣
@NavigateCareerDesignAdelaide
8 ай бұрын
Really terrific lesson, so clearly presented and easy to implement. And delivered with a good sense of humour! Thank you 😊
@QJamTracks
8 ай бұрын
Thanks!
@kkkkkkkk407
8 ай бұрын
great lesson
@luchomartinez432
6 ай бұрын
Sería bueno que añadan la traducción en Español. Gracias muy buen video.👍
@komsanboonde2599
8 ай бұрын
Great lesson for improvisation.
@Ribs13
8 ай бұрын
Very nice, this was easy to follow and it made sense.
@ruperterskin2117
8 ай бұрын
Cool. Thanks for sharing.
@mountp1391
8 ай бұрын
Amazing video
@Veteran365
5 ай бұрын
Amazing
@IshredGuitar
5 ай бұрын
Excellent! I transcribed these with picture diagrams in my lead guitar music theory notebook. I've been playing many of these for a few years now but never really knew exactly what I was playing. Now after studying them for a few minutes and writing them down I know what I'm playing! To absorb this for me I have to write them down and that way they become seated in my knowledge with recall memory. Would love to get a short backing track for the 12:51 section extended to around 1:30-2:30 minutes?
@QJamTracks
4 ай бұрын
I'll see what I can do....
@adonislajara6955
8 ай бұрын
Awesome lesson as always
@ericcasey7598
8 ай бұрын
Very helpful for learners like me
@RozarSmacco
8 ай бұрын
I prefer 1-3 (and 3-1!) cause they’re sweepable shapes that repeat in octave across the entire neck and are easy to remember.
@ДмитрийСкородумов-щ7й
8 ай бұрын
Спасибо за ваш материал, очень качественный кантент, успехов и всех благ! ❤
@jameserenberger3425
8 ай бұрын
Fantastic!
@lukeshawmusic
8 ай бұрын
Thanks for this awesome lesson! 🤟
@janes7227
8 ай бұрын
That's crazy great sound your getting. Can we possibly get a gear breakdown?
@QJamTracks
8 ай бұрын
For now: I'm using a Strandberg Prog NX guitar (mainly neck pickup) with a Fractal FM9 in which use the Bogner Extacy Amp and the Carvin Legacy (Legend Amp)
@1337treats
4 ай бұрын
Is this a “fanned fretboard”?
@amandae2211
8 ай бұрын
Very cool, love this, thanks.
@martinrhodes1619
8 ай бұрын
This was great! But how do I purchase a PDF for this lesson? Thank you!
@chemwizard5150
8 ай бұрын
I agree! Great lesson. I have to tell you that Rob's lessons are my favorite on KZitem. So where do we get hard copies or a pdf of this lesson with all the shapes, etc? Thanks!
@QJamTracks
8 ай бұрын
Hi Martin. The PDF is available here: qjamtracks.myshopify.com/products/2-1-2-arpeggio-shapes
@martinrhodes1619
8 ай бұрын
@@QJamTracks thank you!
@LaCarotaStanca
8 ай бұрын
Perfect
@kukumuniu5658
8 ай бұрын
I would like to see video like this but with title Arpeggio Couterpoint :>
@ss_avsmt
8 ай бұрын
I know nothing about the music theory so I didn't understand anything. But I will memorise all the shapes and maybe someday when I do understand, I'll use them.
@crashhamilton
8 ай бұрын
This is Tim Millers stuff. I’ll apologize if I’m wrong but I think it should be acknowledged…
@QJamTracks
8 ай бұрын
Hi. Tim Miller is a great guitar player and has some great ideas for playing modal arpeggios in an unique way. What I describe here is not one them. The 2-1-2 approach is something that is used for a long time and you'll learn it in every standard guitar method and is used a lot by shredders these days. Tim Millers approach is different, unique and beautiful. He uses a 2-1 system often based on 9th and 4th wider intervals and sometimes wider stretched that he calls the 3-1 system very much pointed at modal playing. What I describe and what Tim Miller does has similarities of course, because both are arpeggios.
@crashhamilton
8 ай бұрын
I think the google results and KZitem timeline of videos on the subject speaks for itself, but I’ll add that the first I heard of 2-1-2, and in fact the only time until a couple years later when people started mentioning it (and always at the same time Tim Miller), was 7 years ago. For historical context I was at Berklee in the early 90’s and have been a rabid jazz guitar fanatic since the 80’s.
@michouharoliyk2050
8 ай бұрын
Tim Miller all the way. Virtuosos are everywhere these days. Genius is rare as ever
@JeremiahDaniel1995
8 ай бұрын
4:38
@alissonburgers5329
8 ай бұрын
thank you for this gift on the day of your daughter's wedding
@QJamTracks
8 ай бұрын
;)
@donnydorfel
8 ай бұрын
Makes me wonder how many screenshots will be made with this video.
@elementsofphysicalreality
8 ай бұрын
I tune all 4ths. I use 2-1-1-1-2, 2-1-2-1, 2-2, 2-1-1-2-1-1-2, 3-1-3-1, all sorts of shapes and inversions. Not sure why 99.99999% of the rest of the guitar community tunes standard still.
@QJamTracks
8 ай бұрын
Tuning in 4th has definitely advantages when playing scales and arpeggios. On the other hand it is less suited for chords shapes. The common assumption is that the standard tuning is best of both worlds...
@lifetimeactor6789
8 ай бұрын
Congratulations on your daugher's wedding. I owe you one!😅👍
@QJamTracks
8 ай бұрын
:)
@theswissmiss69
8 ай бұрын
A wedding?
@darienmoncree3980
8 ай бұрын
I feel like Tim Miller should be mentioned.
@QJamTracks
8 ай бұрын
Absolutely true! I was planning to imply his technique in this video, but it was getting too long so I left it out. But I will make an ode to his 2-1 and 2-2 system the near future.
@crashhamilton
8 ай бұрын
No kidding
@thegermantomoeser
8 ай бұрын
...burned flesh! 😂
@kagenotatsumaki
2 ай бұрын
Why is everyone in the comments talking like Tim Miller created this? He didn't.
@michaellee3522
3 ай бұрын
Don’t act like you created something. Give my boy Tim Miller credit.
@QJamTracks
3 ай бұрын
Hi, I never said in the video it was mine and frankly I don't think anyone can claim creative ownership, because these shapes are as old as can be. I learned them between 1990 and 1995 on the academy and some of them are used in Jazz all the time. What does belong to Tim Miller's creative ownership is his remarkable modal approach with another kind of 2-1 and 3-1 fingerings for particular modal sounds and applications. This is another thing.
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